Quotes of All Topics . Occasions . Authors
I think we, as a fasion industry, need to hold people accountable for their actions. I want people to realize that models have a voice, and a powerful one at that. I want all models to be treated with more respect because that's what we all want - basic respect and to not be treated like objects with no will. I hope that models can be more empowered to say 'no' or give their opinion without being labeled as difficult. Modeling should be a collaboration. If the makeup artist, photographer and stylist all contribute, why can't models?
My parents used to park us kids at the public library in downtown Honolulu every Saturday. They'd leave us there at 8 A.M. and pick us up at 4 P.M. - so between those hours, you'd better find something to do! I sat upstairs in the picture room and went through opera, ballet, and theater books. I loved the photographs of people wearing elaborate makeup and costumes - they really pulled at me inside. I was in that library every week for years, until I was about 13. I had a rich interior life, because I didn't have much of a social life.
I really did feel like I was surrounded by family members. I didn't have a dad, and I remember there were all these guys - in the old days, there were no women, except a makeup artist or, occasionally, a script supervisor. So there were just guys who taught me how to, you know, whittle wood, or how to pull focus, and what the camera was doing. And if I was being bratty, they'd sit me down and tell me. There were lots of rules about not being late and making sure that you didn't spill anything. So it felt a little bit like I was in a family.
Investing is the intersection of economics and psychology. The analysis is actually the easy part. The economics, the valuation of the business isn't that hard. The psychology - how much do you buy, do you buy it at this price, do you wait for a lower price, what do you do when it looks like the world might end - those things are harder. Knowing whether you stand there, buy more, or whether something has legitimately gone wrong and you need to sell, those are harder things. That you learn with experience, by having the right psychological makeup.
I remember so clearly, in the early days, if I had to do a piece of press, they'd phone for me and say, 'Oh, we're going to bring hair and makeup, it'll take about five hours.' And I said, 'Well, if it was Ian McEwan, would it take about five hours? Would there be hair and makeup? Cause if that's not the case, then don't bring the hair and makeup.' So, it's fascinating that they just assume: it's a young woman, she must want to be photographed for five hours. She must have nothing better to do than delight in trying on all your shoes. But it's not the case.
There was something about clowns that was worse than zombies. (Or maybe something that was the same. When you see a zombie, you want to laugh at first. When you see a clown, most people get a little nervous. There's the pallor and the cakey mortician-style makeup, the shuffling and the untidy hair. But clowns were probably malicious, and they moved fast on those little bicycles and in those little crammed cars. Zombies weren't much of anything. They didn't carry musical instruments and they didn't care whether or not you laughed at them. You always knew what zombies wanted.)
I love the culture of animation. What stop-motion has in common with live-action is that it has many of the same departments. There's hair, costume, makeup in the form of paint, gaffers, electricians. So there's the same sense of real stuff, real light. But it's not like everything happens at once, like it does in live-action. It's all subdivided into these small sets. It's where my strengths are. Live-action is just an utterly different world, and I'm not a public enough persona to be big and loud at the front of the ship. I'd rather more quietly interact with the artisan animators.
I was so mad I wasn't sitting at the stadium watching it [Prince' 2007 Super Bowl performance] in person. So when Prince came back to the box where I would have been after he performed, he said to my makeup artist, "Where's Stevie?" She said, "She's sick, and she was told by our manager that she would have to walk across the football field when the game was over in the mud and try to find a limo, so she made the decision that she couldn't do that." He was not happy that I wasn't there, and now today I'm not happy about it because I should have gone and I should have walked in that mud for him.
