Quotes of All Topics . Occasions . Authors
I think I've been very fortunate, considering the obstacles that I had to deal with, you know, just being - by virtue of being a brown, lovely, brown-skinned man. But on the other hand, I've been able to make a good living, and I've been able to take care of my family, which is most important to me.
Carter started down the stairs, but I grabbed his arm. “Hang on. What about traps?” He frowned. “Traps?” “Didn’t Egyptian tombs have traps?” “Well…sometimes. But this isn’t a tomb. Besides, more often they had curses, like the burning curse, the donkey curse—” “Oh, lovely. That sounds so much better.
I was never one of those surly teenagers who doesn't smile. My lovely godfather said it was always lovely to see me because I was the only teenager who smiled. And I was so in awe of him, I thought it was one of the best things anyone had ever said to me. So it made me want to live up to what he said.
Recently I made the mistake of opening a bundle of reviews that someone had sent me of a production from years and years ago, and someone had written a really lovely review except that it made a remark about the way I spoke: 'A lot of people find her voice terribly irritating.' Do they? I had no idea.
The universe is so enormous, and we have no idea what's on the other side of the galaxy. It's a lovely thing to be able to tap into. I'm definitely not opposed to any supernatural ideas, but I've never encountered any. I believe in spirits, but I've never seen a ghost. And I believe in Heaven and Hell.
My mum and dad ran a family cafe in Sligo for 35 years and worked long hours. We grew up in a very hard-working family and had a lovely atmosphere, as we lived above the restaurant. It definitely made me want to work hard, whatever I chose to do. As the baby of seven kids, I was definitely a bit spoilt.
I was amazed to realize that for many Westerners, Scheherezade was considered a lovely but simple-minded entertainer, someone who relates innocuous tales and dresses fabulously. In our part of the world, Scheherezade is perceived as a courageous heroine and is one of our rare female mythological figures.
No, I chose the name Jane Seymour because I was doing my first film, 'Oh! What a Lovely War,' and one of the top agents in England spotted me dancing in the chorus. I was a singer and dancer in that movie with Maggie Smith, um, and he told me he couldn't sell me as Joyce Penelope Willomena Frankenburger.
But you have such dimples," said Anne, smiling affectionately into the pretty, vivacious face so near her own. "Lovely dimples, like little dents in cream. I have given up all hope of dimples. My dimple-dream will never come true; but so many of my dreams have that I mustn't complain. Am I all ready now?
You go through this business and you meet people that you bond with, and you get to go make movies with them. It's wonderful. What I've always dreamt of, in my career, is to have a brotherhood of collaborators, and go in and out of working with them. I'm just starting to get that, and it's really lovely.
I couldn't be 'Johnny' in front of a camera in acting jobs and behind the camera I like to be 'Michael.' With directing, you can't do it by halves. There's a lot of reflection, and I have found that I, as 'Michael,' thrive on it. It's lovely coming home and feeling that stuff from a day's work as myself.
For the first time in my life I tried whale. It was very chewy and quite fatty. My friend had had whale before, so I knew it would be quite blubbery. It was delicious. I loved it. It was smoked, so it had a lovely kind of tangy taste to it. We had it a couple of nights. I was won over. It was very yummy.
When I first began visiting West Germany in the early 1980s, I was startled by the contrast between Birmingham, where I went to school, and affluent Cologne. My host family, the lovely Schumachers, always had an opulent array of grapes on the table; they were better dressed than anyone I knew in Britain.
There is that lovely feeling of one reader telling another, 'You must read this.' I've always wanted to write a book like that, with the sense that you are contributing to the discourse in middle America, a discourse that begins at a book club in a living room, but then spreads. That is meaningful to me.
I want to expand the question of when something is done. I want to vex the ending. I want to mess around with that. I like the idea that if you make a work that has no clear ending, then you must play with the ending. Because if you don't, you're not highlighting the weird, lovely openness of abstraction.
Honestly, I am hoping to influence young people, and Twitter's a great way to encourage them to lend their voice to the conversation. Any time you can show young people that you support gay friends and that there are gay people in the world who are lovely, happy, singing, and in love, it opens their minds.
I always swore I would never write a book. But I read Clare Balding's and it was really interesting and so prettily written and lovely and not too revealing. I went to her book launch and met her editor who said 'why don't you think about it? You can do it however you want, based on your characters or you.'
