As an actor, you never want to feel like a tool. You never want to feel like, "Hey, just come here, say this, stop here, look this way," and that's it. You want to have a little input.

My father was a fish market porter. So I grew up on fish, because he used to steal one a day, I grew up on the very best fish that money could buy, 'cause he only stole the good stuff.

I'm not a big filmophile. I don't watch movies a lot for a hobby. I spend all my time watching sporting events. Because, opposed to movies, you can never tell how they're going to end.

I happen to be a Parkinson's patient. I'm not fearful of my condition or my future - but if someone is looking in my eyes for fear, then they see their own fear reflected back at them.

Your experiences are what made you what you are today. So when tragedy happens in people's lives, and things are left unsaid, it can be very unsettling. The lack of closure can linger.

My freestyling ability is nonexistent. I can't even write a verse if I tried to sit anywhere and write one. Being a good rapper is hard to do. I'm a good Rapaport, but that's about it.

I think I was never home when I was directing, because you're either prepping, shooting, or editing, and then acting at the same time. It's really time-consuming, but it was great fun.

My whole life, I wanted to be a fighter pilot; it's what I wanted to do. I set up all of my classes for it, but I got lazy my senior year in high school and didn't get my paperwork in.

One time, this guy was bothering my mother, and me and my brothers had a stern talking with the guy and a little bit of physicality with him. So he disappeared. But I'm not a magician.

Never trust a southerner. No, I'm kidding. They're wonderful. You want to believe in his niceness and his charm, but he's an evil kind of crazy man who's righteous. Fear the righteous.

No one wants to see a person on TV who's super-ultra-cool. That's Superman, that's a thing of the past. Heroes are now flawed, and have terrible tempers, you know? They're real people.

I got amazing training both with Theatre Sports... back in Edmonton, Alberta - I can't give those people enough credit - and the daytime drama I did. Incredible training, both of them.

I'm pretty cerebral, so I can occasionally rationalize emotional pain away, but when I can't, that's when I start to feel the fire inside take over and somehow manage to power through.

When I was a young kid, the best stuff on television was always the BBC period dramas - it was what we sat down as a family to watch and what people talked about and looked forward to.

I remember doing my SATs on a film set; you had to complete the tests in a certain time and, obviously, you couldn't be interrupted. I think I did pretty well; it wasn't too difficult.

Having children obviously changes your priorities, but when you start to see life through these innocent eyes and seeing everything for the first time, you appreciate the small things.

In general in comedy, there are fewer people making a ton of money and a lot more people making a living. For me, the goal is just being able to make exactly the show I wanted to make.

I won't share everything, both in my act or in interviews. Some of the people who become the most famous are the most self-revelatory, and I'm like, 'No, it's just not worth it to me.'

As I got older, with my work, I became aware of the responsibility of film, and I feel one of the best ways I can apply myself as an actor, is to go beyond movie stardom and celebrity.

Just because you're a man doesn't mean that you can't raise your kid. I think that families should stay together, but if you are a single father, don't give up no matter what they say.

Mel Blanc is a hero because of what he could do with his voice for all the Looney Tunes, the Warner Brothers cartoons, to be the voice of Bugs Bunny, Daffy Duck, Elmer Fudd, Porky Pig.

I would like to hook up with one of the great Japanese filmmakers, like the master that made 'Ringu,' and I would like to take 'The Wicker Man' to Japan, except this time he's a ghost.

I've been writing for years, you know, and when I get to a particular place, city, or different locale, I find myself first of all being challenged by those that love me to write more.

When you start falling for somebody and you can't stop thinking about when you're going to see them again, I love that. Women are beautiful. They deserve to be cherished and respected.

What you wear can be such an indicator of so many things. You know, how you feel, how you want others to perceive you. So, that is an absolutely essential part of building a character.

There's something people find hilarious about dogs surfing and dancing and talking in the movies. I think it's nice for people - I think it's wish fulfillment - to see animals talking.

I think TV is much more the writer's medium and film is about the director and their vision and how you can collaborate with them and see that through to the end. They are so different

I'm so blessed to have been a working actor. If they still would like to make me a superstar, I'm available, but so far, being a working actor has been great. It's taken me everywhere.

I think when you're trying to produce a relationship on screen that doesn't actually exist, perhaps sometimes there's a temptation to look at each other more, to touch each other more.

I grew up as a fairly poor kid in, you know, Toronto, Canada. I don't think I owned any new clothes until I was, like, 15 or something. They were all second-hand and forged from paper.

I am a refugee: my parents fled Chile under Pinochet in 1976 when I was 9 months old, and my parents were able to start from nothing and make lives for themselves in the United States.

Someone asked how I feel about Captain Crunch. I'm capable of eating an entire box of it without any milk. It is a sweet taste that is indescribable. Captain Crunch is its own flavour.

One of the things that's fascinating about making movies is a movie when it's done and you start showing it to people, it reveals its impact, which is often times not what you thought.

We had a lot of rehearsals for the original Twilight to get the family to learn each other and experience each other, so we could all be like a family. We spent a lot of time together.

If I don't feel like I'm doing the job well, and I don't know how to get there, or I'm too scared, or whatever, I'm not a happy guy and I'm not pleasant. I'm not pleasant to be around.

I had to make a living. I had the mortgage to pay, I had the school fees to pay. I had bread and butter to put on the table. You know your worth as an actor, but you have to get a job.

I've done loads of things people have never seen, dramas on BBC4 and plays upstairs at the Royal Court and the Bush, and because I didn't go to drama school, they gave me an education.

With 'The Karate Kid' especially, there's been so many references and visual images from that film, you know? Who knew that 'Wax on, wax off' would become part of the American lexicon?

I don't want to be Tom Cruise. I'm not after some movie blockbuster career. That's not the kind of work I'm interested in. And frankly, it's not the kind of work I'm ever going to get.

The first time I played golf was in Flushing Meadows, Queens, when I was about 16 or 17. They had an 18-hole pitch-and-putt. My buddies and I would hop the fence and sneak on and play.

I've done the best I can with the morning show. I made it a morning show. We have the coffee cup, you have the morning papers, you know, it's got that feel to it, that's what I wanted.

I've been led by my nose all my life and tried to make perfume by boiling sugar water in jam jars and stuffing them full of gardenia and rose petals when I was growing up in Swaziland.

It was tough doing 'Underneath the Lintel' in New Jersey in the wintertime, but rewarding. Those audiences were lively and interactive. On-stage was great, but off-stage was difficult.

There's a real separation between actors and all the other functions of Hollywood. If you're an actor you're somehow not a member of the crew. You're somehow more special. I hate that.

If you're lucky enough to have a pretty girl love you and share herself and sleep with you, make that your secret. The best way to spoil love is by talking to too many people about it.

A lot of times I'll make films that are mostly character-driven films - stories that involve people. Like, I make the joke: I like to make movies about human beings that live on Earth.

Luckily, I didn't get too beaten up before someone gave me a shot, but there were times when I was living on friends' couches and eating five-dollar subs from Subway almost every meal.

Of course, I love chats with various actors about the process and how they do it. To me, if it's not on the camera, if it's not there, it's not worth it. It really just isn't worth it.

It didn't feel organic and [Tito] Gobbi was one of the artists that was able to, along with Maria Callas, incorporate not just the sound, but the emotion, the technique of the singing.

I remember when people said, "Man, that's a powerful scene in the movie!" and I was like, "We just shot this thing before lunch, I don't know, he tears a log apart, I said some words".

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