Quotes of All Topics . Occasions . Authors
People talk about my work ethic sometimes more than my playing ability, which is nice.
You have to be able to work as a unit sometimes, in the ring when you're wrestling other people.
It's just so hard sometimes to work out where people stand on these things. I mean, isn't the Pope a feminist?
It's like you work with people, and based on the size of the budget, you sometimes can't pay them what they deserve.
I get emotional when young people get nostalgic about my work. That's why it's called nostalgia. Sometimes I even cry.
When you work in a creative environment, people get protective about their ideas. Sometimes it's justified; sometimes it's about ego.
You are going to make choices and decisions that sometimes aren't going to always work in your favor and they are going to upset some other people.
Throughout my career, when I have been rejected, there was sometimes subtext, and it was this: People will not read your work because these are not universal stories.
Sometimes with people their work is the most important thing to them, and sometimes the work enables you to do other things that are more important to you. I probably am closer to that.
I'm a designer, and I work very hard at that. People sometimes want to put down fashion by saying it's frivolous or superficial, but it's not that way at all. It's actually very hard work.
The people who come to work deserve to be paid properly, and there's no excuse. I could understand someone making a small error, but sometimes people make systematic errors, and that's not right.
People sometimes think that a video pops out of my head with no more work than extracting a booger. Every video is a challenge (an exciting one, sure, but a challenge.) Every collaboration is complicated.
There's a subtleness to camera work. You can really create intimate moments on camera, and sometimes that requires a little more precision from an actor because you have to pull people in as opposed to throwing it to them.
I always feel like you never know: sometimes you can put out work that you feel is really strong, and other times, you can put out work you think is less strong, and people react to it, so it's kinda like in the eye of the beholder!
I feel sometimes that there's this sense that people are poor because they want to be, or they're working-class because they want to be or because they don't work hard enough. I feel like there's this demonization of working people in general, but specifically definitely labor union members.
You know, with the film industry crews, there's an odd mix between a very technical and a very artistic approach to the work, and sometimes as a woman you have to be a little bit careful about how things come out because people don't really want to listen if it's in a certain emotional tone or too strong.
It would probably help my career if I lived in L.A., but I think it would be all-consuming. New York has its own little rat race going on, too. But it's also really diverse and has a lot of people doing different kinds of jobs. In L.A., work would be the only thing I'd think about, and sometimes, I need a break from that.
We have to think big. We have to imagine big, and that's part of the problem. We're letting other people imagine and lead us down what paths they want to take us. Sometimes they're very limited in the way their ideas are constructed. We need to imagine much more broadly. That's the work of a writer, and more writers should look at it.