After graduating college, I finally allowed myself to strive for what I loved to do, even if there were no guarantees that I would be able to make a living off of acting. This, combined with my life experiences prior - like stars aligning - led me to this lovely role of Katana within the DC Comics universe.
When I got to 'Looking,' I didn't know that you could write stuff and they would put it on TV. That was that experience. My boss was Andrew Haigh and he came from film; he had never done TV. It was his first TV show, and he was running it. And I think he was like, 'Write it, and we'll put it on.' It was lovely.
And Poppy, remember that someday you will meet a frog who will turn into a handsome prince." "Good," Beatrix said. "Because all she's met so far are princes who turn into frogs." "Mr. Bayning is not a frog," Poppy protested. "You're right," Beatrix said. "That was very unfair to frogs, who are lovely creatures.
I love yoga... I also see an Ayurvedic doctor, which is an ancient Indian thing. I go and see the doctor to balance my system twice a year; it's preventative. They take my pulse, give me some herbs, and tell me what I should eat and what I should avoid. They rub oil on me too, it's so lovely. It's like a detox.
3D, the ever-changing 3D. It's great. It's been really interesting. My family came to the set a few times, and I see them with their 3D glasses on. It's lovely to have them there and be a part of it, and see the magic that we're playing with, because it really is incomprehensible until you see it on a 3D screen.
I'm not one of those people who wakes up and thinks, 'Bring on the day!' I have to have about 7 pints of coffee before I'm even remotely awake. But I love the golden hour in the evening, as hokey as that sounds. Just as the sun is about to set and you get those lovely shadows and everything looks gold and yellow.
All the Oscars stuff for 'An Education' was incredibly exciting, especially because it was such an underdog project - no one would give us the money for it, and we all nearly gave up because it wasn't getting anywhere, then suddenly a breakthrough and this really lovely film, which then took on a life of its own.
Granted, it's not easy to be a super-tall woman in Hollywood. But there are times when it works in my favour. In 'The Night Manager,' for example, both of my co-stars, Hugh Laurie and Tom Hiddleston, are also well over 6 ft. and it was lovely to look a co-star in the eye and not have them standing on an apple box!
The only thing that matters is to have charm and expression. Then comes that horrible gnawing doubt of our own magnetism. Is it possible that, though we are not lovely, we are not irresistible either? That we will have to go through life belonging neither to the triumphantly beautiful nor to the triumphantly ugly?
When I look back on my life, it seems nearly everything of interest happened in little more than one decade - dramas, tragedies, major events, pleasures, my close friendships with artists and political figures, the lovely places where I lived in England and New York, the trips to Europe, visits at the White House.
True virtue never appears so lovely as when it is most oppressed; and the divine excellency of real Christianity is never exhibited with such advantage as when under the greatest trials; then it is that true faith appears much more precious than gold, and upon this account is "found to praise and honour and glory.
If you walk into a room and one hundred people say, 'You are a lovely, beautiful person', who isn't going to be affected by that? But you have to tell yourself not to value that. You have to tell yourself - or at least I do - to not become accustomed to hearing applause in any way, because I think that's dangerous.
I am a nice human, but I've also got Italian in my family. My mom's side is Italian and my mom is a very scary human being. I get a lot of that intensity and snap straight into it from her. She's legit terrifying. Lovely girl. Lovely mother but when she gets angry, she's absolutely terrifying. She's a damn monster.
I learn from Larry Ellison every day. I've said this before: how is it to work with someone who thinks out of the box? Larry doesn't see the walls at all; he does not see the box. He is an absolute, true visionary. And to be honest, I always find myself in a box! I'm comfy in my box. I've furnished it; it's lovely.
I see film roles as lovely presents that come along now and again. I feel really lucky and say thank you very much. And if they fly me to L.A., I think, 'God, I must really be doing well.' I've worked with De Niro and Brando and Pacino, and that's made me feel very lucky. But the films have never meant a lot to me.
I can see why people keep having babies. We were looking at a school for my youngest this morning, and there were all these little boys and girls. So sweet. And then the teenagers walk past, and, my God, they're enormous, and I bet they don't kiss their mummies. I'm just going to force my children to remain lovely.
