Quotes of All Topics . Occasions . Authors
If what I've been told is true - and I believe it is, General David Petraeus, a commander with soldiers deployed in two theaters of war, has had multiple meetings with Dick Cheney, the former vice-president of the United States, to discuss Petraeus's candidacy for the Republican nomination for the presidency.
I love playing the Hard Rocks; they've got a great stage, great lighting, great sound, and not so humongous; its more intimate, so we love playing theaters and clubs where the audience has a really good chance to see and hear the group and where the acoustics are good. I like it when we can hear what we're doing.
I used to live above Manganaro's, when old Times Square was still peaking, and it still had a lot of diners and theaters on the forty deuce, as they used to call it. It was full of character. And it wasn't Disneyland. Now it's so touristy and full of bright lights, I can't stand it. It's like going to a big mall.
So what 'Twilight' does is show how women/girls can drive box office and they can support a tent pole movie. They're an extremely passionate fan base. This coincided with the 13 year old boys starting to stay home and play video games and work on their home media stuff. They're no longer going to theaters in droves.
At 3-D Imax theaters, audiences have shown they are willing to pay a premium to wear headgear fitted with liquid-crystal lenses synchronized via infrared signals with the movie projector, which runs at twice the normal frame rate. These movie viewers plumb new depths in depth perception - they experience extreme realism.
When I was younger, I was living in that green room and accompanying them to all the different theaters that they worked at. So, that has always remained a nostalgic place for me and also one of great admiration. I was just so grateful that that passion they have for theater translated to me, because I always loved seeing it.
I think that Tyler Perry's genius really has been to tap into the domestic market. He knows what his audience is based on, having toured America for so long, and then giving them the blueprint for his films prior to the films coming out, and then the films have the built-in audience because they've seen it in theaters already.
For some reason, some of my best solutions and ideas are triggered in those dark theaters, usually totally unrelated to what's going on onscreen. I also enjoy hiking in the foothills and mountains close to Sacramento. I always have to bring a pen and paper to jot down sudden thoughts and ideas. So inspiration arises from countless sources.
I did this one movie with a great director named Wayne Kramer. It was 'Crossing Over,' and Harrison Ford, Ashley Judd and Ray Liotta were in it. I was one of the leads, and I thought this was it. It got shelved for two years, and then it was in theaters maybe a week. After that, I adopted a philosophy of, 'Hope for the best, expect the worst.'
I remember, at one point, I was actually studying it kind of intensively around 2001, when Hrithik Roshan was big. I wanted to learn more about it, as I've always been intrigued by the craft of Bollywood, in that how well they were shot in glorious widescreen. I would actually go to see Bollywood films in the theaters in New York and New Jersey.
My favorite venues are the 2,000 seat theaters, like the Warfield. If there was a Warfield in every city, I would play it. That's all I would do. I love venues like that.
I'd rather have fewer spectacular theaters than tons of cheap little multiplexes.
The great actors we had came from the actor-manager theaters. Not only did they create a team, they were the generals working with the soldiers.
I don't really like doing big stand-up. Whenever I do theaters, I don't like 'em. I don't think they're right for stand-up. I've seen people in theaters, and it just doesn't work, because you're talking to the guy next to you the whole time.
If I am not able to go to theaters confidently and watch a film then I don't expect people to watch my film also.
Let's put it this way: art house theaters are vanishing. They have almost disappeared completely, and that means there's a shift in what audiences want to see. And they have to be aware of that and be realistic. It's as simple as that.
To me, being in the big time is not that big of a deal. I've been there; I know what it is. It's exciting, but it's also a lot of work and pressure. I love sort of flying under the radar where we can play theaters and sell CD's on the Internet, and it's really kind of a cool time.
I started working in New York City as an actor and did many plays. I did regional theater, smaller theaters, children's theater.
Theater owners are exerting a lot of power over the studios to withhold access to content that people want to see. That's bad for consumers, that's bad for studios, and ultimately, I think it will be bad for theaters.
In the early '90s, there was an attention to diversity. In this country, diversity was a good thing. People would use words like 'multicultural' and like it. Now, politically, those words are out. But I still feel theaters have to be diverse in order to survive.
You start in bars and then restaurants, then you want to get into comedy clubs where you feature, then you headline, and once you sell out clubs you're into theaters. I've been able to get there, and it's cool to do that.
As a woman of color, slowly and with some coercing, the not-for-profit theaters around the country are beginning to recognize and embrace the power of our stories, but with regards to Broadway and other commercial venues, we remain very much marginalized and excluded from that larger creative conversation.
I think when I got drawn to film, I didn't know it was a business. I mean, like most filmmakers, I probably saw more films than a lot of people when I was a kid. But I watched them on TV as well. I was no purist about it. I spent lots of time in movie theaters, but I also watched a lot of films on TV.
The diversity of content is now offered from streaming and downloading, so young people are really not going to theaters because they don't see any particular benefit.
I don't think, by the way, that any network would have given us their show to release all 13 episodes once ahead of them, and the same way, I don't think any studio will give us their movies to release the same day they are in the theaters - not yet, not yet.
There's been a bit of confusion about Showscan. The basic problem was, it was film and it was 70 mm and it was a lot of it, so the negative cost was very high, the print costs were very high, and it also required conversion of the projectors and theaters and a lot of costs. I just couldn't get any traction in the theatrical movie industry to do it.