Quotes of All Topics . Occasions . Authors
I drank from the bottle again and it was a scary plunge because I always wanted to take too much. It hurt, but it was also impressive, like being in the hands of a bigger force. And because of that, a relief.
I have always weirdly seen myself as more of a character actor. I have never been suave. I could never see myself playing James Bond. I suppose I could fake it, but I am certainly not James Bond in real life.
I wanted to be a doctor at one point and I also wanted to be a pilot. I think if you grow up in a dodgy area, reality often beats down those ambitions as you get older. But with me that never really happened.
The protagonists that I've played tend to be people who make trouble. Or even if they don't make it, they certainly disrupt things. It's fun to do that in life as well. But I don't think I ever played myself.
It's a difficult position. Do you endanger your child to fight for the right thing, or do you keep your mouth shut and let your child grow up in a world where their natural rights are stripped away from them?
I think there's grays in characters if you look at all the great characters, those characters that have those layers of being good and being bad and what's the struggle. It's always more interesting to watch.
I'm a big 'Star Wars' fan and grew up watching the movies. I read all the books and have read 'Star Wars' fiction that went between the newest trilogy and the original trilogy and it was part of my childhood.
As far as loneliness, I feel Los Angeles and its layout, having to drive everywhere - it is a lonely place. It's an isolated city in that respect because you're driving to places alone listening to the radio.
I didn't want to fight a guy from England. What if I lose? Not that English guys aren't strong, but who wants to get beat up by a guy with that voice? That's not the most masculine voice to take a beating to.
Most people think I'm from New York or something. I was, like, 70 pounds heavier than what I am, and I didn't get no girls... I was definitely more on the deep fried crab than I was on the baked chicken side.
Years and years ago, when everyone knew that Pierce was going to be doing the job, they started selecting new people. I had this bizarre thing when I hadn't done many movies, and of going on for an interview.
Before I do anything, I think, well what hasn't been seen. Sometimes, that turns out to be something ghastly and not fit for society. And sometimes that inspiration becomes something that's really worthwhile.
The general rule is to not jump into moving in with whoever you're nutty for. But, you know, I was in a bad relationship, and the day I got out of it, I moved in with Ciera, and she ended up becoming my wife.
I am very Latino in everything I am and I do, but there's a part of me that's also something else. I'm reflective of the way this country's gonna be in the next 40 years. More multicultural is what we'll see.
I feel an obligation to set the record straight. Actors that say they're affected by something, that it changes their life, that they take it home with them, they're just trying to get nominated for an Oscar!
We have actors from other films, from 'Baywatch,' and so on, and these people are looking exactly the opposite of what they are. The transformations were so smooth, and so funny to watch, it was unbelievable.
So many people wait around for funding, and if they're unsuccessful, they don't make the film; if you've got a good idea, that seems so pointless. There's always a way of doing it; you've just got to find it.
If you can figure out where you fit into any particular story, you'll be okay. When you're not quite sure where you fit in, you try to be too many parts of the story. You gild the lily. I see it all the time.
I don't really get off on the anonymous love of strangers, which I think a lot of actors do. They're lacking something in their own personal lives, so they want the adoration of autographs and all that stuff.
I just think that sometimes we hang onto people or relationships long after they've ceased to be of any use to either of you. I'm always meeting new people, and my list of friends seems to change quite a bit.
I got into musical comedy because of Shakespeare, not because of singing. They needed someone to understudy Richard Burton. I was also going to musical auditions because the agent I had insisted I go to them.
Something like 'Alien,' that was not so easy. If there's any genre I wouldn't mind not having to do anymore, it would be science fiction. It's just all to do with the toys, and there's so much hanging around.
Often I don't read novels. The script is more important, that's the springboard to your imagination, really. Peripheral information can be interesting to read but you can't use it when it's not in the script.
I've never changed the way I live. I still walk the streets; I don't give a damn. And everyone's very nice to me. But this new idea of being famous for no reason at all? I can't actually get my head round it.
I went to - I got a wonderful college education. I went to Harvard. In those four years, I accumulated a lot of knowledge, but I also created a kind of habit of learning that has stayed with me my whole life.
