It is all about marketing; that is where the real craft comes in. The best actors do not necessarily become the biggest stars. And vice versa.

The rocky time came right after I left school. I spent a lot of time at night navigating the streets of Paris trying to find something to eat.

Every couple of seconds out here they're honoring somebody. You've got to get dressed, go in and sit down. Invariably somebody makes a speech.

I feel like I'm really lucky because I get to sometimes maybe vibrate at a frequency that's a little deeper and darker than people anticipate.

It takes years of building that experience as a filmmaker, as well as physically. You have to have a high level understanding of martial arts.

I'm a tap dancer. Once you're a tap dancer, you're always a tap dancer. In 'After Midnight,' I get to dance, but I don't do a full tap number.

There's people that figure if they hang out with you, all of a sudden they're going to be successes. I've had two or three stalkers in my life

The fans of our industry are extremely savvy. At the end of the day, they understand the business is a work. It's entertainment, nothing more.

There really aren't any deletes [in The Hanover movie]. There's like one or two deleted scenes but they're not important or meaningful scenes.

The percentage of actors employed is pretty small, and if you're lucky enough to have a good run at it, you do have a sense of responsibility.

To portray not only a boxer but a boxer like Roberto Duran, I needed to understand all the difficulties and the pressures of the sport itself.

People say you can't make movies about your politics or the environment. And, generally speaking, I completely divide those sides of my brain.

I've done some bits of shockingly bad TV that have never been shown, or at least I hope they've never been shown... Please don't dig them out!

I realize I'm a very lucky man. I love what I do, I love films, TV and theater, and the fact that I'm able to make a living at it staggers me.

I did a film called 'Fort McCoy,' based on a true story of one of the few internment camps during WWII that was actually in the United States.

Anything that I've put my name to and my face to and put my time into, is something that I'm clearly passionate about, or I wouldn't be there.

The older I get, the more obvious it is that you're not really in control of your life, you're a part of a larger wave, no matter who you are.

The beautiful thing about it is that no two directors or actors work the same way. You also learn not to be afraid of discussion and conflict.

I have worked with a lot of great directors but my favorites are all entirely different from one another. They don't go about it the same way.

Friends that I value most are people who would essentially use physical violence against me at a time when I seem to be teetering on the edge.

Everyone has a first love, and mine was the western. When I was a child and dreamed of the movies, it was always as a cowboy on a white horse.

You've got to go out there and do your things. Whatever comes your way, you jump on it, and like anything, that's how you get your experience.

There was a scene cut out of Big Fat Liar where I had to wear a dress. This may sound kind of weird, but I really enjoyed shooting that scene.

If an actor is going to be an action hero, do it in a Robert Rodriguez movie, because that guy is going to make you look like a million bucks.

After I started being able to grow a beard, I was obviously done at Disney - until I'm old enough to be a parent or an annoying older brother.

Goals are like the gas in your car, you may go in many different directions after you fill up, but with out the gas you are not going anywhere

I was a milksop as a kid. I had no confidence, no guts. I felt I was going to be someone else someday - someone who didn't have my weaknesses.

When you are playing an egomaniac running a fantastical ship, you don't want him to be too suburban. Naturalism doesn't work on the high seas.

We don't really have a star system in Canada, so to try and get people to watch your show or stand-up is always a challenge. That's the trick.

After I've done a good job, then I can get excited. Obviously, it would be very easy to get carried away, but I wanted to own that excitement.

When I'm on camera, I have to do things pretty much the way I do things in everyday life. It gives the audience someone real to identify with.

When you get to speak Irish, you become more at one with yourself, you kind of have a spark when you use it, and I think it's a great dialect.

Jack Nicholson is fairly gifted. We were at the Sistine Chapel, and everybody went from looking straight up to looking across the room at him.

Preston Sturges, who wrote The Palm Beach Story, said screenplay writing is architecture. That's why it's so rare to read one that's any good.

I try to take normal things - whether it's a serious subject or something as obscure as a piece of toast - and put a very weird twist on them.

I met Dylan on 'Pat Garrett and Billy the Kid.' We buddied around for quite a while after that. We jammed together; he liked my Mexican songs.

America's unique ability to change and be super flexible is pretty dope, man. It's pretty incredible. And that's what I want to contribute to.

I'm sure drugs and alcohol perhaps would inspire new thoughts, but it's certainly not something that I use as a tool or a mechanism to create.

Human beings make mistakes, so we all make mistakes and wrong decisions. Being able to make a decision and act upon it is not gender specific.

I think it's always hard for people to get their head around the fact that populist, commercial films can also actually be great works of art.

The greatest gift that an actor can have is good scripts because then you're relieved of the responsibility of trying to elevate the material.

I want to be sure that if people are coming to a show and paying $100 that I want to give them their money's worth. I try to give 100 percent.

My plan is to ride out my 30s with 'handsome man' parts, hit 40 and take some time off to have some kids, and then come back as Paul Giamatti.

To know you are in the company with people who love and care for each other, as well as for whatever they are working on, is almost essential.

It was wrongly assumed that I wished to become some sort of leader among gay activists, whereas in reality I was happier to be a foot soldier.

I always walk up the escalator on the Tube, and I live in a house with a lot of stairs, and that's good exercise, but you need more than that.

The coming together of like-minded individuals through action is what's needed to see wide spread change for us, our planet and its creatures.

People really love 'Madea' movies and get a kick out of them. They're phenomenally successful. People get excited when a new one's coming out.

I think often times on Joss Whedon's shows he can make you hate a character for a period and then love the character. He does it effortlessly.

I never listened to the Grateful Dead as a teen; the only exposure I got was what came through the walls when my sister was listening to them.

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