My dad always told me that anyone's voice is just another instrument added to the music.

I was living out of my truck for a short while. My dad wanted to emancipate me at 16 and send me to music college.

'Doo-wop' is a very special word for me. Because I grew up listening to my dad who, as a Fifties rock & roll head, loved doo-wop music.

My dad raised me on everything from his music to Stevie Wonder to A Tribe Called Quest. I learned the 'Midnight Marauders' album in and out.

Me and my dad, we'd go to the dirt bike races every year. I mean we'd go probably too much every year. And he would make me listen to all country music.

I don't really plan to be a pop star; I just want to be able to make music without the whole My Dad thing hanging over me, which everyone in my position goes through.

In New York, my dad raised me to listen to everything like hip-hop, rock and country music. When I moved to Dallas, I started listening to whatever I wanted to listen to.

I never really saw my dad around when the Iron Maiden and the AC/DC were playing. But he knew what I was doing. I was just absorbing music. So he just kind of left me to my own devices.

Well my dad forced me into playing the violin when I was about three and it all started from there. I went to Suzuki for violin lessons, and you learn to play by ear instead of reading music.

When I realized I was having trouble reading, I was too embarrassed to ask for help. Some teachers believed in me, but I just wasn't focused on school - I was into the music and trying to please my dad.

My dad was very influential with the music he exposed me to. He was really into blues and folk, so he'd play me guys like Muddy Waters and T-Bone Walker and Richie Havens - a lot of very emotional players.

I'm like two different people. The way I sing comes from the music I listened to when I was younger, from black American R&B singers. My speaking voice is something else. It's what my mum and dad taught me.

I grew up listening to so many different things, and having a dad that also sang, music was innately born into me. Going through high school and college, I'd go see anyone who came to town, it didn't matter the genre.

I remember once, we got an interview, and he said, 'Dad, these people are writing about me like I'm an adult. Don't they know I'm a kid?' I have never tried to encourage him to get a music image like other musicians have.

I was essentially raised on blues music. My dad was a blues musician around Dublin when I was a baby, so the only music I would listen to growing up was John Lee Hooker and Muddy Waters. It's music that feels like home to me.

I had a very thorough grounding in music; I'd grown up around songs. My parents listened to a lot of music. My dad was majorly into jazz, which was absolutely a big influence on me, even if it was more subconsciously as a kid.

My dad dying was actually a reason for me to stop music properly for about a year, because he was a big supporter. All I wanted to do was write a song about him and, you know, when something's too fresh, you can't quite word it.

When I recorded my first line on a song in a studio, I was four. My dad makes music, so he was kind of messing around in his studio, and he had a line for me to say, and I recorded it, and that was at the beginning of one of his songs.

My dad is a singer, so it was always either music or acting with me. All the way up through college I was doing both, and even after college I was in a reggae band. Then the acting really started taking off, so the music had to become a hobby.

When I was younger, my dad was making a music video for a band in Montreal. I was goofing around and being a ham. An agent was there and she was telling me, 'Hey, do you think you'd want to go out on auditions?' I was like, 'Yeah, what's an audition? Sure, I'll do it.'

Music was in the air when I was growing up. My siblings Katy, Dave and Phil were musical; my dad worked in inner-city New York where a musical revolution was taking place - folk music, rock n' roll, gospel music. My sister taught me to sing. My brothers taught me to play.

Yeah, Travis Scott's dad taught me how to ride minibikes and how to repair the engines. His name's Jack Webster. Jack had a drum set and his brother had a bass. So I used to play with them, and that's what started me wanting to get into music and take it serious. And this is before rap.

My dad used to do a lot of music when he was young, so he had an 8-track MiniDisc recorder, and when he realized that I was getting on with it, he brought it upstairs to my room and showed me how to record and how, once you finished eight tracks, you can cut it down to two and have another six tracks to play with.

Rap is the only super-current music. If you're into reggae or dancehall, and you don't know Bob Marley, then you don't really know what you're listening to. But if you're listening to rap, and you're 15, you're like, 'Grandmaster Flash? Who's that? Public Enemy? Yeah, my dad told me about them once.' And that's just how it is.

I went to my dad when I was 17 and said, 'I want to be a country music star.' Which every dad loves to hear. And he said, 'I want you to go to college.' So we had a discussion. And I'm pretty stubborn. I'm a lot like him. And he said, 'If you go to college and graduate, I'll pay your first six months of rent in Nashville.' So he bribed me.

For me, a wake-up playlist completely depends on what mood I'm in. If I need to get into action pretty quick, it will be between Beyonce and Miles Davis. I'm a massive Beyonce fan, and all of her anthems will do it for me. And Miles Davis, because I grew up hearing his music because my dad played it a lot, so that will always be special to me.

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