But... watching Steven Barnes taught me to treat my life like an art form.

I don't like to say I have given my life to art. I prefer to say art has given me my life.

My life has always somehow been played out in a minor key, unresolved. Art somehow resolves things for me.

Quite simply, I owe everything to Jean-Luc. He taught me everything I know about films, about books, about art, about life.

One of the reasons that art is important to me is sometimes it actually feels more coherent than life. It orders the chaos.

Art does imitate life, it has to come from somewhere. To put boundaries and limitations on it doesn't make a lot of sense to me.

I got married, which opened me up to a whole new way of feeling about life, which in turn reflected on the way I do my art, you know.

What strikes me is the fact that in our society, art has become something which is only related to objects, and not to individuals, or to life.

There's only one reason for my whole life, and that's art. Nothing else counts; nothing else gives me pleasure; nothing else gives me satisfaction.

To me, the highest expression of life is art with jokes. It's very rarified, very difficult to accomplish if you want to be more than just funny and more than just jokes about human gaseousness.

For me, body art is all about expression; it's a lifestyle and can serve as a reminder that when my career is done, I'll have a story to tell on my body. And it will be my story of my life on my body.

I think you learn a lot about a country from its art. To me, it's part of the drama of life. It teaches you that there are places, moments and incidents in other cultures that genuinely have a life of their own.

To me, art and storytelling serve primal, spiritual functions in my daily life. Whether I'm telling a bedtime story to my kids or trying to mount a movie or write a short story or a novel, I take it very seriously.

I'm normal. I just had a different occupation for a while, and when you're in a different occupation, you have to carry yourself a different way. Most of my art is me bringing you stories from that era of my life. My life now is kind of boring.

I don't think schooling of any sort really prepares you for real life. I don't know if art school would have prepared me to draw comics. Half of the people I know in comics went to art school, half of them didn't. Some of them went and dropped out.

I collect art, and I drink wine... things that I like that I had never been exposed to. But I never said, 'I'm going to buy art to impress this crowd.' That's just ridiculous to me. I don't live my life like that, because how could you be happy with yourself?

I realised the bohemian life was not for me. I would look around at my friends, living like starving artists, and wonder, 'Where's the art?' They weren't doing anything. And there was so much interesting stuff to do, so much fun to be had... maybe I could even quit renting.

Each one seems to be, in some way, essentially different from the others, and each is a surprise to me. I think that making books, or any kind of art, might also be like mining. The artist digs into his or her life and imagination and never knows what they'll find. That's the adventure.

The word 'art' interests me very much. If it comes from Sanskrit, as I've heard, it signifies 'making.' Now everyone makes something, and those who make things on a canvas with a frame, they're called artists. Formerly, they were called craftsmen, a term I prefer. We're all craftsmen, in civilian or military or artistic life.

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