Quotes of All Topics . Occasions . Authors
You really can't say enough about 'Blade Runner.' For that movie to have such a long life - you can't describe what a beautiful feeling that is. Initially, the movie was out of theaters in something like two weeks. But the people that wanted it back - the fans - they really saved it.
During the Second World War, nobody built any concert halls or theaters. After the war, Lincoln Center was a very brave project because all those architects had never built a theater before. We've learned a lot since then about the nature of materials and the isolation that's required.
I enjoy my solo career because I get to play smaller places like clubs and theaters, and the interaction with the audience is much higher quality. It also sounds better than a baseball stadium. Everybody has a good seat, and I don't have to play a specific part like I do in the Eagles.
Miramax seems to be showing the same faith in Roberto Benigni's 'Pinocchio' that the Republican Party showed in Trent Lott; the live-action version of Carlo Collodi's fairy tale about the wooden puppet whose only ambition was to be a real live boy was sneaked into theaters Christmas Day.
When I made a breakthrough as an actor, people started to say, 'Who's that bloke with the funny name?' They advised me to change it, saying it would never be put up in lights outside theaters because they couldn't afford the electricity. But I would never contemplate changing it. It's who I am.
Nothing feels worse than knowing that people didn't see your movie. That they wanted to and the critics loved it but nobody knew where it was because it didn't do what it was supposed to do opening weekend. It used to be that independents were allowed to stay in the theaters, build word of mouth.
I think that as a director, especially when it comes to writing the script, which I also do, and I'm also the first one to visualize this story, I think contributing to the film industry means I'm able to take the best of a story and translate it well into a movie that can be released in theaters.
From 1985 to 1994, I lived in Manhattan in a big old loft right off Times Square. I could walk to work, which was in a couple of Broadway theaters, to Howard Stern's studio, and to 30 Rock for 'Letterman' and 'SNL.' Even in New York, walking to work is homey and folksy, like living in a small town.
I think when I got drawn to film, I didn't know it was a business. I mean, like most filmmakers, I probably saw more films than a lot of people when I was a kid. But I watched them on TV as well. I was no purist about it. I spent lots of time in movie theaters, but I also watched a lot of films on TV.
Movies don't sit in the theaters for an entire summer like they did in 1982. Now you've got a two- or three-week shelf life so you need to have that awareness right off the bat. And in order to make a lot of people know about your movie, you need to be out there banging the drum and showing your stuff.
I'm a great candidate for why arts funding shouldn't be cut, because I had no experience other than what was at school, I'm from a working-class town, there were no theaters, and the cinema closed when I was a kid. Anything that gave me a voice or a way to express myself I went running headlong toward.
The Globe is a missing monument. There's no existing example of a theater from Shakespeare's time. You have Roman theaters, Greek theaters, all kinds of theaters, but none in which the plays of Shakespeare, Ben Jonson and Marlowe were performed. Scholars feel that it would be of immense value to have one.
As a woman of color, slowly and with some coercing, the not-for-profit theaters around the country are beginning to recognize and embrace the power of our stories, but with regards to Broadway and other commercial venues, we remain very much marginalized and excluded from that larger creative conversation.
It took Cianfrance 12 years to bring 'Blue Valentine' to the screen after he first conceived it. He found Gosling and Williams early on, and they hung in there with him. The film finally premiered at Sundance 2010, then screened at Cannes and the Toronto Film Festival before landing in theaters in December.
There's been no major motion picture released by a studio, no independent motion picture, in theaters, with King at the center, in the 50 years since these events happened, when we have biopics on all kinds of ridiculous people. And nothing on King? No cinematic representation that's meaningful and centered.
If what I've been told is true - and I believe it is, General David Petraeus, a commander with soldiers deployed in two theaters of war, has had multiple meetings with Dick Cheney, the former vice-president of the United States, to discuss Petraeus's candidacy for the Republican nomination for the presidency.
I used to live above Manganaro's, when old Times Square was still peaking, and it still had a lot of diners and theaters on the forty deuce, as they used to call it. It was full of character. And it wasn't Disneyland. Now it's so touristy and full of bright lights, I can't stand it. It's like going to a big mall.
I love playing the Hard Rocks; they've got a great stage, great lighting, great sound, and not so humongous; its more intimate, so we love playing theaters and clubs where the audience has a really good chance to see and hear the group and where the acoustics are good. I like it when we can hear what we're doing.
So what 'Twilight' does is show how women/girls can drive box office and they can support a tent pole movie. They're an extremely passionate fan base. This coincided with the 13 year old boys starting to stay home and play video games and work on their home media stuff. They're no longer going to theaters in droves.
At 3-D Imax theaters, audiences have shown they are willing to pay a premium to wear headgear fitted with liquid-crystal lenses synchronized via infrared signals with the movie projector, which runs at twice the normal frame rate. These movie viewers plumb new depths in depth perception - they experience extreme realism.
When I was younger, I was living in that green room and accompanying them to all the different theaters that they worked at. So, that has always remained a nostalgic place for me and also one of great admiration. I was just so grateful that that passion they have for theater translated to me, because I always loved seeing it.
I think that Tyler Perry's genius really has been to tap into the domestic market. He knows what his audience is based on, having toured America for so long, and then giving them the blueprint for his films prior to the films coming out, and then the films have the built-in audience because they've seen it in theaters already.
For some reason, some of my best solutions and ideas are triggered in those dark theaters, usually totally unrelated to what's going on onscreen. I also enjoy hiking in the foothills and mountains close to Sacramento. I always have to bring a pen and paper to jot down sudden thoughts and ideas. So inspiration arises from countless sources.
I did this one movie with a great director named Wayne Kramer. It was 'Crossing Over,' and Harrison Ford, Ashley Judd and Ray Liotta were in it. I was one of the leads, and I thought this was it. It got shelved for two years, and then it was in theaters maybe a week. After that, I adopted a philosophy of, 'Hope for the best, expect the worst.'
I remember, at one point, I was actually studying it kind of intensively around 2001, when Hrithik Roshan was big. I wanted to learn more about it, as I've always been intrigued by the craft of Bollywood, in that how well they were shot in glorious widescreen. I would actually go to see Bollywood films in the theaters in New York and New Jersey.
There's been a bit of confusion about Showscan. The basic problem was, it was film and it was 70 mm and it was a lot of it, so the negative cost was very high, the print costs were very high, and it also required conversion of the projectors and theaters and a lot of costs. I just couldn't get any traction in the theatrical movie industry to do it.
