Quotes of All Topics . Occasions . Authors
To be in the music industry, to be in any kind of entertainment industry, you really, really have to be passionate about it and love it and persevere, because if that passion isn't there, it's easy to give up. If you really want it, the ambition is there, it'll come. It's definitely harder work than some people think.
I always cringe when people tell me they don't eat breakfast, as though that's a good thing. Eek! You have to start the day off with something in your stomach to get your metabolism active. Also, the mental game of 'holding out,' not eating for as long as possible, at least for me, was a really unhealthy mental place.
As early as second grade I remember feeling really different and isolated. I had the hugest crush on a boy, and my best friend had a crush on him, too. One day he said to me, 'I like your best friend more because she's paler and she has freckles.' And it was right then that I began to feel like, Oh wow, I'm different.
Creativity is connected to your passion, that light inside you that drives you. That joy that comes when you do something you love. That small voice that tells you, 'I like this. Do this again. You are good at it. Keep going.' That is the juicy stuff that lubricates our lives and helps us feel less alone in the world.
There have been times when I wanted children and other times I've been grateful not to have them. I am a mess if I have to say goodbye to my dog for longer than five days. I don't know how I would deal with kissing my children as I left for work. I know there are women who are able to do that. I don't know if I could.
I think my iTunes is a kind of strange and embarrassing mix of show tunes and artists that I have no perception of whether or not they're huge or not, you know? I'm the kind of person who doesn't realize that The Arcade Fire is a big deal, but then I expect everybody to know Cocoon, and people tend to not know Cocoon.
With certain projects, there are delays, and with others, things come together very quickly. It can be frustrating but it's not uncommon, and you just have to keep a lot of things juggling and hoping all of these projects will go when all the pieces fall into place. You just have to be ready for whatever catches fire.
I'm really not interested in acting as a facade, I'm interested in it as an emotional expression and as a transcendent experience for an individual. I find that a lot of people, a lot of young actors, haven't gotten to the point where they're comfortable being stripped down. They're still interested in ornate jackets.
I love mythology and folklore, and I respect the time, money, and opportunity that a film gives to an audience. It's a chance to empathize, reflect, and learn, so I really want to understand before I sign onto a project: 'What's the potential of this thing? What are we seeing and learning? What are we empathizing to?'
The way some papers write about me, you'd think I was some kind of gold digger. The truth is, I've always earned my own money. Before I became a model in Europe, I even worked in a bakery store - for $1.50 an hour. It's a big jump from a bakery store to driving a Mercedes in California, but I'm the same person inside.
I love getting baths and going to the Korean spas and getting pummeled and scrubbed, and its so hot in the sauna you can't even stand it. I have to do things in a pretty extreme way to calm down. So a Swedish massage is not going to do it! I need to know that they're in there with their thumbs and moving stuff around.
If you were a single mom, there's no way to support yourself and your kids by working in a hair salon. It's about a woman who decides to go and do what was considered a man's job, but was treated quite horribly for it and decides she has to fight for her rights when everyone thinks she should just shut up and take it.
I love the idea of longevity in this career. But [producing] is not about, "Let me do this because this might happen 20 years down the line." Sleepwalking wasn't a vehicle for me, it was a film that pushed the envelope. I want to produce good stories, versus creating a niche where I can look after myself as an actor.
I do have a tendency to talk a lot at the poker table, which throws people off because they spend a lot of time trying to read me. But I talk a lot when I have a good hand and when I have a bad hand, too. Sometimes it annoys people so much they can't wait to get out of the tournament. And that can only be good for me.
When I'm in Los Angeles, sometimes I hesitate saying that I'm an actor because people are like, 'Of course you are.' And I'm like 'No,' not, 'Of course I am.' In L.A., being an actor is like a pastime: everybody there is like, 'I was on this reality show; I'm an actor.' It becomes a word that is loosely thrown around.
I'm tenacious, I think - I know - and I do also have a quality where if you tell me I can't do something, if I know I can't do it I'm the first to raise my hand and say, 'I can't do that.' But there is a big Bronx, New York Jew in me that just says, 'Really? Really? You think I - yes, I can. I can do it. I can do it.'
