If a candidate for office starts talking about thinning the deer population or investing in barriers to reduce the number of deer on the highways, the other side will probably just ignore him, because they're not going to know what to say about it. But there is a chance that the issue will resonate with voters in an unexpected way.

It's always better to shock people and change people's expectations than to give them exactly what they think you can do. It's not unexpected for me to be in a comedy film anymore; I'm no longer the underdog in that world. Not that I'm great or good at it or anything, it's just that I've done a bunch of them, so you're not shocked.

For each project I do, I try to surprise myself, do the unexpected, and change my own status quo. From the One Laptop Per Child, the Herman Miller Sayl, or the latest Movado watch collection, there is always an insecurity about being able to do something important. I think each of those projects makes me feel like we have progressed.

There is the morass, wherein you plunge up to your knees, or the walking over the stubborn, dwarfish shrubbery, whereby one treads down the forests of Labrador; and the unexpected bunting or sylvia which perchance, and indeed as if by chance alone, you now and then see flying before you, or hear singing from the ground creeping plant.

For a blink of an eye, there was so much media glare. It was unexpected, and I don't think we realized the magnitude of the message we were imparting with 'The Nanny Diaries.' There was also this added challenge that some of the media power players whose publications were doing stories on us perceived us to be sniping at their lifestyles.

As an MC, I come from a background where the onstage experience is freestyle-based: you never know who's going to join you on stage, or what you're gonna do, or how long you can stay on. You kind of lose that, once you get on to recording albums and going on tour. Doing Africa Express has brought me back to that excitement - for the unexpected.

I have received a great deal of benefit from the simple yet difficult practice of learning to stop the internal voice in my head. I learned that the voice isn't me, and I don't need to keep rethinking events of the past nor overthink plans for the future. This skill has helped me both to focus and to pause before responding to unexpected events.

Navigating a nonsober world of restaurants and bars, dinner parties, and benefits is like anything that requires practice. Like tennis or a foreign language, it gets easier the more you do it. But like all beginnings, it can be awkward. You stumble, you worry, and then there are unexpected moments of grace that give you the courage to keep going.

I think it is really helpful to see the beauty in every situation. I guess it's being able to see it in unexpected places. If you're fed too much of an image of what beauty is then you might define it as a certain specific thing, but when you have your own idea of what it is, or your own feelings of what beauty is, then it becomes so wide and so indefinable.

We all live in an ongoing series of calamities. I don't know of any individual who doesn't have a series of calamities. Life doesn't operate where, you make a certain amount of money, you pay your bills, you move on from day-to-day-to-day. No! What happens is, you make your money, you pay your bills, and then a new bill comes up that's completely unexpected.

Obviously, when you're in theater, you have to be in character. You have to prepare for the unexpected. You have to be able to react to things that don't necessarily happen every night, or aren't supposed to happen every night. And you have to react to it in character. In six months, 192 shows, those things did happen. And the experience of that, the ability to stay in character, I feel like I've learned a great deal.

We always seem to be surprised by events, especially by catastrophes, but also by wonderful events. Look at 1990, the year that the Soviet Union collapsed and apartheid in South Africa collapsed and the Berlin Wall came down. I don't know anyone who foresaw those events. It seems to me that as a species we are constantly trying to adapt ourselves to the unexpected. In the meantime, we talk as if we are in control, and we're not. This seems to me to be the truth about the twentieth century.

There is a future which is predictable, programmed, scheduled, foreseeable. But there is a future, l'avenir (to come) which refers to someone who comes whose arrival is totally unexpected. For me, that is the real future. That which is totally unpredictable. The Other who comes without my being able to anticipate their arrival. So if there is a real future, beyond the other known future, it is l'avenir in that it is the coming of the Other when I am completely unable to foresee their arrival.

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