Quotes of All Topics . Occasions . Authors
I've always felt like the Forrest Gump of the music business. I've been fortunate to work with a lot of great people.
Too often, the music business allowed third-party companies to innovate for us - and that simply does not work anymore.
I thought I could get myself into the music business by doing paralegal work. I was just trying to get in any way I could.
I think musicians and artists are the most philanthropic people I know. Their charity record of the music business would hold up to the work of anybody.
When you're in the music business, every day is the same. If you work 9 to 5, you can't wait for the weekend, but in the music business, you don't know one day from the next. It's always the weekend.
That's the beauty of country music - you have to get out there and earn it and work hard. And when you're on the road with big name acts, you realize there's no easy way to the 'Promised Land' in this business.
Working on a play is a vibrant and collaborative business. Everyone from the choreographer to the music director to the director to the writers work together toward the same goal, and everyone chimes in on everything.
There are thousands of great artists that wouldn't be doing the same kind of work if there were no music business machine. The ones who are popular would be doing much different work, too. Michael Bolton would be pumping gas.
I didn't start my label out of a business perspective. I did it because I wanted to create a platform where new musicians can have the chance to get into a studio, work with each other, and get their music noticed by a large audience.
One of the most humbling gigs I've ever had was I was paid by a neighbor to go get a dead bird out of her house. She was kind of a high up in the music business, and she knew that I needed cash, and I used to do some yard work for her.
Writing is not work. In fact, there's nothing better. Writing is something that if the music business went completely away tomorrow - radio stations quit existing and music quit being popular and it was old hat - I would still write songs.
That's one of the problems with making music your business, it becomes a business. You're no longer just this kid who is a fan and going to see every show. I've been in a bar every night for the last 15 years. Going to see bands for me is work.
This business is about working. It's really not about glamour. For me, the most glamorous thing about it is to b able to get on stage and perform my music for people. That's the privilege. And that's what all the work leads up to, and that's why it's worth it to me.
I'm just saying the producers and people who work on music are getting left out - that's when it starts getting criminal. It's like you're working hard, and you're not receiving. In any other business, people would be standing before Congress. They have antitrust laws against this kind of behavior.
I initially wanted to work in the music industry more on the A&R side. While I was in school, I began working in the New Business department of an advertising firm, and very quickly I was responsible for roughly 70% of their business, so you could say I had a natural knack for the advertising world.
I think once 'Empire' hit, there was a lot of bad black TV that followed, because we work in the business of hit-seekers and copycats, so they're like, 'Oh this is a show about black people; this is about music, OK let's do a version of that.' And, of course, it doesn't work because it's not organic.