The coaches that I have have done an incredible job with me, obviously the stuff we work on on the court.

It's been the work that has carried me and I never wanted to rest on my laurels or go back and do what I done before.

Of all the things I've done, the most vital is coordinating those who work with me and aiming their efforts at a certain goal.

If I cared what people think about my career, I would have not done - just look at my work. Don't look at me; look at what I've done.

I have done a lot of work in Bollywood over the years as an actor and director. I now want to pursue projects that will give me a global profile.

I can work on stage. I've done it before. But the parts that were better for me were smaller, not as projected as theater should be in many cases.

Some people might think that what I've done before made it easier for me to get jobs, but it was actually a disadvantage. I had to work even harder.

Books have this function that help me to understand the work I've done, to wrap it up. Once it's done, fortunately, it doesn't mean there's closure.

I am done with the cliched heroine roles. I can't go to work without a challenge. I want to do films that drive me, films in which I am a part of the main plot.

The top Bengali directors in Bollywood know about me and the work that I have done. I have worked with everyone, from Anurag Basu, Pradeep Sarkar to Shoojit Sircar.

Acting like an adult and being professional on set and getting my work done has just been a lifestyle for me. It's not something I have to try hard to do, necessarily.

You just have to be clever about who you work with. Had I done Gap or H&M, there's no way Louis Vuitton would have wanted to work with me. So you hold out for the big ones.

I won't deny that when you look at a director's work, you are aware of the different works that they have done. For me, what's more important is my instinct about that person.

I wanted to be a stuntman. I've done stunts since I was 11, and wanted to be able to do them whatever kind of work I ended up in. I've had a horse roll on me, but luckily, everything stayed intact.

A New York casting director, who shall remain nameless, once said to me, 'Marcia, you have what I call the flaring-nostril look, and until you get something done about it, you will never, ever work.'

I don't do the media because of 'Woo-woo, Julia Butterfly,' as I call it. I'm not into promoting me. I'm into talking about why I've done what I've done, why I continue to do this work and why other people should care.

I've done some awful auditions, and I've really done some horrible work, but it forced me to flex those muscles, and that's what makes you a better actor, just doing bad work and seeing what looks bad and growing from it.

'Bloodshot,' for me, was unlike anything I'd ever done before, which was really the draw of it. In addition to trying to reconnect with my earlier work, I also wanted to try to do something that was completely new and different.

I've been doing a lot of work with my brilliant trainer Pat Manocchia, who has a gym called La Palestra. He's trained me for every big show I've done, every demanding 8-show week role that requires stamina, like 'Sunset Boulevard' and 'Gypsy.'

I met Tyler Perry and we did 'House of Payne' and a movie. We've done a couple other films since then, but it all boils down to the work. I'm a work-a-holic, which is why I think that I've been successful. If you tell me no, I'll work even harder!

To put it simply, people who are strangers to me will come up and say, 'Are you that guy from that show?' I'll be like, 'Yeah,' and they'll say, 'Oh, nice job.' And really, for the most part, it's people showing appreciation for the work you've done.

I have done a lot of work for affordable housing, rental housing. I understand the rap on me and other liberals is, oh, we push poor people into homeownership. And it's exactly the opposite of the case. We were trying to prevent those kinds of bad loans.

End of the sixties, Keith Blazey interested me to work on GdAlO3, an antiferromagnet on which he had done optic experiments. This started a fruitful cooperation on magnetic phase diagrams, which eventually brought me into the field of critical phenomena.

My school friends are really understanding and still want to hang out with me. Ever since I was in sixth grade, I was at the gym every day to work out while my friends were getting their nails done or going to the mall. I used to feel left out, but I don't anymore.

When people are getting on me for being at a Ranger game at 7 o'clock at night, they don't see what I've done between yoga, Pilates, workout, thrown, ran, done all my work by 5 o'clock, ate, and then I went to the game. Nobody is seeing that. Nobody is commenting on that.

I've seen guys come along with more ability - they've been faster or bigger or stronger - but they never worked hard to develop themselves. Sometimes I've wondered what I could have done with their talent. On the other hand, the tag that I was too small and slow made me work hard.

I've done commercial work for Amtrak. However, that was branded as Stanton. I stipulated at the very beginning that it was not going to involve 'Humans of New York,' that I wasn't going to promote it on 'Humans of New York.' So nobody who follows me really even knows that I did it.

I'm focused on the work. And now I've done 'Morris' and 'Mr. Robot,' my appetite is whet to go deeper. It's fun, and it's challenging, and it stretches me. I'm not saying I'm done with comedy by any stretch of the imagination. I'm saying, yeah, let's see how deep the rabbit hole goes.

I used to be a writer with superstitions worthy of a professional baseball player: I needed a certain desk chair and a certain armchair and a certain desk arrangement, and I could only get really useful work done between 8 P.M. and 3 A.M. Then I started to move, and I couldn't bring my chairs with me.

In terms of sheer writing I might have done most of my work by 11. If you get up at 6:30 or 7 you can get a huge amount done by 11 and have the rest of the day off if you want to, though I have to check my accumulating e-mails. No one ever sends me horrible e-mails. Although some of my books are supposed to be hated, no one ever tells me.

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