Quotes of All Topics . Occasions . Authors
One of my favorite L.A. movies is 'Ed Wood,' and it's about how Bela Lugosi went from being this movie star personality to living in a little bungalow with his cats in the valley where, if you walked by, you'd have no idea. He'd come out and get his paper, and you'd go, 'That guy looks familiar.'
If you want to believe that humans walked with dinosaurs and the planet is a few thousand years old, that is absolutely fine with me. If you want to teach this to your kids, I don't care. If states want to teach creationism in their schools, there is nothing I can do about it, so I don't sweat it.
Morocco is completely alive for me because I spent about a third of my life there. The first few times I went back to Casablanca, I walked through the streets and remembered how years earlier I had walked those same streets and prayed that a miracle would happen and I would leave and become famous.
In Formula One, the car can make a difference in a way that a driver cannot. Whereas Michael Schumacher and Ayrton Senna spent their early seasons in second-rate machinery, Hamilton walked into the equal best car on the grid. His first season none the less has, by any standards, been extraordinary.
I've been a fan of The Rock ever since he first came to wrestling. Every time I went to school, I talked about The Rock. So when I finally got to meet him I couldn't believe it! When he walked through the door, I went bug-eyed! 'I'm standing next to The Rock, man!' He's huge. He's very nice, though.
I wanted to cut past the polemics and experience London's Muslim communities for myself. My first visit was to Tower Hamlets, an East London borough that is about 38% Muslim, among the highest in the U.K. As I walked down Whitechapel Road, the adhan, or call to prayer, echoed through the neighborhood.
I went to see President Nixon at the White House. It wasn't difficult to get a meeting because I was heavyweight champion of the world. So I came to Washington and walked around the garden with Nixon, his wife and daughter. I said: I want you to give Ali his licence back. I want to beat him up for you.
It used to be that we felt that when we went to a theater, a legitimate theater... that we were going to share an experience together. That when we walked away where there would be something to talk about in that movie that had some meaning and relevance in our lives. And I think that we have lost that.
Deep Purple was sinking with Ritchie. We were playing to quarter houses in Europe, which is one of our strongest territories - in Germany. Smaller venues, and they weren't even full. So had we continued that way, and had Ritchie not walked out, we would have finished; that would have been the end of it.
The first day I walked into prison, and he slammed that door, I knew the magnitude of the decision that I made, and the poor judgment, and what I allowed to happen to the animals. And, you know, it's no way of explaining the hurt and the guilt that I felt. And that was the reason I cried so many nights.
I was in line at a store and there was a little girl, she was standing in line next to me and some other girls had come up to me and recognized me from 'Pretty Little Liars.' When they walked away, this girl was staring at me, and her eyes got so big, and she started crying. It was, like, the cutest thing.
I think my greatest victory was every time I walked out there, I gave it everything I had. I left everything out there. That's what I'm most proud of. I can't go win Wimbledon anymore, so if what I've done in the past is not good enough, let it go. Because I'm certainly not sitting around thinking about it.
When I was 11 my school held a sports day near Crystal Palace. We were told we were going to play a rugby match. The ball was eventually passed to me and I was obviously expected to run with it. I took one look at all these players charging towards me, placed the ball on the ground and walked off the pitch.
People inspire me. Every day, I meet amazing individuals in the field. When I see a mother who has walked for three weeks to come to a MSF clinic, with two kids on her back and her belongings on her head, facing intimidation and physical abuse on her way, I am inspired by her resilience - her desire for life.
I was a teenage girl once. I was not an overweight teenage girl, but I had really bad acne when I was 11 or 12 years old. It was heart-rending, and people made fun of me. People whispered when I walked by in the hallways, and I was sure they were whispering about me. My adult perspective is maybe they weren't.
I always knew from that moment, from the time I found myself at home in that little segregated library in the South, all the way up until I walked up the steps of the New York City library, I always felt, in any town, if I can get to a library, I'll be OK. It really helped me as a child, and that never left me.
There's been times where I sold the place out, and I walked in and the guy's like, 'Uh, ID?' 'No, you can't ID me, man. I just sold this place out.' People are just doing their jobs, but I think if you're working the door at a venue where there's a headliner, you should at least be like, 'OK, this is the dude.'
I've seen some terrible plays, but I generally enjoy myself. One play I walked out of, I have a tremendous respect for the author. That was Robert Wilson, something called 'Network,' which consisted of Wilson sitting on a bunk, the dialogue of the movie 'Network' looped in while a chair on a rope went up and down.