Growing old is unavoidable, but never growing up is possible. I believe you can retain certain things from your childhood if you protect them - certain traits, certain places where you don’t let the world go.
When you play a character that exists or existed, there's a stronger responsibility that you have. You owe that person and then you owe the family, you owe history, you owe the victims, the victims' families.
It couldn't be a simpler answer. Marriage doesn't really mean anything to me. I feel like in many ways marriage is more for the families of the couple than for the people involved, so I don't gravitate to it.
The thing about the Air Force or any branch of the military is that all of us were plucked away from our homes and our comfort zones and our families. So there was a solidarity in the military, a brotherhood.
'Allen Gregory' came about because we wanted an animated show and we were just tossing around some ideas about me playing a 7-year-old. We thought that would be cool, because we couldn't do that in real life.
If you had told me in the Seventies and Eighties that TV would be as edgy or edgier than most films, and more intelligently written than most films, I wouldn't have believed it. There's great stuff out there.
I want to be remembered as an actor who put in some good work in the beginning of his career, even better work at the end of his career and slowly, successfully made the transition into writing and directing.
I grew up in Lancaster, Pennsylvania, watching the Tony Awards on TV. Not just 'watching' the Tony Awards on TV - I would record them on a VHS tape and bring them in to school and show them to the other kids.
George W. Bush brought a lot of minorities into his administration, which was a positive thing, and they had some issues that they wanted to press, but 9/11 really gave them direction. It gave them a purpose.
In a weird way, it’s kind of a relief to think, ‘Oh, I know I’m not that young sort of pretty thing anymore.’ It’s quite nice talking about what it was like to be the young pretty thing, rather than being it.
I think the reason why people love 'Downton Abbey' is because all the characters are given the same weight. Some are nice, some are not, but it has nothing to do with class or oppressors versus the oppressed.
There's not one human being on the planet earth who has never felt, at some point, unaccepted. At some point in our lives, we feel like we're not good enough, but we have to step back and realize that we are.
That New York energy, when you've got the benefit of great weather, it really is terrific. You look up at that skyline, and the Empire State Building is literally in your eyesight - there's nothing like that.
I loved the opportunity to just transform my voice. I loved the idea of doing impressions and mimicking and playing around with the spectrum of your own voice. That's what I enjoy most about doing voiceovers.
I didn't have a lot of ambition, which I think was a good thing. I mean, I was ambitious about quality, but I wasn't ambitious in the "I've got to get a pilot!" way. I never went out to L.A. for pilot season.
Actually, I'm reading a lot of my scripts. When I'm working on something, it's hard to find time. You're always prepping new material. You don't want to be buried in a book. It splits your focus a little bit.
I never did standup before. It just looked like it was really hard, looked like there was like up days and down days - and I'm too emotionally unstable for that. I need to always be funny and always be loved.
The stigma that used to exist many years ago, that actors from film don't do television, seems to have disappeared. That camera doesn't know it's a TV camera... or even a streaming camera. It's just a camera.
There are ways in which you can make sure that even if people come to the theatre because they know an actor or actress, by the end, they've forgotten that, and they leave going, 'Wow - what an amazing play.'
People say, 'If you open a movie online at the same time as in movie theatres, no one is going to go to the movies.' That's just not true. People love to go out and have a shared experience; they always will.
I'm so not scary. I'm a pussycat. But what are you going to do, right? I mean, these cheekbones, and I guess these eyes, and the big nose... this is what my momma and my poppa gave to me, and that's the deal.
When I was ten, I did a play at the Henry Street Settlement Playhouse, Charles Fuller's first play. He went on to write 'A Soldier's Story,' among other things. I realized, 'Oh, I can be anything doing this.'
I began working with a family camera. It was called a Kodak Autographic, which was one of those things where you flopped it open and pulled out the bellows. And I've been at it ever since - I've never stopped
I began working with a family camera. It was called a Kodak Autographic, which was one of those things where you flopped it open and pulled out the bellows. And I've been at it ever since; I've never stopped.
Marty [Scorsese] knows that when an improvised moment comes out of a real situation, it's gonna have more life and more going on than anything you can imagine and that's how the character can become the story