Management is nothing more than motivating other people.

Nothing comes without hard work. I've been taught that by many people growing up.

I guarantee the people who study are going to be successful. Nothing can replace hard work.

In fact, 95% of the people in my films have been nothing less than a pleasure to work with.

I have nothing against interviews. I don't pursue them. When people I work for deem it appropriate, I'm perfectly willing to serve.

As a director, we work ridiculously hard on every detail, and we do everything to the billionth degree, and mostly people notice nothing.

I have nothing against people having work done, it is when I hear tale of girls of 16 queuing up to get bigger breasts, that is when I despair.

Our greatness has always come from people who expect nothing and take nothing for granted - folks who work hard for what they have, then reach back and help others after them.

Immigration reform is for those thousands of people in my district and the millions of people across the country who want nothing more than to work hard, provide for their families, and reach for the American Dream.

I always wanted to be the person to whom people looked forward to give opportunities. As opposed to always being the person who wants to work with others and who is always the backup: where it's like, 'If nothing works out then OK, let's get this person.'

I kind of assumed all of Australia was like the Gold Coast - so I was telling people Australians just work out and go to the beach. Like, Australia has it figured out! But then I went to Sydney, and it was nothing like the Gold Coast - but I still loved it.

We can put millions of America's idle young people to work helping to repair and restore America's deteriorating infrastructure, public utilities, and transportation systems. Nothing would revitalize the nation's sagging economy more than such a commitment.

I motivate what I see in young people because we employ about forty thousand young people in our various Chick-fil-A units. Some of them come to work because they need to work; others just work because they just like to work. There's nothing wrong with that.

I go into meetings with some film-makers and they literally have nothing to say, they're almost bored by their own material. I'd rather work with people who are very passionate and very animated about what they want to do. People who just want to tell stories.

The work I did in Vertigo meant nothing if no one cared about the movie. Luckily, Vertigo had a revival and people had begun to recognize there was something special and it gained in reputation. But it just as well could have ended up rotting in film cans somewhere.

I always say to every actor, and to people that want to get into this industry, to just try to be on set as much as you can, try to go to acting class, and try to work on your craft because there's nothing that can prepare you, like just when you get thrown onto a set and you've got to work.

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