The six of us gathered at my house, and we walked to the polls. I'll never forget it. Not a Negro was on the streets, and when we got to the courthouse, the clerk said he wanted to talk with us. When we got into his office, some 15 or 20 armed white men surged in behind us - men I had grown up with, had played with.
I have a deep, scratchy voice. Boys would call me Froggy, and my father would often tell me to shut my 'big bazoo.' I remember standing in line for confession. After I walked out, the other kids were like, 'You punched your sister in the face?' Because of my voice, my confession was like speaking into a loudspeaker.
When I was supposed to go to a certified kindergarten that's supposed to teach you actual things like how to read, I went to a daycare that my parents thought was a kindergarten. I was Crayola-ing inside the lines with no fundamental education at all. So I walked into the first grade with no formal education at all.
I played Sky Masterson in 'Guys and Dolls' at St. Ignatius. I walked out onstage at one point looking for Nathan Detroit, and I'm supposed to say, 'Has anyone seen Nathan Detroit?' But, instead, I said, 'Has anyone seen Sky Masterson?' I immediately realized what I'd done, so I said, 'Wait a minute. I'm Sky Masterson!'
Frankly that's what makes such a big difference between President Obama on one hand and Mitt Romney on the other. Gov. Romney has not walked in those shoes of the ordinary Americans and frankly I don't think he has the capacity to quite understand the struggle that the 98 percent of Americans go through every single day.
I've walked a lot in the mountains in Iceland. And as you come to a new valley, as you come to a new landscape, you have a certain view. If you stand still, the landscape doesn't necessarily tell you how big it is. It doesn't really tell you what you're looking at. The moment you start to move the mountain starts to move.
I auditioned for a one-act version of 'The Princess and the Pea' called 'The Ugly Duckling,' and I was cast as the King, starting a pattern of being cast in roles originally intended for men. I went to the first rehearsal, and I didn't get any laughs, and I choked and I quit. I walked away from it and joined the tennis team.
I'd say putting another Clinton in the White House is only going to make that right-wing extremism greater. We will see more of these neoliberal policies, like Wall Street deregulation, like the Trans-Pacific Partnership, which Hillary has always supported. She's changed her tune a little bit, but Hillary has walked the walk.
I gathered that those two Big-shot Boys, Joe + Fletcher, just was afraid to let me sing, thinking maybe I'd sort of ruin their reputations with their musical public. They not knowing that I had been singing all of my life. In churches, etc. I had one of the finest All Boys Quartets that ever walked the streets of New Orleans.
The organization I founded in 1993, Camfed (the Campaign for Female Education), was in large part inspired by the generosity shown to me by a community in a village in Zimbabwe. During my visit to Mola to research girls' exclusion from education, the people of Mola fed me, shaded me, walked and talked with me for hours each day.
I had never walked on the street alone when I was growing up in Calcutta, up to age 20. I had never handled money. You know, there was always a couple of bodyguards behind me, who took care if I wanted... I needed pencils for school, I needed a notebook, they were the ones who were taking out the money. I was constantly guarded.
When I was twelve, Uncle Randall looked up long enough to see that I was a reader as well, so he walked me down his hall to a linen-closet door and opened it up onto a wall of paperbacks. There were books behind books, as deep in as I could reach. He told me to take three, and when I was done, bring them back and take three more.
I remember being at Greenblatt's on Sunset, and some guy just walked straight up to me, and he had some bling on and whatever, and said something about a party down in Malibu and asked if I would jump in his car and go to the party. All I could think was, 'Who are you? I don't know you, and I don't care about how good your car is.'
My first interaction with Gene was that after I auditioned I walked out of the room and then this big guy walks out with me, and he puts his hand on my shoulder and he says, 'You make my words sound better than they are.' And I said, 'Well, you must be the writer.' And he said 'I'm Gene Roddenberry.' And I had no idea who that was.
I 'climbed' Sandia Peak outside Albuquerque. Which is really piddling as far as mountains go. It's a mere 9,000 feet and some change, and what I went up was a path on one of the gentler slopes. It's about seven miles to the summit, and I walked it with my husband, son, and brother-in-law. For me that was a tremendous accomplishment.
I was a bartender in New York and I overheard this girl saying she made $3000 doing a commercial. A kid at work told me, 'Hey, I know this director and he'd really like you!'. So I walked into this guy's office and was like 'I was thinking maybe I could make $3000' and he hired me for commercials, short films, like 15 jobs in a row.