It's always great when a director is just supportive of what you're doing. They're not so much critiquing you but giving you more ideas, giving you tons of things to work with, making you question your character and making you think about it... and making it seem like everything is limitless. That usually helps a lot.
Modern women are just bombarded. There's nothing but media telling us we're all supposed to be great cooks, have great style, be great in bed, be the best mothers, speak seven languages, and be able to understand derivatives. And we don't really have women we're modeling after, so we're all looking for how to do this.
The biggest lesson I've learned from my children is to look in the mirror at myself, not at them. I've realized that everything I've done has had an impact on them. We have to understand that they are like little paparazzi. They take our picture when we don't want them to and then they show it to us in their behavior.
In the hyper-sensitised reality of the region in which any criticism of Israel is swiftly and often unfairly branded as anti-Semitic, it can become counterproductive to inflame rather than explain and this means to hear the narratives of both sides, to articulate the suffering on both sides, not just the Palestinians.
I suppose that there might have been leading men who were put off from casting me as the ingenue because I was taller than they were, but I've no idea that this ever happened. When I did 'Much Ado About Nothing' opposite Mark Rylance in the West End, we used the difference in our heights as part of their relationship.
Am I lonely? Yes. Am I upset? Yes. Am I confused? Yes. Do I have my days when I've thrown a little pity party for myself? Absolutely. But I'm also doing really well. I'd be a robot if I said I didn't feel moments of anger, of hurt, of embarrassment... [but] You joke and say, 'What doesn't kill you makes you stronger'.
"Our first conversation was on the phone. I was in the bathtub, and I had to tell him that I was in the bathtub because I was afraid he would think I was, like, playing in the toilet when he heard water swishing around. [...] Then we had breakfast in Santa Monica, and I spit egg inside of his mouth when I was talking.
I never had a doubt about wanting to be an actress, but certainly when there were periods of unemployment, I would think, "Oh, I'm never going to work again." The only thing I don't like about it is the business part of it - the negotiating and all this stuff that you don't learn in school. I'm not good with business.
Actors become actors because they loved entertaining their family by putting on the lampshade and dancing around as a kid, ... That's not my personality. For me, the fun part of making movies is seeing it as a director sees it. I like the architecture of movies. I like knowing what's coming and working to set that up.
We shot [Hi Honey, I'm Home] on location in Orlando, Florida, so I was there by myself. And I remember I was late one day, and Gale Gordon pulled me aside, and he said, "Honey, when it says you have to be here at 10 a.m., you need to be here at 9:30." And ever since, I've always been a half-hour early to my call time!
I have plenty of dream roles because there is so much I want to do, but my dream year would be to be in a single-camera comedy and then, on my hiatus, film a little low-budget indie drama. That would be a dream 12-month period. A dream role depends on having good material and working with people that I can learn from.
I don't read my reviews. Unless I'm unfortunate enough to catch something by accident, which happens, and it's always a bad review. Always, it's amazing. I will be sitting in a café, and I will open a random paper right to the page of the review.... And then you're sucked in and go home and never want to go out again.
The music industry is something that I'm still trying to understand. With acting, I've been doing it for so long that I understand every aspect of it for the most part - there are obviously still more aspects that I need to learn - but I have a grasp on it. With music, I'm still learning. I'm still getting used to it.
Once you know the fundamentals of cooking, then you don't need to follow a recipe - you just know what herbs go well or what meats, or what combination of what goes together, and then you can just branch out from there. But if there's something specific that I want to make, I work on the recipe and tweak it to my own.
What I wear is a reflection of where I am going and how I am feeling. If Im in a good mood, its got to be cashmere and jeans - just something comfy, soft and warm. When Im down, I might find something that I havent worn for a while that was bought for me - or wear a brooch or a pair of shoes that are like old friends.
I'm not a sketch writer. I know what I am: I have a sensitive comedic sensibility. What turns me on is subtle neurosis. That's my game. I'm not an action writer or a thriller writer and I'm not a sketch writer. I don't pretend to be those things. Then it would not be fun. Then you are in a space where this is painful.
I often hear actors say during their interviews: 'I want to play a crazy person, a murderer, or someone who's on edge.' But that question scares me. I mean, of course there are characters I'd like to play, but I can't really say specifically who they are. It's much too hard to play a convincing normal person as it is.
