I was much influenced by Jean-Paul Sartre.

I liked Sartre's views but not his writing.

People used to think I was just a shouty comic but I was doing stuff about Sartre.

The philosophers Camus and Sartre raise the question whether or not a man can condemn himself.

A friend of mine that I was in a band with started me on Kafka, which in turn led to Camus and Sartre.

I wouldn't reread Sartre today. Compared to everything I've read since, his fiction seems dated and has lost much of its value.

Jean-Paul Sartre, the existentialist philosopher who celebrated the anguish of decision as a hallmark of responsibility, has no place in Silicon Valley.

And I was very, very much influenced by the films of Jean Cocteau and by Sartre and everything that came out of France because it was closer than America or England.

It is true, as Sartre once wrote, referring to French Army atrocities in Algeria, that the real tragedy in our time is that any of us can be, interchangeably, victim or torturer.

Camus believed in dialogue and diplomacy, and enlisted his work as a philosopher to the need to find nonviolent solutions, whereas Sartre called for violent conflicts and justified terror.

We knew of Sartre and we dressed like the French existentialists. Our philosophy then, and remember we were only little kids, was more in following their looks than their thoughts. We were going around looking moody.

Philosophically I am, or at least have been, a follower of Sartre. I am very interested in the choices we make, or don't make, in life-defining matters. That moment of 'angst' and its consequences can be such a cruel thing.

Sartre said that wars were acts and that, with literature, you could produce changes in history. Now, I don't think literature doesn't produce changes, but I think the social and political effect of literature is much less controllable than I thought.

When I was 17, I was at La Coupole brasserie, and Jean-Paul Sartre and Simone de Beauvoir asked me to join them at their table. They were fascinated that I'd watched their programme on existentialism back home and wanted to understand nothingness and being.

The wall at Le Philosophe is covered with French philosophers, and supposedly, if you are able to name all of them, they will pay for your meal. I was only able to identify Simone de Beauvoir, Sartre, Descartes and, I think, Foucault. And, I think, Luce Irigaray.

'Buncha Losers' comedy is one of those homegrown American art forms, up there with infomercials and Elvis-shaped soap carvings. No other civilization could have invented it. The French took a stab with Sartre's 'No Exit,' but then they had to ruin it with a lesson at the end.

Albert Camus's 'La Peste' - 'The Plague' - had an enormous impact on me when I read it in high school French class, and I chose my senior yearbook quote from it. In college, I wrote a philosophy class paper on Camus and Sartre, and again chose my yearbook quote from 'La Peste.'

When I was young, I was a passionate reader of Sartre. I've read the American novelists, in particular the lost generation - Faulkner, Hemingway, Fitzgerald, Dos Passos - especially Faulkner. Of the authors I read when I was young, he is one of the few who still means a lot to me.

Share This Page