I've actually got a Motley Crue channel on Pandora.

Motley Crue was actually my gateway to heavy metal.

Being in Motley Crue really made me value friends and family.

Do I think anything I ever do will be as big as Motley Crue? It's impossible.

I think Behind the Music is good for people like Leif Garrett and Motley Crue.

Motley Crue, collectively and individually, have done things on our own terms.

The thing is that I've known the guys from Motley Crue longer than just about everybody.

Serving jury duty is a fascinating little slice of life, with its motley crew of personalities.

When you're doing a Motley Crue tribute record, you can ask anyone to do it, and they're not going to say no.

When it comes to putting together a new show, we always push the envelope, and that's part of Motley Crue's legacy.

If you actually dissect the lyrics in 'Motley Crue', you'll notice that there's a lot going on beneath the surface.

I had a few friends that were with me before I was in Motley that were there after I was in Motley, and it wasn't that many.

That year, the year after being in Motley Crue, was very difficult. But I learned, and I coped with it. And life is good still.

Motley is a great band; they're a legendary band. They're probably going to go into the Rock And Roll Hall Of Fame at some point.

The thing I wasn't prepared for was when I wasn't in Motley Crue anymore. 'Cause as much as my phone was ringing, it stopped ringing.

When I was in The Scream, I thought I'd be around for 30 years playing with The Scream guys. Who knew I was gonna get a call from Motley?

Motley Crue recorded 'Tonight' and it's great fun to hear other people do my stuff. The only problem with it is it's so damn hard to play.

Looking back on the production of 'Nevermind,' I'm embarrassed by it now. It's closer to a Motley Crue record than it is a punk rock record.

It is enough that we set out to mold the motley stuff of life into some form of our own choosing; when we do, the performance is itself the wage.

My first records were KISS's 'Love Gun,' Twisted Sister's 'Stay Hungry,' and Motley Crue's 'Shout at the Devil.' That had immense influence on me.

Whether I'm writing solo stuff, electronic stuff, or material for Motley, I just write to write. I come up with it and put things in different piles.

L.A. has got to be the poser capital of the world. Around here Quiet Riot, Motley Crue, and Ratt are the heaviest in the world. So if that's heavy we must be molten steel.

Who's the new Ramones, who's the new Guns 'N Roses, who's the new Motley Crue, who's the new Black Sabbath? They're coming, they're on the street, they're 16, 17 years old.

I think we had kind of a die-hard fan base when it came out, but a lot of the people were angry with Motley for getting rid of Vince, or Vince leaving or whatever happened.

Nikki lives around the corner from me and I see him all the time. We talk a lot, and of course we're still friends. That was our baby, Motley Crue, we put that band together.

I guess I always think the people that know me or fans that have followed me and know my solo work would know that I've always had really eclectic tastes - even in Motley, dude.

One day I would love to do rock a gig on the moon - how rad would that be? Isn't Richard Branson flying planes to outer space? Mötley Crüe could be the first band to play on the moon.

I don't specifically sit down to write a Motley Crue song, so for me, that's how it works. The things that sound like they might be Crue, I put aside on my hard drive and keep them in that pile.

There's a sound with Motley Crue, and it comes with Vince's voice, which is such an important part of the show, and Mick's guitar. And the way Tommy and me play together is an important part of it.

Probably about 90 percent of the things that you read that supposedly came out of my mouth in regards to the Motley guys, usually most of it is incorrect. At the end of the day, I have no ill will.

When I was a kid, I was obsessed with heavy metal, Van Halen, Motley Crue. The older I got, my tastes widened. I always felt an attraction to the attitudes of punk; also punk filmmakers, like Richard Kern.

I have to say, when I watched 'Rogue One,' I got a little verklempt. I was like, 'Look at this motley crew of people, and the lead is a female, and the rest of the dudes are all kinds ethnicities and skin tones.'

From the moment when he catches sight of the light of the world, a man seeks to find out himself and get hold of himself out of its confusion, in which he, with everything else, is tossed about in motley mixture.

I've had Motley fans come up to me and talk to me about Motley. I've had other fans talk to me about all the backing vocals and the tapes. I just ask them, 'At the end of the day, did you have a good time?' That's it.

'Too Young to Fall in Love' is an earlier cut from Motley Crue, but it's one of their best. I'm so drastically different as an artist from their sound, but the challenge of making it my own is what makes doing a cover song fun.

Unfortunately, the record I did with Motley wasn't exactly a huge success. But working with those guys was a huge learning experience as well as a really creative time, so I had an absolute blast during that five years of my life!

Our country, the United States of America, may be the world's largest economy and the world's only superpower, but we stretch ourselves dangerously thin by taking on commitments like Iraq with only a motley band of allies to share the burden.

Bands like - even Kiss to a degree - bands like Kiss and Motley, Ratt, Poison, Bon Jovi - I just think the days of those bands going out and selling ten or twelve, fifteen million records like they used to do back in the day, it's not happening.

My father was stationed in Italy in the military. I had no one to feed me what was cool, so I was into Guns N' Roses and New Kids on the Block and MC Hammer and a lot of '80s hair bands. But I was never into Motley Crue, they never stuck with me.

Motley never once sat down and said, 'Well, the music scene's changing. We need to make this record a little darker or heavier musically or lyrically.' It was just four guys sitting in a room like a bunch of 16-year-olds in a garage and jamming on riffs.

Social media teams tend to be decentralized - a motley mix of in-house experts, off-site consultants and international partners. The result: Confusion, rogue tweets, and off-message posts are almost inevitable. The worst gaffes live on in social media infamy.

It's kind of appropriate to me that Batman is still a part of the 'Justice League Dark' story. I think it would be strange if any of the other 'Justice League' characters were involved in putting together this kind of motley crew of dead people and mediums and ghosts and demons and phantoms.

Los Angeles has been my home since the days even before Motley Crue, so I am beyond excited that 'The Side Show' has found a home on 98.7 FM. This is the station I listen to - my friends listen to it, my family listens to it. It's the station I wanted to be on, and I'm psyched to get started.

In grade one and two, I was definitely into heavy metal and Satanic rock music, bands that had attributes that were quote-unquote 'Satanic,' even things like the Rolling Stones with 'Their Satanic Majesties Request' and 'Sympathy for the Devil,' but also like Motley Crue and Kiss and Alice Cooper.

We did wanna change the name. We were actually putting names in a hat. It was the people making an income off Motley Crue that talked us out of it. The booking agent was getting them between a half a million and a million dollars a show as Motley Crue. Then there was the manager who got 10 to 15 percent off Motley Crue.

Looking at it half-full, there was only two singers in Motley, me and Vince, and I'm still here, 25 years later. And whether I like it or not, I'm the other singer for Motley Crue, and not to sound weird, but I've gotten a lot of extra mileage, I think, out of my career because of it, so I have nothing but positive things to say.

When I was a kid, I loved a heavy metal band called Motley Crue. I was thirteen when they came to my city, and I called every hotel in the Yellow Pages asking for a room by the name of their manager in hopes of meeting the band. After two or three hours of calling hotels, I got through, and the manager's brother answered the phone.

It's funny: when I started playing bass in 1984, you had guys like Paul Simonon fron the Clash, John Paul Jones, Lemmy, and Nikki Sixx was the head guy in Motley Crue, and you had all this post-punk stuff like Magazine and Killing Joke where the bass sort of lead the way. Not that I picked it to sort of be a main dude, but it intrigued me.

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