I think people who live in the worlds that movies are based on end up disliking them. Unless they're from a different time and era.

I was a little concerned that a lot of people thought I wrote Merchant Ivory movies. I also thought if I was ever going to write something strange and difficult, that was the time.

You know what, it's a time honored tradition in movies in America that if you kill enough people in your 30s and 40s and 50s that by the time you get into your 60s you become loveable.

I really like the half-hour comedy. I really do. I know people that are in movies all the time and they, you know, they don't see their families as much. And that takes its toll over time.

Getting sequestered and not really knowing what to do with your time and then discovering, 'Oh, I can watch a bunch of horror movies' has probably played out in a lot of people's discovery of horror.

For most artists, you take what you have and who you are, and then you expand on it to make it more entertaining. Everyone knows actors aren't the same people that they play in movies, but people somehow expect musicians to be a certain way all the time!

I think these movies are as much for people of that time as for people who weren't born. For people who weren't born, they see how leaders must act under a crisis situation, not trying to be re-elected or not trying to check polls, that they go from their gut check.

I used to run away to New York from Baltimore all the time. I would get on the Greyhound bus and tell my parents I was going to some sorority weekend... I'd even make up fake permission slips, come to New York, and just ask people on the street if I could stay with them and go see midnight movies.

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