I was very lucky with 'The Sopranos.'

I think that 'The Sopranos' uses music incredibly well.

'The Sopranos' was a very East Coast show; 'Heroes' is more organically global.

I'd seen 'The Sopranos,' but I wasn't a faithful viewer because I can't handle it.

I wrote for 'The Sopranos' and worked on big, blustery characters for quite a while.

Being on 'The Sopranos' definitely prepared me for the militant secrecy of 'Mad Men.'

If you see the Sopranos, you're not going to be speaking in the Shakespearean English.

I am box-set girl; I buy into those big American series like 'The Sopranos' and 'Heroes.'

If you look at 'The Sopranos,' there's this notion of a criminal element on its last legs.

Deathstroke,' in my view, is a family drama. It's like the 'Sopranos' with super villains.

My first proper credit was a small voice-over on an episode of 'The Sopranos' when I was, like, 11 or 12.

I actually got more attention from one episode of 'The Sopranos' than I did from two years of 'The L Word.'

I remember turning 'The Sopranos' on once and within two minutes nearly throwing a brick through the screen.

The best TV is always about family, whether it's 'All in the Family,' or 'The Sopranos' or 'The Flintstones.'

When I was doing 'The Sopranos', I liked putting music together with the film; that was my favorite part of it.

'The Wire's definitely one of them. 'The Sopranos' is one of my all-time favorites. Those are two big ones for me.

I've never seen 'Mad Men.' I've never seen 'Breaking Bad.' I've never seen 'The Sopranos.' These sort of seminal shows.

I started acting in 'The Sopranos' around 1999 and 2000. I did that for six years. That was quite a job, and I loved it.

I still think, most of the time, when people called shows like 'The Sopranos' or 'Deadwood' 'art' that they were correct.

'The Sopranos' all came down to the writing. I wouldn't have been on for as long as I was if the writing weren't so good.

HBO churn out some unbelievable stuff. They really got me with things like 'Band of Brothers.' But you can't beat 'The Sopranos.'

We're seeing TV series that are as good as movies were in the '70s and '80s - shows like 'The Wire,' 'The Sopranos' and 'Breaking Bad.'

If something sticks around long enough that it makes it to seasonal D.V.D. release, I'll watch it. That's how I watched 'The Sopranos'.

I don't know anyone who curses the way they do on the Sopranos. Not in an Italian household. I never said the word hell in front of my mother.

I didn't watch T.V. from the time I was 18 'til my mid-30s. And then I got a T.V. to watch 'The Sopranos.' I realized, 'Oh, T.V. is really interesting.'

Our amour fou with 'The Sopranos' is headed for long-term parking, like so many of its most memorable characters. We'll never see a show like this again.

If I have to read another cultural studies analysis of 'The Sopranos,' I give up. There's an awful lot of rubbish around masquerading as cultural studies.

I'm not sure sometimes if it was because Will was gay or it was a sitcom. But that combination does make it hard to become the new lead on the 'Sopranos.'

'The Sopranos' is filled with really retrograde humor. Bathroom humor, falls, stupid puns, bad jokes - infantile, adolescent stuff, but it makes me laugh.

There's no mistaking the fact that some of the best longform fiction out there now is in American television. 'The Wire' and 'Deadwood' and 'The Sopranos.'

It's a cliche to say this now, but to me, 'The Sopranos' is like Dickens. It's able to take this very focused look at something but make it epic and profound.

I personally think 'Power' is much more similar to 'The Sopranos' in that it deals with a character who is leading a double life and wants to become legitimate.

'The Sopranos' only reflected the tenor of how things are done in New Jersey. They didn't invent it. And I say that as a fan of both 'The Sopranos' and New Jersey.

Not to toot our own horn, but when 'The Sopranos' was on, it was as good as any movie that was coming out in the theater. I think that goes for a lot of shows today.

I think a lot of people who didn't know my work before 'The Sopranos' think I came from the Jersey Shore, like they picked us out of the mall and put us on television.

Like 'Twin Peaks,' '24,' 'Mad Men,' and 'The Sopranos' before it, 'Downton Abbey' enriches the iconography and collective lore of pop culture. It replenishes the stream.

When we were doing 'The Sopranos', I used to love that about it. There were rules, Mafia codes you had to go by, but the code is ridiculous. It's a code among sociopaths.

I wanted to play a good guy after doing this lunatic on The Sopranos for two years. And then they did the sequel to Bad Boys, where I get to play the barking captain again.

I'm not one of these people who say how much better American drama is than English. I find it mostly too American, except for The Sopranos, which I think is the best thing.

There was certainly less profanity in the Godfather than in the Sopranos. There was a kind of respect. It's not that I totally agreed with it, but it was a great piece of art.

The government itself is running exactly like the Sopranos and they sit back and they make deals. And they say okay, 'I'm going do this: France, you're getting the pipelines.'

I can't actually believe how good 'The Sopranos' is. I genuinely am dumbfounded by it. It's like when you realize how good The Beatles are, and you think, 'How did they do that?'

I don't know if I would have had the same career had I not done 'GoodFellas.' Probably not. Would I have been cast on 'The Sopranos?' Who knows if there would have been a 'Sopranos?'

It's people politics, people dynamics that make a show really good, whether it's 'Desperate Housewives' or 'Lost' or 'The Sopranos.' It's the people we've grown to love or otherwise.

I like to watch the Fox News Network. I like 'Nightline.' I like to watch 'The Sopranos,' of course. That is one of my favorite shows. 'Entourage' is another one. I like 'The Shield.'

John Ventimiglia, who was on 'The Sopranos,' was in my first acting class and we have been friends since that time. Alec Baldwin was in my class back then, Sean Young and Andrew McCarthy.

'The Sopranos' wardrobe people would sometimes go over there and just grab stuff off the racks, because B&G has that style that never ages. It's like a '50s or '60s style. It fits me well.

Working with HBO was an opportunity to experience creative freedom and 'long-form development' that filmmakers didn't have a chance to do before the emergence of shows like 'The Sopranos.'

I like watching American TV shows like 'The Sopranos,' 'Game of Thrones,' etc. I also like to watch dance reality shows since I love to dance, even though I haven't been trained in dancing.

My character on 'The Sopranos' was specific to being a single mother and being from Jersey. And being part of that season finale... wow. That show is always going to be world-renowned and iconic.

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