I once wrote a short story called 'The Best Blues Singer in the World,' and it went like this: 'The streets that Balboa walked were his own private ocean, and Balboa was drowning.' End of story. That says it all. Nothing else to say. I've been rewriting that same story over and over again. All my plays are rewriting that same story.
The first comic book I ever bought, I was in third grade. It was 'Avengers,' I think, #240. I grew up in Kansas City. And I walked into a 7-11. I had seen, like, 'The Hulk' TV series. I knew about comic book heroes. I knew about it, but I hadn't actually had a physical comic in my hands until that time. And it was a big deal for me.
I walked around feeling, in a sense, that people of color, we began at the bottom of a slave ship. We were enslaved; we picked cotton. There was Honest Abe, who wore a top hat and was taller than anyone and who said, 'Enough is enough; slavery must end.' And then, black people could stand up again. But after that, we didn't catch up.
Being in school, whenever I laughed or smiled, I would turn to find someone staring at me with this terrible hatred and disgust. I had to control everything - control my voice, control my facial expressions, control my hair and my clothes, and where I walked and where I sat - at every moment. I think that drove me to terrible anxiety.
One night, I went out with my teammates. I don't drink alcohol, so I wasn't drinking. This girl walked up to me; she was talking to me. She was like, 'Why aren't you drinking?' I was like, 'I just don't drink. Alcohol is nasty.' She said, 'I might have something for you.' She went and got a Shirley Temple. Then I was like, 'Ohhh, OK.'
My grandfather milked several cows twice a day and supplied the neighbours with dairy products. He liked to go visiting around the county on Saturdays, and he also enjoyed the neighbours when they came by once a week with their empty milk jars. He walked them out to their cars and hung over the driver's side window until they drove off.
I've learned you can always achieve more than you thought you could. There are moments when I've walked off the court, and I'm like, 'I don't know how I won that match.' It was actually impossible, but it happened, and then you realize that you can push yourself much further than you ever thought, and you can make the impossible happen.
My instinct about a human being is paramount. For me, when a director has walked into my room or an assistant that I have hired, who has later gone on to become a director, is purely based on human instinct, be it Ayan Mukerji, Karan Malhotra, Punit Malhotra or Tarun Mansukhani. I am very susceptible to human energy and energy of spaces.
The most memorable interviews for me are folks whose names I don't know: young civil rights leaders in the South, showing great courage as they walked into a town in the dark of night. A doctor working for 'Doctors Without Borders' in Somalia, operating by kerosene light in a tent. Those are the kinds of people that linger in your memory.
I was raised by a single mother who made a way for me. She used to scrub floors as a domestic worker, put a cleaning rag in her pocketbook and ride the subways in Brooklyn so I would have food on the table. But she taught me as I walked her to the subway that life is about not where you start, but where you're going. That's family values.
As we walked through the National Museum of African American History and Culture, I pushed my grandfather in a wheelchair he had reluctantly agreed to sit in. He is a proud man who also knows that his knees aren't what they once were - that years of high school and college football had long accelerated the deterioration of his aging joints.
The first one I remember singing on stage was 'Somewhere Out There' from 'An American Tail.' I was around 7, and my choir teacher at school asked me if I would sing it. My parents told me that I needed to move around the stage, so for the entire time I just walked back and forth from side to side while I was singing - there's videotape of it.
I walked out of... was it 'Stardust?' That thing with the witches? I was so looking forward to it, but I just couldn't handle it, man. Ten minutes in, and I was gone. I didn't have to walk out of 'Transformers 2' because I didn't go. I loved the first 'Transformers.' I loved it, but I heard too many of my friends walked out of the second one.
It was in Cardiff, and the cast was 60 per cent Welsh-speaking. It's the first time I've walked into a rehearsal room speaking my mother tongue, which in itself was a breath of fresh clean air from the Welsh mountains. Singing Hans Sachs is always a milestone, but I was happy to be part of such an achievement, not personally but as a company.
After leaving school, I travelled around Europe for about six months. In Denmark, I thought that was my chance to get an amazing haircut, so I went to what I thought was a great hairdresser. It turned out to be the car wash of hairdressers, and I walked out sporting yet another pudding bowl, but this time with a stripe bleached down the centre.
Like the graduates of some notorious boot camp, my brothers and sisters and I look back with a sort of perverse glee at the rigors of our Catholicism. My oldest sister, Mary, was so convinced of the church's omnipotence that when she walked into a Protestant church with some high-school friends, she was sure its walls would crash down on her head.