Sculptural Quotes

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This collection holds 10 sculptural quotes, drawn from writers, leaders, artists and thinkers across the QuoteForever archive. The most quoted voices here are Robert Wilson, Jonathan Anderson and Ruth Bernhard.

They are ordered so that each author has a say before anyone repeats, which means the first page gives you the range of the topic rather than one writer's back catalogue.

Use the grid and list views to change how much of each quote you see, follow an author's name to read everything else they said, or open a quote on its own page to copy it, share it, or turn it into a picture quote.

Light is architectural. It is sculptural.

Buttons, for me, are very sculptural things, and they are so fascinating.

To indicate the ideal proportion and reveal sculptural mass and the dominating spirit is my goal.

My interest in architecture has always been sculptural. Most of my photography is of architecture.

A structure becomes architectural, and not sculptural, when its elements no longer have their justification in nature.

I would like to make a building as intellectually driven as it is sculptural and as positive as it would be acceptable to hope.

I was writing a chapter of Beautiful Evidence on the subject of the sculptural pedestal, which led to my thinking about what's up on the pedestal - the great leader.

There was this enormous burst of sculptural creative juice in the nineteenth century, and all that stuff is just so decorative. Even in pieces cast from a mold, you get a more sensuous, handmade, individual sense from it.

I like to treat paint as material - to daub it, drop it, let it slide. There was Action Painting, but I also compare it to paint effects found on the streets. This approach is superimposed on a sculptural surface that is also 'painterly.'

Urs Fischer specializes in making jaws drop. Cutting giant holes in gallery walls, digging a crater in Gavin Brown's gallery floor in 2007, creating amazing hyperrealist wallpaper for a group show at Tony Shafrazi: It all percolates with uncanny destructiveness, operatic uncontrollability, and barbaric sculptural power.

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