Quotes of All Topics . Occasions . Authors
Let's admit the real reason that we ban cell phones is that, given the opportunity to use them, students would vote with their attention, just as adults would 'vote with their feet' by leaving the room when a presentation is not compelling.
I do believe in hell. Jesus spoke more about hell than heaven - I trust him as the authority, not you, me or anybody else. If hell is not real, then Jesus was a liar and God has a lot of explaining to do on His justice and things like that.
In my work, there's mechanism that is "real," which is formed from the historical concepts of the images that I'm working with. That doesn't fall completely into a cliché. There are elements about it that carry historical context and edges.
I trained three or four days a week for two and a half months, before they'd even let me near the real dress. And I destroyed two practice dresses completely. They were just ripped to shreds. They looked like cats had gotten a hold of them.
In terms of theater, there's not a more supportive theater community than in New York. It's really kind of a real thrill to go there. I mean, don't forget, I'm a boy from the suburbs of Sydney, so getting to New York is a huge, huge thrill.
The many woes that afflict out nation are rooted in the morally bankrupt paradigms of socialism, interventionism, and empire that have held our nation in their grip for decades and that the only real solution to such woes is libertarianism.
That was my big break [Lonesome Dove]. My first real kind of adult role on something really well-written. It was a spin-off of the miniseries, and I played Col. Mosby, a very dangerous, Southern colonel in post-Civil War, wandering the West.
Call it holistic or holographic thinking, it's been quite effective imagining the world's problems are all right in front of you on a smaller scale with your band. You deal with those relationships, and that's where real major change begins.
He can't even be at a casual read and not be creating the whole thing in his mind. I remember feeling very awed about how much he still seems to be so in love with it, and so dedicated to making everything really real and really spontaneous.
I argue with wife over what little pieces of real estate investments we should try to pay on and hold, and which to let go back. We always said, "Put it in land, and you can always walk on it." We did, but no buyers would walk on it with us.
As the new work fills my notebooks, I've come to realize that the characters in my stories were so real because I really did want to get close to people, I really did want to know them. It was just easier to do it on paper, one step removed.
I think all tragedies are best told with some humor. You have to relieve the darkness to let the reader get through it. Also, that life has happiness and sadness mixed together. If you told a story that was all darkness, it wouldn't be real.
I don't know if I could write ten easy ways to connect with an audience. I know you have to believe in what you're doing, you have to believe in your music, believe in your ability, believe that what you're doing is honest and true and real.
I can't do it. It would be like, say, trying to fall in love with somebody, or trying to convince yourself that your favorite food is pancakes. You don't decide those things, they just happen to you. If God is real, He needs to happen to me.
Nothing but real love--(how rare it is; has one human heart in a million ever known it?) nothing but real love can repay us for the loss of freedom--the cares and fears of poverty--the cold pity of the world that we both despise and respect.
I'm constantly scared. I'm constantly fearful of what's to come and people don't realize that just because you're doing something doesn't mean that you're fearless but you get up every day and you do it. It takes a lot of courage to be real.
I would say auditioning was my real training ground. The technical aspects - like hitting marks and pacing yourself and preparing and dealing with the downtime - the first recurring role I had on 24 was probably the way I learned that stuff.
Any man that hits a woman is not a real man, he's a coward. With my wife Jodi, I think it's my job to protect her and stop anything bad happening in her life. Abusing your partner is the opposite of that. I want her to wake up and feel safe.
We had about seven real cats at any one time on the set, and two animatronic, (one that sits and one that lays down) and two stuffed animal type cats that we used for rehearsals or any sort of silly torture we had to instill on the poor guy.
My ultimate goal is to create operating systems for myself that allow me to think as little as possible about the silly decisions you can make all day long - like what to eat or where we should meet - so I can focus on making real decisions.
Beautiful things comfort; they bring a real clarity and ease. We have to continue to make our environments beautiful - it's sort of like a prayer. If you surround yourself with beautiful things, you have a better life - one with more oxygen.
Horror movies started to wane around the onset of World War II, and after World War II, when all the troops came home, people weren't really interested in seeing horror movies, because they had the real horror right on their front doorsteps.
Well, now, and there's - for every dollar the federal government spends, there's real people on the other side, and so when we talk about reductions that are going to affect providers, that's going to affect hospitals and doctors and others.
When I was a boy I used to think that STRONG meant having big muscles, great physical power; but the longer I live, the more I realize that real strength has much more to do with what is NOT seen. Real strength has to do with helping others.
Prayer covers the whole of man's life. There is no thought, feeling, yearning, or desire, however low, trifling, or vulgar we may deem it, which if it affects our real interest or happiness, we may not lay before God and be sure of sympathy.
