Quotes of All Topics . Occasions . Authors
A feminist is a person who wants equal things for men and women, and I definitely believe in that. This doesn't mean I will degrade anyone. In our house, I want my mother and father to have equal importance and that's the only way to bring up a socially responsible child.
My mother and father were supportive. But in an Italian family, you kind of work with your hands, or you are an engineer or a doctor. But an actor was something they couldn't get hold of. They were afraid I wouldn't be able to make a living, and for many years, they were right.
My mother and father raised their eyebrows at first when I said I wanted to be an actor because I was in this industrial city. My dad had done a bit of boxing on the side, but he was a welder first and foremost. I was 17, and I said, 'I want to be an actor.' They worried it was a waste of time.
I think that every child grows up with the ideas that what we are given, is our society. Your education, and your mother and father, they tell you this is how it is, but then you hit adolescence and you think, 'Is it? Why? Why is it like that?' Sometimes that questioning leads to something more.
During my childhood and teenage years, everything I knew was at war. My mother and father were at war. My sister and I were at war. I was at war with my atypical nature, desperately trying to fit in and be normal. Even my genes were at war - the cool Swiss-German side versus the hot-headed Corsican.
To say that a family is happy I think is to diminish it, taking out what is interesting. Growing up, I don't think my family was any happier or unhappier than anyone else's. My mother and father should have been divorced or never even married. On the other hand, I remember many moments of happiness.
I'm proud of my hard work. Working hard won't always lead to the exact things we desire. There are many things I've wanted that I haven't always gotten. But, I have a great satisfaction in the blessings from my mother and father, who instilled a great work ethic in me both personally and professionally.
As a youngster, my mother and father always drilled into my head having something to fall back on. My father was kind of funny. I'd score 40 points. I'd come home and say, 'Look dad, I scored 40.' He'd never have a smile on his face. He'd be like, 'I saw that move you did. What if you'd hurt your knee?'
My mother and father, with my newborn brother and me in the backseat of the 1938 Ford sedan that would be our family car for the next decade, moved to that hastily constructed Army ammunition depot called Igloo, on the alkaline and sagebrush landscape of far southwestern South Dakota. I was three years old.
My mother was a Bible student, and when I was a youngster, both my mother and father would say, 'If people would only live by the Golden Rule, there wouldn't be the problems that there are.' In other words, 'treat people the way you want to be treated.' If somebody mistreats you, two wrongs won't make a right.
I went to all the shops in the village looking for work. I didn't have any qualifications. I ended up working in a grocery shop for about a year and then went to a confectioner, where I earned three pounds 10 shillings. I gave the money to my mother and father, but I also managed to save five shillings a week.
There was a point where I was leaving for California when I was 22. It was a tough decision to make because, at that time, my mother and father both ran a successful chain of women's lingerie stores in metro Detroit. Two were called Bra World, and two were called Lulu's Lingerie. They were great. They did well.
When I was a teenager, my father went bust. He could have declared himself bankrupt, but he was an honourable man and he insisted on paying back all his debts. That almost ruined the family. I was aware that my mother and father couldn't control things anymore. I guess I was afraid that we would end up on the street.
I hated being typecast in those roles. It was personally limiting, only playing stereotyped heavies. But I got those roles because I was angry, because that's what I projected. I was angry at my mother and father because they didn't get along, angry at the church. On top of that, I had an extreme lack of self-confidence.
My mother is a huge fan of my work. I told her about 'Coraline' long before the film was made, and she got the book and read it. She reminded me that when I was about five years old, I used to sit in the kitchen for hours and talk about my 'other' family in Africa, my other mother and father. I had totally forgotten that.
I'm a product of the different - whether it be institutional racialism, whether it might be growing up in a low-income area, whether it might be, you know, coming from my mother, my father. I'm a totally different person from my mother and father, but once again I'm from them. We all have our different souls, but I'm from them.
My relationships with both my mother and father are good. We spent several difficult years hashing over the problems and the past, and worked out a fairly solid middle ground. I wouldn't say my relationship with either of them - they're no longer together - is exactly typical, but that would be difficult after all we went through.
I love Coney Island. I saw all different kinds of people - Russian, Italian, black, Puerto Rican, rich people in Sea Gate and in the co-ops. You'd see people in the co-ops or in the houses, and it was like, Man, I wish I could have this. I wish my mother and father could buy me this. Me being an independent thinker, I was like, I'm gonna get that.