Since the day of my birth, my death began its walk. It is walking toward me, without hurrying.

Nobody can walk on a track and beat me unless they have an extraordinary day and I have a bad day, which I keep from happening.

The first day of shooting I walk up to Christopher Walken, and I said, Should I call you Mr. Walken or Chris? He goes, 'Call me Flash.'

I sometimes feel like it's difficult for people to relate to me, until they spend, like, a day with me, and until they walk around with me in public.

My school was six miles away from where I lived on the farm. I had to walk and run, there and back every day, through gorges and over rivers. If I was late, there was a very big stick waiting for me.

On the day I was born, or possibly on one of the following days, my father went on a walk in the forested hills and thought of a name for me. His first son was called Daniel, and Samuel in memory of one of his forefathers.

At one point, I didn't get out of bed for, I think, three months, and I went down to the bottom of the hill one day and I had to call somebody to get me to come back up - come pick me up because I couldn't physically walk up the hill.

A week of sweeping fogs has passed over and given me a strange sense of exile and desolation. I walk round the island nearly every day, yet I can see nothing anywhere but a mass of wet rock, a strip of surf, and then a tumult of waves.

I devote most of my day to writing, and try to turn out at least four pages a day. As for what triggers the creative process, it's a mystery to me! Characters often just walk on the page, and I wait to see what they do and say while I'm writing them.

I feel comfortable in my pop shoes. They let me walk in any direction. I like to go from one extreme to the other. One day I feel that I want to do a song with reggaeton influence, I do it. The next day I feel I need to do a song with rock elements to it, I do it.

Pretending is the grease of non-relationships. Pretending is how you and I get through the day without ever having to know each other. When I walk in the room, you say to me, 'How are you?' Well, you don't want to know. And, frankly, I don't want to tell you. So I just say, 'Fine,' and you go, 'Fine.' And off we go.

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