By 30, I was separated from my husband, and I clearly remember sitting in my lovely office with a magnificent view, staring at a very lucrative pay stub, and bursting into tears because I was just miserable. So I had to make a decision: Keep following my plan, or be honest with myself and search for my true passion.
So far, Vancouver is my favorite relocation city. It feels like home. Parts of it remind me of the east coast. It's very clean. The food is great. And the people are lovely. Not that I didn't love working in other glamorous locations like Downey, Detroit, Cleveland or Bulgaria... but, damn, it is fun to be Canadian.
He [Merlin] is slightly from another world and place, so it [challenge in bringing the role to life] is about having fun and presenting it in a new way. He's more of a politician, and slightly Machiavellian, but there's also a lovely relationship going on between Merlin and Arthur. There's so much to be had, really.
This may be a bit of a broad statement, but I don't think there's anyone that I've met that I haven't created a bit of a deep relationship with. It's a really lovely thing to create a relation with people that might not anticipate that closeness. And that's kind of the light of my life, getting to be close to people.
People say the comedy is so shocking, but if you read newspapers or look around generally - I mean, obviously I'm not writing about all the lovely things that there are, which I do see as well - but there is a lot of outrageousness around, slightly covered up. And obviously, it's fun to take that a little bit further.
I think there's a fundamental distinction between character-driven movies that are just really lovely slice-of-life movies and character-driven movies that you remember 20 or 30 years later; the common denominator with the ones you remember is that they all have some really complicated emotional problem at their core.
When In The Style came to me asking if I wanted to do a collection, I said very clearly what kind of collection I wanted it to be, and the lovely thing was that they were looking to do the same kind of thing. I stated that I didn't want any retouching, and I want the women modelling the clothes to represent all women.
There was always that thing with 'Johnny' - I always saw myself as his writer and PR. But when he got out there, I had no control. His whole thing was going off on those flights of fancy. Going, 'Let's see what we can possibly do that hasn't been done before up here.' And when it works, it's lovely; it's a great night.
Among all the accomplishments of youth there is none preferable to a decent and agreeable behavior among men, a modest freedom of speech, a soft and elegant manner of address, a graceful and lovely deportment, a cheerful gravity and good-humor, with a mind appearing ever serene under the ruffling accidents of human life.
These days I think the composers of music influence me more than any photographers or visual creators. I see something exciting or lovely and think to myself: 'If Papa Haydn or Wolfgang Amadeus or the red-headed Vivaldi were here with a camera, they'd snap a picture of what's in front of me.' So I take the picture for them.
So I've got mates I've known since I was five years old. Their children know my children. There's something really lovely about it. When you're an immigrant - my parents were immigrants, their brothers and sisters lived all over the world, Florida, Jamaica, some in Europe - it's a grounding thing. That community is critical.
When I was younger, I'd go to the Museum of Television and Radio in New York and watch this beautiful clip of Billie Holiday playing with a bassist, a pianist and Gerry Mulligan, who was a friend of mine, on baritone sax. At one point, she looks over at Gerry, and they just smile. When those moments happen, it's just lovely.
Most records, you build from the drums and bass up. This one, we started with the vocals in Nashville and recorded them live with just the guitars and tried to make that complete and lovely-sounding without any adornment at all. I really wanted to get something with the vocal that I've never gotten before Armchair Apocrypha.
You don't learn charm. It's not something that you can acquire. I have used it much in my life with great success, but it's not necessarily what makes me an actor. It became a very easy label to attach to me. It also feels a bit dismissive. People go, 'You're so lovely and charming', but it's a wee bit, 'That's all you are.'
I decided to give acting a serious, committed try, and soon after, I read the script for 'Lovely and Amazing.' The story was beautiful and honest, and the characters struggled with the same insecurities many women - including me - face. I didn't think I had a chance in hell of being in the film, but I knew I had to go for it.
I was on holiday in Ibiza, having a lovely time, writing a book and looking at the stars every night and generally not having a care in the world. Then I got sent the script for 'Death in Paradise.' I couldn't get back to England in time for the auditions, so my girlfriend filmed me on her camera, and I sent it off via email.
I do mostly Southern landscapes. I do beautiful old barns that are falling down, and beautiful trees reflecting in the water. My lovely wife Dorothy and I travel quite a bit, so I take pictures of different things that inspire me to come home, when I come home here in North Carolina, into my art studio and paint these things.