Quotes of All Topics . Occasions . Authors
If you're a guy who's always been the fun-to-be-around teddy bear, then all of a sudden people are viewing you as sexy, it's nice. It's great not having to be the plucky best friend or the comic relief anymore - I love that.
What I try to do with the accent of any character I play is not necessarily to do something that's generic - an Indian accent and that's how it sounds, for example. I think the accent needs to sound authentic on this person.
I'm not particularly a career-oriented guy. I'm lucky. I can make really interesting films much of the time with interesting people yet be anonymous, have a private life. But, I'd like to have the choice of the better roles.
I'm very interested in the improvisation because one of the things I do is to help train scientists to communicate in a better way and more personal way when they're making a presentation, and I use improvisation to do that.
I don't live in L.A. on purpose because I don't wanna be immersed in that. I have to have a real life, with real people, in order to inform what I'm doing; otherwise, it just becomes the snake eating its own tail. Vampirism.
I guess I was the class clown - with a name like Albert Einstein, you don't hide in the back. I'd read the school bulletin to the class, and I'd add activities and make stuff up. It was good, a good 10 minutes every morning.
When I was a little kid, my parents would show me Marx Brothers films and westerns and stuff like that. Thats where all my desire to be an actor comes from and probably most of my understanding of acting comes from for sure.
I have been interested in global web-based communities and emerging technologies since the mid 80's. There is a revolution occurring in global culture at the moment, that will change everything. And it's only just beginning.
One day, a musician asked me what I did. When I told him I was to be a businessman, he laughed and said, 'You are not a businessman.' Sometimes all it takes is one person to put an important thought in your head, and he did.
I did not imagine myself working with Luis Estrada or with the Wachowski Brothers and these are things that have happened to me and I am very satisfied. I hope to keep on finding interesting projects and interesting stories.
My father was a waiter basically, and when I got my first professional job as an actor, I left a job that he found me for half the amount of money. So anyone would think that they're stupid, that that would be a stupid move.
I grew up in Alabama in a very small town and didn't have access to the finest of anything, really. But my mother was the kind of woman who just wanted us, me and my sisters, to be exposed to any and anything she could find.
When you live in an environment where you aren't allowed to be fully who you are, you aren't taken seriously, and you aren't respected. What that actually does to a person's confidence and psyche is really fascinating to me.
Winning isn't everything, but playing and competing and striving and going through things can be a lot of fun and really important. As long as you're doing it in a way that's healthy, sports can be an incredible opportunity.
I rode a bike around town when I was a kid, with my friends, but I never got into cycling as a sport or activity. But, it is really pleasant. It's really nice to hit the mountains with all the trees and everything. I get it.
Love every role to be new, and I always like to bring a freshness to every character I play, but that comes down to the script. So, it's important that it's a good script with good, truthful characters and truthful subjects.
Living with reality is a very good trick, it gives you tremendous freedom and it changes the structure of the molecules of your soul by living with reality because you don't expect anything anymore. Which is a weird paradox.
I was failed in all other aspects of filmmaking and was completely bankrupt because my dreams were higher than realities. So I started my acting school in a small room with 12 students to prepare future actors and actresses.
My parents couldn't give me a whole lot of financial support, but they gave me good genes. My dad is a handsome son-of-a-gun, and my mom is beautiful. And I've definitely been the lucky recipient. So, thank you, Mom and Dad.
If I were a carpenter, I'd find a way to empower using that skill. I'm using as much as God has given - my mind, my voice, my heart, my art forms. This is the highest form of expression on the planet from God, to me, to you.
When you are in something that you're proud of and it's funny and it's a good night out and all of those things, there's nothing quite like it. The rewards are proportionate to the amount of alarm and distress it causes you.
I'm actually very snobbish about directors. I have to say no all the time. 'No' is the most powerful word in our business. You've got to protect yourself… To leave home, it's got to be worth leaving. It's got to be worth it.
I was very curious about the world even at a young age, and I don't know at what point I became aware that other cultures believed in different religions, and my question was, 'Well, why don't they get to go to Heaven then?'
I had the luxury of working on the script with Andrew [Dominik] for a good year before the film started, so I was already intimate with the story [of The Assassination of Jesse James] and felt quite prepared walking into it.
I like to think of myself as the Rutger Hauer of this show Star Trek: The Next Generation. But then I like to think of myself as Rutger Hauer in real life: strikingly handsome, irresistible to women, an intergalactic enigma.
