Any genuine work of art generates new work.

It's always really scary to release new work.

The fact is that people are attracted to new work and by new work.

We never know beforehand how new posts or new work will change us.

I don't stop at my past; I like new work. I like what I'm doing tomorrow.

I do not want my new works to be generated in a market or audience of any kind.

I still do not know where the notes will come from when I accept a commission for a new work.

Continuing to pay people unemployment compensation is a disincentive for them to seek new work.

There's a need to keep the history of an artform going, parallel with the new work that's being done.

I am so envious of my colleagues from 100 years ago who only sang new works, they hardly ever sang revivals.

I'm just in the business of creating; creating new work inspires you to create new work. It's kind of funny.

The little dissatisfaction which every artist feels at the completion of a work forms the germ of a new work.

What's missing in the musical theater is producers willing to nurture new work, raise the money and put it on.

Remind yourself of the value of detaching from work that's out of your hands and committing to new work that wants to be born.

I get asked to read new works a lot, in the hope that I will give a quotation and I will only give a 'puff' for a book I truly love.

Because of the gospel, God is doing a new work, and he invites us to participate in this innovative work that affects the entirety of our world.

We are continuously challenged to discover new works of culture—and, in the process, we don’t allow any one of them to assume a weight in our minds.

I will ignore all ideas for new works and engines of war, the invention of which has reached its limits and for whose improvement I see no further hope.

I think you don't do work for controversy alone, and whenever you do new work which people don't understand and they say it is done to create controversy.

No single achievement in science is possible without the painstaking work of the many hundreds who have built the foundation on which all new work is based.

I really, really love new work, and that's why, you know, I produced a concert series supporting new musicals and stuff like that. I hope to do more things like that.

I spent most of the year in the studio for electronic music at a radio station in Cologne or in other studios where I produced new works with all kinds of electronic apparatus.

I wanted to make new works of very contemporary objects, which I thought was interesting because many of them are manufactured in China, but these objects are universal, they go across all languages, all cultures.

It's a lucky circumstance when you get to usher in new work, because you are able to ask the playwright and the director (who in a new work is always in dialogue with the playwright) an unlimited amount of questions.

It makes sense to invest in new work. It's almost like having a research department in a scientific laboratory. You have to try things out. You'll make some bad mistakes. Some things will fail but at least you'll energise the organisation.

Moreover, the works already known are due to chance and experiment rather than to sciences; for the sciences we now possess are merely systems for the nice ordering and setting forth of things already invented; not methods of invention or directions for new works.

Joanna Priestley’s amazing body of animated films have deservedly earned their place in the pantheon of contemporary international animators. Inventively visioned, superbly crafted, and rich with insight into the physical and spiritual dilemmas that confront us all, each new work provides an unexpected pleasure.

It cannot be that axioms established by argumentation should avail for the discovery of new works, since the subtlety of nature is greater many times over than the subtlety of argument. But axioms duly and orderly formed from particulars easily discover the way to new particulars, and thus render sciences active.

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