I never wanted my books to be mistaken for poetry or fiction books; I wanted to write reference books. But instead of referring to something, they refer to nothing.

A writer is in the broadest sense a spokesman of his community. Through him that community comes to know its heart. Without such knowledge, how long can it survive?

If you can write a nation's stories, you needn't worry about who makes its laws. Today, television tells most of the stories to most of the people most of the time.

I've been asked to write my autobiography and really they only want 8 years (1962-1970), and I keep saying it would be five volumes before I even got into the band!

But I always seem to finish a book and then think, oh God, I've got to pay a tax bill, so I'd better write a novel, so I tend not to stop and learn word processing.

I'm writing another novel and I know what I'm going to do after, which may be something more like this again, maybe some strange mixture of fiction and non-fiction.

I think poetry is the best thing I do. It's certainly the purest. I seem to switch gears without too much trouble. Non-fiction is in many ways the easiest to write.

The chances of a person breaking through their own habits and sloth and limited mind to actually write something that gets out there and matters to people are slim.

All I needed was a steady table and a typewriter...a marble-topped bedroom washstand table made a good place; the dining-room table between meals was also suitable.

The gift of writing is to be self-forgetful... to get a surge of inner life or inner supply or unexpected sense of empowerment, to be afloat, to be out of yourself.

It's weird to try to write lyrics for somebody else. They can't really get behind what you're saying or what you want them to say because they didn't experience it.

An individual developer like me cares about writing the new code and making it as interesting and efficient as possible. But very few people want to do the testing.

The only sensible ends of literature are, first, the pleasurable toil of writing; second, the gratification of one's family and friends; and lastly, the solid cash.

I wanted to write a song about sexism, but I didn't want to do it in a mechanical way and be like, "Don't be sexist!" because that's not how I talk in regular life.

I think plays, like books, are endemic. They grow out of the soil of the writer and the place he's writing about. I think, you just can't move them about, you know.

I don't really have those kinds of intentions when I write a scene. I try to follow the internal logic of the fiction, rather than make an argument or an assertion.

Writing is something that you can never do as well as it can be done. It is a perpetual challenge and it is more difficult than anything else that I have ever done.

Discipline is what makes a writer. If writing was like lifting weights, then I'd look like Mr. Universe. Write every day. Give the Muse a chance to get to know you.

I believe the personal is the collective. One of the ironies of writing memoir is in using the "I" it becomes an alchemical "we." This is the sorcery of literature.

The journalism school helped me develop writing skills, and I had been enjoying cartooning from a very young age. My interest in puppetry, however, came much later.

But if you read Jane Austen, you know that she had a wicked sense of humor. Not only was she funny, but her early writing was very dark and had a gothic tone to it.

I'm very keenly aware that there aren't very many women writing literary fiction in Ireland and so that gives me a sense that what I say matters, in some small way.

Naturally, no writer who's any good at all would sit down and put a sheet of paper in a typewriter and start typing a play unless he knew what he was writing about.

It is always sad to write about prejudice, but sometimes when we see it being played out in the lives of fictional characters, we can recognize it in our own lives.

Life throws surprises, sorrows, sadness, and hardship, and I think that writing has actually grounded me. It kept me grounded when everything else was falling apart.

Poems are ways of saying you clearly remember the day of your death and your tomb. When I am writing poetry, I relive my days when a woman inside me dies many times.

I write because I write - as anyone in the arts does. You're a painter because you feel you have no choice but to paint. You're a writer because this is what you do.

People write to me and say, 'I'm giving up, you're not talking to me.' I just write them a simple message like, 'Never give up,' you know? And it changes their life.

I play and I've played in heavy bands, but when I write for myself, I don't particularly feel like writing huge rock riffs. It just doesn't work for me and my voice.

The muse whispers to you when she chooses, and you can't tell her to come back later, because you quickly learn in this business that she might not come back at all.

I'd always loved movies, but it wasn't some sort of desperate love of celluloid. It was literally like, "I want to write things, and I want people to see them more."

The seventies were my fattest decade. Overall I think the seventies were distinctly bulbous. People looked chunky, typefaces were rounded, writing implements penile.

Sometimes things reveal themselves to you a little bit. I think it was Joan Didion that said, "We write to find out what we're thinking." And sometimes that happens.

Budget grows out of the story. If you're writing a story with people caught in an elevator for most of the film, you're pretty sure it won't be a $200 million movie.

I really wasn't too interested in writing "Father Knows Best" and "Ozzie And Harriet." I thought they were pleasant enough, but it wasn't really what I wanted to do.

I don't take part in texting and those other things myself, so I don't really know if people put as much thought into messaging as they used to into writing letters.

In terms of writing, I think what most fiction writers treasure more than anything is the feeling that they're living for the length of a book inside another person.

About your writing with you left hand, are you ambidextrous, Mr. Ewell?" "I most positively am not, I can use one hand good as the other. One hand good as the other.

I never claimed to be a low-maintenance gal, but when I'm writing, it's particularly challenging. I lose things constantly: my watch, my glasses, my papers, my mind.

If I'm feeling something, I know if it's a song, or if it's a little story that I'm going to write, or if it's a painting or play. I might sit down and write a play.

In fiction writing, I would say there are several different strands that have been woven through my own writing, and each influenced by a different group of writers.

Because there's just so much in a day now, I keep writing in much more abstract terms, like I don't try to write about what happened anymore. It would be impossible.

I basically never feel like writing. I am a happy-go-lucky, relaxed, fun-seeking kind of person. And working disturbs that, because it puts me in a state of anxiety.

In this world of doubt, one thing is certain for me; that I will go on writing songs up to and - I hope, through heavenly means or diabolical - beyond the day I die.

Keep writing, because not only does practice improve skill, it gives you more chances to score on the market. I did that for eight years before making my first sale.

The impulse for much writing is homesickness. You are trying to get back home, and in your writing you are invoking that home, so you are assuaging the homesickness.

I play the piano a lot at home, I write songs on the piano and guitar. I would like to actually play piano on stage... I don't think I'll get the chance for a while.

People write or speak sentences in order to produce an effect, and the success of a sentence is measured by the degree to which the desired effect has been achieved.

I think my dyslexia was a vital part of my development because my inability to read and write meant that I had to find knowledge elsewhere so I looked to the cinema.

Photography and writing are marvelous distractions from painting. I might even have found movies more interesting than photography. I tried it a bit, but not enough.

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