The camera has always been a magic wand for me, giving me access to places where I could try new experiments.

I think my being such a nomad let me into acting. I was always having to create a new image whenever we moved.

I've been at two different high schools, two different colleges, so I've learned some new playbooks, and that always helps me.

I have always been interested in finding new ways to play and have looked at handball keepers and ice hockey goal-minders. It helps me.

Like, Mission Of Burma to me always sounded almost like they were part of the British Arty New Wave. I kind of like that. I like not being able to tell the difference.

I have a lot of maneuvers in my back pocket, so to speak. And to me, the thing is to always surprise the audience so they're always seeing something new, and not just get stuck in the same rut.

What attracted me to New York was there was an anonymity that I couldn't always have in Los Angeles, and it was easier to blend in there. The more successful you are, the less you are able to do that.

My publishers are wonderful because they have let me write what I wanted to. They're wise enough to know that, with any author who's not simply writing formulas - who's trying to create something new - pressuring them to do something for market purposes almost always backfires. I can't imagine working under those circumstances, actually.

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