In the small amount of modeling work I've done, I'm always told that I never smile.

I've always been incredibly proud of both of my parents and proud of the work I had done privately as a person, professionally and academically.

My goal is two pages a day, five days a week. I never want to write, but I'm always glad that I have done it. After I write, I go to work at the bookstore.

I never believed I wouldn't make it - and perhaps that's why I've always found work. I've always stuck at everything I've ever done. I absolutely won't give up.

You cannot be loved always, you cannot expect every film of yours to do a certain way, but I feel proud of the work I have done and projects I have been part of.

Sometimes I work on film sets. I've done this for 40 years. I always wanted to photograph on the set of an Ingmar Bergman film. Unfortunately, I never had the opportunity.

We will never forget the lessons that we learned as a result of San Bruno. It's really caused us to focus on safety with a laser-like sort of manner. There's always more work to be done.

I've always wanted to pull off 'No One is to Blame' by Howard Jones. I've done that a couple times in solo shows, but I can't figure out how to do that with a full band and make it work.

People have always challenged me. People told me I was going to get this big beer belly when I got done playing. But I work out six days a week, and when I turn 40, I'm going to still have that six pack.

People always tell me, 'Don't work so much', but I can't help it. I feel like all the things I've done are important to get to this adult stage and now I'm getting all these adult offers, so it's working.

The Phil Spector that I would meet has always been a nice, quiet, little guy who's very serious about his work; obviously you can tell that because each and everything he's ever done has always been charted.

There's something to be said for going right into people's living rooms. I think actors have always loved that medium - you're right in there with people in their homes. A lot of very audacious work is being done on television.

I was always crazy about New York, dependent on it, scared of it - well, it is dangerous - but beyond that there was the pressure of being young and of not yet having done work you really liked, trademark work, breakthrough work.

As I've always said, preproduction is so important. When you cast the actors, you've done much of the work. Now, you may need to guide them a little, take it up or down, have them go faster or slower, but the casting process is crucial.

I'm not qualified for anything. I've had lots of little jobs, like picking grapes and being a tax man. I can't imagine not writing, because I've done it since I was five or six. Maybe I'd work in academia. That's always what the plan was.

There are many factors that affect crime rates. But we recognize that the main reason crime has decreased has always been - and always will be - the dangerous and stressful work done by state and local law enforcement officers day in and day out.

I've learned more and more on each show that I've done. I've been blessed and I've gotten to work with some very talented actors - James Gandolfini, Treat Williams. I've kind of always asked for advice and tried to take in as much as I could whenever working with them.

I'm always amazed when anybody remembers anything of my work, and even more so when I get nominated for something I've done. For many years, I was like a horse wearing a pair of blinkers as far as using these awards or nominations in order to boost my career was concerned.

I have always wanted to work in the theater. I've always felt the glamour of being backstage and that excitement, but I've never actually done it - not since I was in 5th grade, really. But I've had many plays in my films. I feel like maybe theater is a part of my movie work.

I regret the 1998 - 99 lockout. I regret that we didn't work harder to educate our players and our owners about what the damage would be. I never can quite come up with the answer on what else we should have done, but I always blame a part of the problem on us and some part on the players.

I'm so excited about 'Shattered;' it's something I've really enjoyed working in, and it's very different from anything I've done before. I've always been a character actor and done a lot of support work. I've never really been the lead actor, so I'll try and use what I've learned along the way from the other projects.

I always had ambitions to work in the U.K. I just never thought it was gonna happen so soon. So I think, obviously, I wouldn't have gotten 'The Riot Club' if I wasn't in England. I wouldn't have gotten 'Pride' if I hadn't done 'The Riot Club.' And so maybe I would just have been on a totally different trajectory, but who knows?

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