I write, or used to write, to explain to myself situations I couldn't otherwise solve or understand. Meditation comes very naturally to me.

Part of the work of writing a novel is to uncover the symmetries or connections that make it whole, which might not reveal itself at first.

I have loved music since I was a little kid. I was always wanted to write the music I hear in my head and have it be shared with the world.

I didn't start writing until late high school and then I was just diddling. Mainly I loved to read and my writing was an outgrowth of that.

Any woman or man who would write the truth of their lives would write a great work. But no one has dared to write the truth of their lives.

I love to tell stories. I love to tell stories the way I tell them, not the way anybody else tells them. I am all the time writing a novel.

I started writing about New Mexico in an autobiography class I was taking for school, and realized that it was very inspiring place for me.

Writing well is at one and the same time good thinking, good feeling, and good expression; it is having wit, soul, and taste, all together.

I love telling stories and I love writing so the fact that I can do it professionally is something that I've always been very grateful for.

I've always wanted to write a novel. It's overwhelming and daunting, and it's one of those things that every writer fantasizes about doing.

While I have corrected agreed factual errors, I have not been inhibited from writing what I felt to be the truth about The Prince of Wales.

The only characters I ever don't like are ones that leave no impression on me. And I don't write characters that leave no impression on me.

I decided to create a really good laptop recording situation and to learn how to write that way, rather than have the perfect stuff around.

I think I'm like most novelists in that my books have gotten farther and farther away from autobiography the longer I've been writing them.

As I published books, I realized, that's not really what I want. I don't care about the books as much anymore. I just want to write poetry.

Often when I write poetry I don't quite know what I'm saying myself. I mean, I can't restate the poem. The meaning of the poem is the poem.

From the beginning, when I first got an idea for a story and wondered if I could write it, it has always been the story that has driven me.

I'm not singing anymore; that is why I am so pleased to be writing. My daughter said, "You just found a different way of using your voice."

I have long discovered that geologists never read each other's works, and that the only object in writing a book is a proof of earnestness.

And it is a very beautiful idea, and possibly true, that a common man from Stratford with a common education was able to write these plays.

If more people could read, write, and comprehend, we could be much closer to solving so many of the other problems our country faces today.

Always write as if you are talking to someone. It works. Don't put on any fancy phrases or accents or things you wouldn't say in real life.

How does one happen to write a poem: where does it come from? That is the question asked by the psychologists or the geneticists of poetry.

I discovered that my own little postage stamp of native soil was worth writing about and that I would never live long enough to exhaust it.

I never write a book unless I can't help it. Something has to bother me, like a mosquito, until I have to do something to relieve the itch.

Everybody's idea of a great book is different, of course. For me it's one that makes my jaw drop on every page, the writing is so original.

I write, "Give me reason but don't give me choice, because I'll make the same mistake again." I think that's what most men want to be told.

You usually dont know what you are going to write about so you go to the places and talk to the people who were identified with the events.

I gather a repulsive nobody writing in a paper no one of any decency would be seen dead with has written something loathesome and inhumane.

In the future, I'd like to continue being honest with myself and admit when I'd be better off asking someone else to illustrate my writing.

The usual picture of Socrates is of an ugly little plebeian who inspired a handsome young nobleman to write long dialogues on large topics.

It is a lie to write in such way as to be rewarded by fame offered you by some snobbish quasi-literary groups in the intellectual gazettes.

I think it almost all has to do with coming at writing from an acting perspective, because I didn't, like, study writing. I studied acting.

When I write, the first blank page, or any blank page, means nothing to me. What means something is a page that has been filled with words.

Writing every book is like a purge; at the end of it one is empty ... like a dry shell on the beach, waiting for the tide to come in again.

Eden Robinson is one of those rare artists who comes to writing with a skill and maturity that has taken the rest of us decades to achieve.

You write about what you have access to, and I have been fortunate enough to have a front-row seat on the rich and powerful my entire life.

You take a poll of any people. What is it they want? The right to write an editorial as you like? They want homes, medicine, jobs, schools.

When I take up my pen to write, I feel the strength of standing up and refusing to be silent. In an oppressive situation, silence is death.

For me, directing is like writing with meat. I can write live, in real time, and change things and be confident that I'm helping the movie.

I've been co-writing a TV thing with Bryan Cranston, which we are going to find out soon if it's moving forward or not which is for Amazon.

We live in the age of mass loquacity.We are all writing it or at any rate talking it: the memoir, the apologia, the c.v., the cri de coeur.

It's as if I'm setting aside the husband and son, you know, the patriarchal world, for the world of the muse. This is the world of writing.

You evolve in the ways in which you are precious. When you are the director, you are also continuing to write on the floor as you go along.

Convince yourself that you are working in clay, not marble, on paper not eternal bronze: Let that first sentence be as stupid as it wishes.

I was 12 when I got a small part in a movie in Texas. And in my spare time, I play with my dogs and write music and go out with my friends.

Good actors never use the script unless it's amazing writing. All the good actors I've worked with, they all say whatever they want to say.

The one thing you have to do if you write a book is put yourself in someone else's shoes. The reader's shoes. You've got to entertain them.

Writing has nothing to do with communication between person and person, only with communication between different parts of a person's mind.

Never write an advertisement which you wouldn't want your family to read. You wouldn't tell lies to your own wife. Don't tell them to mine.

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