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Short films don't go too far.
I love film, and I love short films.
One of my short films was about a boxer.
While working in Bangalore, I was making short films.
I did a couple of short films when I was in Scotland.
I love to produce, and I've directed two short films.
I did a lot of short films before doing feature films.
I have a lot of incomplete short films and incomplete scripts out there.
Louis C.K. directs his show, which is very much like a series of short films.
I make short films, little documentaries, about the co-evolution of humans and technology.
I think that there's something about short films that just kind of keeps your muscles sharp.
Other countries are open to purchasing foreign short films because they have a market for them.
I believe short films are more organic. It's almost like doing theatre. It just takes few takes.
Be it web series, short films, reality shows, what drives and keeps me in the groove is my work.
Short films are good, especially since independent films are making waves now, more than before.
When I do short films, I try to do something completely out of my comfort zone, out of my element.
That's the beauty of short films; their strength lies in delivering a message creatively and simply.
I made some probably very cringe-worthy short films that shall hopefully never make the light of day.
When I was making short films, I didn't see a way to give them a wider reach or earn revenue out of it.
I'd already started directing short films when we were doing 'Lord of the Rings,' then videogame projects.
I made a lot of short films before making a feature film. Actually, I learnt film-making by making short films.
My father has been a part of a few short films I made; he played a small but significant role in 'Jigarthanda.'
I started making my own short films as a way of being able to give myself something to do and to study my craft.
I was in the school plays, I did a lot of music. I carried on through university for short films and loads of plays.
I made lots of short films, about nine or ten short films. And then I made a television film called 'This Little Life.'
I love doing short films because they're much more intimate and there's far less waiting around than on the bigger films.
When I was watching 'Sivaji,' I had no clue I will be a filmmaker; I had not even started making short films at that time.
I made several short films with very little dialogue. I'm still not a fan of talking heads. My stories are told with images as much as possible.
I have been trying to get theatre releases for short films ever since I have been making them. I didn't get any response from theatres initially.
I acted in a couple friends's short films and thought I was gonna be really good and mysterious and sexy. And I was just terrible and self-aware.
Some people draw a line between music videos and short films, looking down on music videos as a format, but there's so much potential in music videos.
I started learning filmmaking by joining a weekend film school in Bengaluru. I made some amateur short films that got appreciation from people around me.
I've learned that I really want to shoot short films on a short schedule. There can be very good films that run 110 minutes, but 90 minutes is beautiful.
Most of music videos were short films - they had dialogue, action sequences. I shot with cranes and helicopters. I wanted to created cinema-like moments.
I love doing features, but it's a very different ballgame. Sometimes I yearn for short films again, working with a small team, getting my hands on the clay.
I think it's a mistake for young filmmakers to just buy digital equipment and shoot a feature. Make short films first, make your mistakes and learn from them.
With the Ford Foundation grant all of a sudden instead of being an artist that had made a couple of short films, I became a filmmaker who dabbled in the arts.
I made shorts films, learning the dos and don'ts. Most importantly, I've been editing all these short films. Nothing can teach you filmmaking like editing can.
I worked in a software company in Bangalore and made short films during weekends. I learnt the basics during a one-day workshop called Film Camp Sanjay Nambiar.
When you make documentaries or short films, you have to have eyes and ears in the back of your head and on the sides and all around you. I like that in my films.
Film has always been a really good tool for me to communicate emotion about why I create a collection. I'm probably one of the first designers to make short films.
When I went to film school about three years ago, the first two years you're required to make a series of short films. I started making films based on short poems.
When I was making short films for the TV show 'Naalaya Iyakunar,' I wasn't just competing but making films that I could potentially show at international festivals.
After college, I funded my short films with acting roles in film and TV. I learned my craft through the great opportunities British television gave me as a director.
And we had the perhaps unfair advantage of not having to worry about what an audience was gonna think. We were in a vacuum. We were making little short films, really.
When I started trying to become a director, I started shooting low budget short films, 50-dollar music videos, making my own stuff. That eventually led to commercials.
I started a festival of short films produced for television, and as the secretary of the organisation that ran it I used to work very closely with the state government.
One of the things that I love about Robert Altman's movies is that, really, a Robert Altman movie is just a bunch of short films about various people told at the same time.
Online content is the new game in the field of entertainment. Web series, short films, independent movies. This new medium has been a boon to both the makers and its viewers.
I made three short films of my own which I wrote, produced, directed... you did everything in those days. My favourite one was something I shot on VHS... a little documentary.