I am so grateful and honored to be nominated. Working on Grey's Anatomy for the past few seasons has been a blessing and I have loved developing the character, Adele. I am so thankful to have had the opportunity to work with Shonda Rhimes and I want to thank her for keeping my character alive for all of these seasons.
J.J. Abrams is a director with no ego. He is a director who has a very consistent attitude when he's at work. He's funny, he's brilliant, he's a combination of all these really great things. J.J. is the kind of person who sees the bigger picture before anybody else does. It sounds simple but not all directors do that.
If someone said, "Here, you have your pick, you can do either a musical, Moulin Rouge type of movie, where you sing and dance, or an action movie, or a Shakespearian or Elizabethan movie," I would definitely love to do a movie that was based on a musical, where I would get to sing, dance and act, all at the same time.
I really didn't feel challenged anymore. I wanted to learn something and be excited again... While it can be a family - that environment is actually a family - in the sense that also you sometimes hate each other, you can't stand being around each other and grudges are held... I was getting cranky on 'Criminal Minds.'
Humanity is a failed experiment, but I think I'm God and I'd like to start over. I don't want to die, I just want everyone else to. I certainly would not be lonely. It would be exciting never having to listen to another person again but just my own self droning on and on. That's why I write a blog. And I read it, too.
I say I'm the only serious comedian in the presidential race. And I'd like to take this opportunity to ask both Romney and Obama to debate me. Because I think that both of those guys - I think that the American people are being given a false choice, because the choice between the lesser of two evils is a false choice.
There is a difference between executive producing and producing. Producing, you have no life for two years. You take everything personally, you want to kill everyone, you're depressed and angry, and then in the end you feel excited when it actually works. But executive producing, you can go home at the end of the day.
I don't think people get the pressure of becoming famous and what it does for an artist. What does that for your creative self. And what that can do for your mental health. And I would say, from year two to year six or eight of 'Grey's,' it was extremely difficult and very stressful and traumatic, if I'm being honest.
I've always been quite mature because of the way my parents brought me up. They were very good at talking to me like a person rather than a baby, and I was around so many actors and directors from such a young age because my dad is an actor. I was more comfortable with adults rather than actually being an adult child.
My father left when I was really young, but he's still living. There are things I wish I'd said that I didn't and I don't think I'll ever get the opportunity to say. He's battled addiction problems his entire life. I wish things were different. I wish there were a way my son could know him, know the good parts of him.
I never think about Wall Street - why should I - but to go down there so often while filming 'Working Girl,' to become acquainted with this whole different world, and to find out what goes on behind the scenes, is so interesting. There's so much of the city that you don't really bother to investigate. Ahh... New York.
I used to be on dance team in high school; it was called drill team in Texas. And when I started doing theater sophomore year, I had to make a decision which thing I was gonna follow. It was a big shift because I sort of had all these friends on dance squad, and when I started to do theater, my whole identity shifted.
I talked to Katherine Johnson, and I tried to make it weighty by asking things like, "How as a Black woman did you do your work in NASA? They were misogynistic, and I'm sure you got called the n-word." She was just like, "Well, that was the way it was. I just did my job. I wanted to do my job." She was just so humble.
The only real struggle [in Doctor Strange] was casting spells - learning all these amazing things with fingers, and then remembering what to say at the same time. They would say, 'So you have to put your hands there, not there because the light is going to go [MAKES SOUND] so that kind of masks... but it was all good.
As an actor, some of the most fun days I've had on set have involved shooting blanks all day - or better yet, on a micro-budget indie shoot in Texas, shooting live ammo. I feel guilty admitting this, but make-believe beating a man half to death for nine hours can also be strangely satisfying and, dare I say, good fun.
I think sometimes what people miss about black people is that we're complicated, that we are indeed messy, that we do our best with what we've been given. We come into the world exactly like you. It's just that there are circumstances in the culture that are dictated and put on our lives that we have to fight against.
I was very obsessed with Ruth Gordon. I really didn't foresee me having any type of career as a leading lady at all because it was just blonds. I just wasn't the type - I was told that by casting directors. I auditioned for Running on Empty [1988] and The Mosquito Coast [1986], and Martha Plimpton was just killing me.