I gravitate towards the utopian potentials of digital space (post race, post gender, post human etc.), but understand that people live in real bodies that experience real consequences based on how they are gendered, sexed, raced and classed.
I like characters. I like spirited characters whether they exist in fiction or real life. Whether they're the invention of artistic people or directors, musicians. I think music and art and fashion designers inspire me and I like characters.
The first thing about a song is that it has to be real, be lived; it has to be emotional, and melancholic. I don't mean sad. Melancholy is sort of a comfort. Melancholy has a sort of beauty to it. This attracts me to every other form of art.
The private detective of fiction is a fantastic creation who acts and speaks like a real man. He can be completely realistic in every sense but one, that one sense being that in life as we know it such a man would not be a private detective.
Confiscation in any form is an unhealthy solution for a real disease. It amounts to telling men that because they are economically crippled, they must abandon all efforts to get well and allow the state to provide them with free wheelchairs.
I developed this fantasy world. I found that that was much more fun and more interesting and exciting than real life was to me. Then, once I got the guitar going when I was a teenager, I set sail for the direction I've been in my whole life.
To cite the facts of history is to fall prey to 'moral equivalence,' or 'political correctness,' or 'the error of of atheism,' or one of the other misdeeds concocted to guard against the sins of understanding and insight into the real world.
I loved to dance and went to Studio 54 at least twice a week. But I always felt nervous around the people there. I was in awe of that whole Halston-Liza Minnelli crowd. To me, they were the real celebrities, and I was just a girl from Idaho.
Truth is man's nature; to be untrue is to be false to one's nature. dharma (Right Action) is the practical application in real life of the ideal of truth. Shanthi (Peace) is the result of Dharma and Preme (Love) is the sffulgence of Shanthi.
I had a daughter who was 9 years old and I had the feeling I wasn't going to be a real parent if I didn't quit making movies for a while and spend time with her. I also felt that I'd made enough movies and said what I had to say at the time.
I can't imagine having a real personal thing, like divorce and marriage, all those things, being in the public eye. I try to not talk about anything personal, and then nobody has the fire to throw back at you, like 'You said this back then!'
We had played a kid's version of gang fighting called "Civil War," and then later we had got in on the real thing, we fought with chains and we fought barefisted and we fought Socs and we fought other grease gangs. It was a normal childhood.
As I've said, basketball has been, I think, a real cooperative venture. There have been a lot of people that have been involved in it: coaches, administrators - not recently - fans and nobody, nobody any more so than students over the years.
We all dream things into being; you imagine yourself having a child, and then you have a child. An inventor will think of something in his mind and then make it actual. So things are often passing from the imagined realm into the real world.
Although pretend play is important, it is still the means to an end, not the end itself. Do not make the mistake of thinking a contrived, pretend drama can substitute for real interpersonal comfort in dealing with important emotional issues.
Would that God would make hell so real to us that we cannot rest; heaven so real that we must have men there, Christ so real that our supreme motive and aim shall be to make the Man of Sorrows the Man of Joy by the conversion to him of many.
I've done interviews in one day that went on for fifteen, sixteen hours. And at a certain point, the control over what they're saying breaks down; it becomes different. It becomes really powerful, and for me, real. It becomes out of control.
Which is a real heads-up about what Hillary's [Clinton] agenda is. We've seen Hillary flip-flop, but she's had a pretty consistent track record. Which is that she has been a very good friend to the banks, received enormous support from them.
We learn our virtues from our friends who love us; our faults from the enemy who hates us. We cannot easily discover our real character from a friend. He is a mirror, on which the warmth of our breath impedes the clearness of the reflection.
Doesn't matter whether it's a teen girl who's pregnant, hasn't told her parents, or an elderly couple dealing with one of them being diagnosed with Alzheimer's. Those are real people to me. Those are the people I dealt with every single day.
To me, real comedy comes out of behavior. It's the choices you make as an actor. It's never about, "I want to do a comedy script." I can't think of it that way. And besides, some of those movies, those comedy movies, I can't even watch them.
Every time you look at a house in Los Angeles, the real-estate agent will tell you that someone famous once lived there. It always seemed irrelevant to me: Does a property gain value just because Alfred Hitchcock used to eat breakfast there?
It's the balance between wanting the power of electronics and having something real happening - if you want people to engage in what you're doing, I think that's important. I want to have fun with people, but that's hard to do with a laptop.
The 'Occupy' movement has no real solutions, except more government, more spending, more regulation, more bureaucracy, more unsustainable lethargic pseudo-university with no return on investment, more more more of what got us into this hole.
If I had cast someone else who didn't have that kind of timing, it would have been leaden and one note. But Ann [Morgan Guilbert] made her really human and really funny without being caricatured or over the top. She feels like a real person.