For some odd reason, the expression 'death of a poet' always sounds somewhat more concrete than 'life of a poet.'

Old age is always wakeful; as if, the longer linked with life, the less man has to do with aught that looks like death.

In an artwork you're always looking for artistic decisions, so an ashtray is perfect. An ashtray has got life and death.

In the end we are all sacked and it's always awful. It is as inevitable as death following life. If you are elevated there comes a day when you are demoted. Even Prime Ministers.

I thought I had a clear picture of death, but now I know it's a mystery and it will always be a mystery, although it is something we all have in common: everybody knows that life ends with death.

There are always those 'Gossip Girl' walk-and-talk scenes where you're walking and just talking about life and death. You're having a serious conversation, looking someone in the eye, but everywhere around you, it's literally a circus.

I think from an actor's point of view, you always want something to play that's dramatic or something that feels like it could be very bold in choice. And of course, the boldest possible choice you could play at the end of a character's life is death.

I've always been pro-life from conception to natural death. It's important for the Republican nominee to maintain what we stand for. We are the party that stands for all of life, whether it's convenient or inconvenient, whether it's perfect or imperfect.

I almost always start with setting! I have to know the world before I know how to populate it. I have a tendency to play with doors - between life and death, human and monster, mundane and magic - and with 'ADSOM,' I knew I wanted to play with the physical doors between worlds.

Thanos and Adam Warlock are two of a kind because they're both sort of out of the norm: out of the circle of life and death that falls on top of everyone else. Both have had multiple deaths and resurrections, and they always seem to get pulled in as key players for cosmic events.

I guess I just process death differently than some folks. Realizing you're not going to see that person again is always the most difficult part about it. But that feeling settles, and then you are glad you had that person in your life, and then the happiness and the sadness get all swirled up inside you.

Even though everybody's lives are different, in general we're all human beings, and we go through the same things: disappointments, the pleasures of life, life and death. That's always been a really big part of the show to me, making sure the audience feels connected, and that carries through to the album.

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