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When I first started, I wasn't trying to go viral. I just liked making funny videos, content that people would enjoy.
I vividly remember my mom would put on this VHS of Michael Jackson's greatest hits music videos. I'd watch that all the time.
People love me when I do selfie videos, so I know they like me in music videos as well. Otherwise, I would have just been a playback singer.
There are a lot of coming out videos of people who are gay or lesbian, and they're so confident. But it made me cry because I'm not that. I don't know who I am 100 percent.
Fueled by Ramen was maybe the first company to see YouTube as a place where music videos would go. The music video, which could never quite find a place on TV, has found its final form on YouTube.
The videos have given us a younger audience. You know, our audience grew up with us until the videos, and they were beginning to get a little long in the tooth. Then the videos came along, and now we've recaptured the 16-year-old girls. The 16-year-old girls!
I was getting gig offers from neighbouring countries, but no one knew me in India. Just when I was about to accept an offer, one of my videos went viral in India.
There's an underlying sense with 'Tongue' that... it's really... it's real. I mean that in the sense that now I'm not afraid to touch on relationships and on my sexuality in my videos.
I'd always loved watching YouTube videos, and that's what inspired me to make them myself. Initially I was drawn to makeup tutorials - I learned everything I know about makeup from YouTube.
In the '365 Fresh' MV, the story ends with us falling to the ground. Meanwhile, the 'Retro Future' MV features us falling onto a car in the beginning. The car that appears in both music videos is the same kind.
Jc and I love our YouTube audience, and we're going to keep producing videos, but we're also really interested in learning what other opportunities are out there.
On YouTube, there's a right-wing extremism funnel. You start by watching a college student ranting about how dumb feminism is. It's wrong, but it's not especially sinister. And then, three suggested videos later, you're hearing about why we need a white ethno-state to save the race from a third-world invasion.
I hear from people all the time from all sides of the aisle, and I hear from people strangely enough who say, 'I don't agree with you politically... But I love your videos. They make me laugh.'
I applied the same mentality to my social media as I did when I was doing my boot camps. I thought, well, no one's watching, but I'll keep adding value, putting out good recipes, funny workouts and good videos. And it grew and grew.
I started doing non-surf stuff like commercials, short films, and music videos and just started expanding my filmmaking that way. I started doing that more for a career: you know, it was paying the bills, and it was challenging. I was stimulated by it.
I love to watch videos, and I've always liked to film and take pictures. I have an eye for really weird things that nobody thinks about. I used to make little movies about myself and then edit them on iMovie.
She is always going to be Diana Ross; she doesn't have to put out another album to keep at it. I'm not Diana, but people know me from the stuff that I've done. And that stuff, those videos, live forever and will continue to be discovered by a new users.
I'm perfectly happy for my videos to be on YouTube, whether I'm getting paid for them or not. If they're on YouTube, people will see them. If for some reason my videos get taken down from YouTube, well, I apologize. If it was up to me they'd all be up there and they'd all be free.
There is a saying that if you get something for free, you should know that you're the product. It was never more true than in the case of Facebook and Gmail and YouTube. You get free social-media services, and you get free funny cat videos. In exchange, you give up the most valuable asset you have, which is your personal data.
As soon as I starting making YouTube videos, I received so much positive feedback from the online community and a demand for more content. As time went on, my filming schedule became more consistent, and it made sense to hire some help and upgrade my equipment.
The show is called 'Todrick,' and the show follows my life and the friends that I've gathered over the past few years making YouTube videos. Every week, we're taking a brand new concept - a brand new original song, brand new hair, makeup, choreography, and making a video come to life on our shoestring budget.
Back in the day, I used to get really upset when people used to say that I didn't really make all my own things - like my art or my videos or whatever. I work really hard on everything, so it used to upset me when people would try to discredit me or say that I wouldn't have what I had without this person or that person.
Obviously I know if you're putting yourself out there, saying, 'Hey! Listen to my music!,' with pictures of yourself in the magazines, then people are going to judge you. 'I hate her music. I hate her hair. I hate her production. I hate her videos.' Fine: don't care. That's the great thing about art: it's not for everyone.
Lives are saved when those potential killers are confronted by a police officer, a strong police presence and actual, honest-to-goodness, up-close 'What are you guys doing on this corner at 1 o'clock in the morning' policing. We need to be careful it doesn't drift away from us in the age of viral videos, or there will be profound consequences.
We're all trapped in the digital world. It's filled with cat videos, and you have to dodge comments about how much you stink.
I produce some of my music videos on a $200 budget. But I produce most of my videos on zero budget. I have a studio in my apartment - which is actually just a green screen I have tacked on my wall and some lamps to light everything.
I was the first South Asian female to do comedy videos on YouTube. But at the same time, all races face their barriers, and I've learned through YouTube, if it's not race, it will be sexism, if it's not sexism, it will be homophobia. It will always be something, and all voices should be heard.
I was doing Facebook comedy videos; then I moved over to Instagram, and then I hopped on Twitter. That is where I really was a master. That was the first place where I could go viral.
I'm not saying that I don't like the stuff I put out into the world, because I genuinely enjoy my videos and think they are funny. What I'm saying is that I embrace the fact that I have a punchable face, and that if I could punch myself without feeling it, I would.
In my case, my videos are zero-cost productions. I don't spend a single penny on them. I take 15 to 16 days to come up with a video and do one or two videos a month. That's a long time.
I don't really follow the rules of like - not traditional, but how everyone does YouTube. And it's kind of made me more cautious and conscious of what I put into my videos.
I am pretty weird - as weird as in my videos. The only difference is Lilly is not a performer, and Superwoman is. So Superwoman is very fearless. You'll never see her nervous. You'll never see her sad. But Lilly is a human. She is the person behind Superwoman, who gets sad and tired sometimes.
I was pretty familiar with TikTok: I always thought its videos would be ironically hilarious. When I became a trending topic on there, it was a crazy moment for me. A lot of people will try to downplay it, but I saw it as something bigger.