My music isn't anything but me. It has jazz in it, and rock'n'roll, and it has an urgency to it.

I wasn't very aware of pop music because I attended an arts school. For me, it was all about jazz.

It is jazz music that called me to be a musician and I have always sang the songs that moved me the most.

I never liked jazz or anything else. Early rock n' roll - that was music to me. Everything else was boring.

Me as an artist, I've ventured off into doing all types of music. I'll do a jazz album, you know what I mean.

I did ballet, jazz, and all that, but I think hip-hop is really where I learned rhythm and groove, which has helped me in music.

To me I grew up watching 'All That Jazz' and 'Cabaret,' and when I was younger 'Mary Poppins',' The Sound Of Music,' and 'Singin' In The Rain.'

I listen to and I play all kinds of music, and I'm interested in jazz and in bluegrass - I like it all - but Cuban music speaks to me in a certain way.

There are singers that I have enjoyed, from Nina Simone and Ray Charles onward. But the music that made music the number one thing for me as a youth was jazz.

Listening to the stories told in jazz music and how those artists expressed their truths about the times and what they were dealing with is what struck me the most.

Do you think Duke Ellington didn't listen to Debussy? Louis Armstrong loved opera, did you know that? Name me a jazz pianist who wasn't influenced by European music!

My grandfather was a massive influence in my music. Growing up, he would play a lot of old-school records to me. A lot of jazz and swing music, actually, growing up.

The only type of music I don't like is Dixieland jazz. It's just a little too happy and noisy for me. I like intervals and spaces in my music. There's just something about Dixieland.

I'm asked so many times why I think there aren't more female instrumentalists in jazz. But I never think about it. And I don't think it's been any harder for me to be taken seriously. The music speaks for itself.

As a kid, I would listen to anything that had a live orchestra or ensemble playing, so that covered everything from show tunes to eclectic jazz things to film soundtracks to classical music. They're all inspiring to me.

My big influences are Joni Mitchell, and a lot of classical and Indian music, as well as Nina Simone and the personal blues and jazz of Billie Holiday. Other influences for me include Bjork, Nick Drake, and Sufjan Stevens.

I think with me and the type of music that I'm trying to make, it's always going be soulful because I grew up listening to different types and variations of soulful melodies and jazz, but experimenting with different types of stylistic souls.

Jazz music should be inclusive. Smooth jazz to me rules out a certain kind of drama and a certain tension that I think all music needs. Especially jazz music, since improvising is one of the cornerstones of what jazz is. And when you smooth it out, you take all the drama out of it.

Big band music, to me, it really has three key elements. First is the lyrics are really sweet, and they're just really family-friendly. The second thing is the music is jazz music, so the music is complicated enough to hold your attention for 5 or 6 million plays. That makes the songs interesting. The last part is the fact that it's danceable.

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