Woody Allen - nobody has been a better joke teller than him - and even in his great films, it's always coming out of the character. If you don't have that, jokes are just empty and I think that people rely too much on jokes.
My biggest love is space. I completed 800 hours' space training in Moscow and I became the world's oldest man to go to the North Magnetic Pole. At 67, I also became the oldest man to reach 28,400ft on Everest without oxygen.
From 1965 to 1974, I served the best possible apprenticeship for an actor. I learned firsthand how a truck driver lives, what a bartender does, how a salesman thinks. I had to make a life inside those jobs, not just pretend.
I'm not in the movie business anymore, and hardly any 70 year olds are. I always ask the producers: 'Are there no 70-year old vampires?' Apparently there are not - or even zombies for that matter. I guess they all get eaten.
With Scarlett Johansson, I always thought she was pretty, but then when I heard her sing, there was just something about her voice that made her really, really attractive to me. And I think she would be fun to hang out with.
I'm known as a kind of dramatic, serious, almost humorless actor and the fact is, I'm a funny guy, and I spend most of my life trying to find a lighter side of things, and on stage was given plenty of opportunity to do that.
I knew it would be hard work, but that's the reason you're an actor. If you're a bricklayer, you don't want to just show up at someone's house and put a little row of bricks around their garden. You want to build a building.
I went into broadcast journalism. I loved every class I took, I just got anxious because I came to the realization that you're groomed in high school to get good SAT scores to get into a good college or else you're done for.
I was in college that first semester, and I was like, 'Wow, this isn't who I am. This isn't what I want to do.' I was like, 'Oh God, I'm going to have to go out and make something of myself, and I have no clue what that is.'
There's something very special about seeing history so clearly in front of you through that architecture that you just don't get in the U.S. If I was asked to choose where I'd most like to live, I would always choose London.
Clergymen tend to be unreliable and pompous figures. Seldom Jewish rabbis, less often Catholic priests, but Protestant ministers tend to be... not really very admirable. Not necessarily evil, but silly. And wrong, of course.
And their pals vote for their stuff when they're not on the panel, and it just keeps going that way. And they tend to be very fringe artists, so anything before the 20th century is not worth considering. This is out of date.
I'm very proud of being Italian-American, but people don't realize that the mafia is just this aberration. The real community is built on the working man, the guy who's the cop, the fireman, the truck driver, the bus driver.
Dividing everybody into genders and sexuality and races and religions, and I think its important to have films out there, to have discussions out there which really try to get to grips with where that kind of thing can lead.
I don't tend to offer up a critique unless I have a clearly formulated alternative, because there's nothing worse than people on a set or any kind of artistic life who critique something but who don't have anything to offer.
I think when I was doing 'Amistad,' I was just too young to really understand what the process was, and beyond that, I hadn't really got involved. It was just somehow - and I thought that the artistry was all in the theater.
I hate myself in interviews. All of a sudden, you stop and you're like, 'Chris, how dare you?' I don't live in Darfur. I have both legs. But you can't walk around all the time being like, 'I'm so grateful I'm not in Darfur.'
I actually find it harder to act in the scenes where there's not much happening, say having a milkshake in the diner. That is far harder to do than straight scenes where there's a drama going on and you have something to do.
To go to the Oscars for 'Moneyball' - that was pretty amazing. And to be able to go work with Kathryn Bigelow - that's going to be pretty sweet. Hopefully I don't have to go back to being a waiter. That's still my main goal.
I grew up with the Highwaymen, which was Johnny Cash, Willie Nelson, Waylon Jennings and Kris Kristofferson. Mom and Dad rode rodeo, so country music was always in the house and the car. They threw in some Dolly Parton, too.
No matter how tight the shot is, if I'm narrating it too much, there's a barrier between you and the experience, because the process of reading a book, or watching a movie, or watching a play is that you're watching a dream.
When you're making a film you start living with it, and I find myself sitting down and figuring out a sound or melody that would go with a film, or a particular period. It's not brain surgery, you just kind of feel it along.
I would definitely say the last episode is as epic as probably any episode that 'Once Upon a Time' has ever done. I mean, it's massive; it's huge. It's like taking the best of all seasons and jamming it into one - literally.
I'm trying to get in the habit of, you know, picking up a book and learning how to write my feelings down, not my feelings but my thoughts, about things, and hopefully I'll moving toward the writing and directing thing soon.
At the age of 11 I was about 6 ft. tall and my voice had completely broken. That caused problems. I was this gangly, spotty, very unattractive kid. I wasn't cool and I wasn't a nerd. I didn't even want to fit in with anyone.