Quotes of All Topics . Occasions . Authors
I used to think I needed to have drama at all times, or I wouldn't have the fuel for the performance. Now I know that's not true. That doesn't mean I don't feel it, but I recognize it when I do and put the brakes on. And if the performance isn't what it might have been once, I've learned not to judge myself as much.
Being on film is forever. Television, as well, just lives on and on and on, which is really exciting. But then with theater, it's like an experience. You have to be there that one special night that was like that to see that one performance that was really remarkable. It's more intimate as well. So I like them both.
I like being the lead but I like being in an ensemble. There are different challenges and dilemmas with both. If you're carrying a film, there's a certain weight, but there are a lot of scenes to explore the character. When you're in an ensemble, you have to convey the entire character in a limited number of scenes.
Do you laugh in the right places? Then, you’ll get along, in fair weather or foul. Humor is nothing less than a sense of the fitness of things. Something that’s out of proportion, like an inflated ego, should strike you funny, particularly if it’s your own inflated ego. Otherwise you are pathetic and quite hopeless.
The first thing is to accept that theater is an unknown. If you go to a concert, you know the music. If you go to an art show, you can literally see the art on your phone before you see it in person. But with theater, often times people aren't prepared to take risks, even though that's exactly what's great about it.
I'm an ambassador for the Make-A-Wish Foundation, and one of the children, his wish was to go to the Emmys, so he's going to be my date, along with my husband, and my dad and his girlfriend. So we're going to have a really fun night and it's going to be really exciting. I'm really excited for him to experience that.
As women, we feel we can't ask for things. There's been a lot of research done recently and, more often than not, if a woman goes in to ask for a raise, she'll get it. But she's thinking, 'Do I deserve it? I've got to give a list of why I deserve it.' Whereas a man will just go in and ask for a raise. It's so scary.
I always like to start my morning with a good amount of fruit. I really like pineapple, particularly because of the enzymes that it has. Sometimes I have oatmeal. But if I'm feeling like I really want to be watching my weight more, then I definitely do a protein, like an omelet, scrambled eggs or some smoked salmon.
My grandmother was German. She didn't teach any of her children German. She really wanted them to be American. And now, she's since passed away, I get so frustrated sometimes. I'm like, "Oh, Oma, why didn't you teach your kids German?" My dad would have spoken German to me from birth, and I would have spoken German.
I think that directing is the ultimate martyred task of filmmaking, that it has nobility to it. It takes three years to make a film, for the most part. I think it requires the attentiveness of a mother hen. I don't know how people raise children and direct films. I'm sorry, I don't know, how can you be good at both?
I never solicited myself as a singer until I realized I could use that to a musical standpoint. I loved musicals growing up. Classic films were some of the only ones I watched. So when the opportunity came for the show to audition, of course it was all of a sudden, "I sing! I sing! Send me in, please. I beg of you."
Sometimes when I'm going to sleep, I think, 'Oh God, my future husband is out there somewhere and I might know him, or I might not, and I wonder what he's doing and I wonder if he knows me.' I just always think that's so fascinating, that even when you were two years old, your future husband was out there somewhere.
I guess what really forms you as a person is what you do within your family to receive love or attention. In my family, what you had to do to receive attention was to have good conversation at the dinner table or for me to do well at school, and those were really my focuses because that was what was valued the most.
But I just don't think it's an abyss of nothingness [after death] and that we fall off and that our journey stops. I think it's circular and we go and we go and we go. I know that there are civilizations that I think are way more sophisticated than we are and I think more sophisticated civilizations lived before us.
People who are exceptionally intelligent are often lonely because there are few people as intelligent as them. I have two little children and everyone says: 'I hope they're doing well in school. I hope they're bright.' And I think: why would anyone want their children to be the brightest? Academia is a lonely world.
I could have probably raised them in L.A. and they would have been great and had so many things at their fingertips and been exposed to so many things. But we travel a lot, so I don't think that moving out of town is sheltering the girls at all. Maybe protecting them a little bit more, trying to prolong their youth.
I used to love hospitals. That's another weird thing about me. I remember when my grandmother -- so sweet, God rest her soul -- was in the hospital, I always loved visiting her there. Very morbid memory! Most people hate hospitals. And I'm not a big fan of them now, but there was something about it for me back then.
The one thing I really lucked out on is that all through my teenage years, when my sister was a lifeguard and everyone I knew was out in the sun all day - I was in the theater. Everyone called me Casper because I never had a tan, and everyone else was tan all the time. I think that was the luckiest thing of my life.
I do think that even with entertainment and telling stories, people in the entertainment industry have such a beautiful position in the world to speak about things that they're passionate about in a way that can grab people more than just sitting and telling someone about something, because you can show it visually.
I used to go out wearing any old rubbish, no make-up, nothing, but since mobile phones, that has all had to stop. People do come up to you so often and say hello, or want a photograph, and I just can't do it anymore in what I used to wear. They don't want to be seen hanging off a rabid old granny any more than I do.
Ever since the kids were babies, we have treated them with respect. We are the mom and dad for sure, but we look for opportunities for us to sit down and say, 'How are things going for you? Is there anything that we can do as parents to help you? Let's all come up with a solution together.' We work better as a team.
I read a lot, I always read. I like to be inside a story. When I started acting, even in high school, it sort of felt like that's as close as you can get to being inside a book, and I feel that way even with movies more so, because you've kind of created this imaginary world, and everybody is colluding to create it.
I walk into a restaurant, and people stare as though I've just landed from another planet. Every time I walk out in public, it's like the alien freak show has arrived. It does have its advantages. I hardly ever get bothered by the paparazzi, probably because of some of the more edgy characters I've played in movies.
Gypsy dance is never just to be dancing. Instead it seems to be a part of an immense and significant non-verbal vocabulary of Gypsy communication and behavior. It is at the heart of an essential transformation, a transcended state, an escape from the realities of their daily lives to a more satisfying state of mind.
I work very physically as an actor. The biggest thing for me has been the challenge of how to be this person [Olivia Pope] with the personal transformation that's going on for me physically... That hasn't been easy. It's been an awesome challenge for me...because so much of how I access character is through my body.
I think real humans are so complicated, and often [characters] are written more one-dimensional without maybe even the writer knowing it. I've felt numerous moments in my life where my most confident moment and my most insecure moment were exactly the same time. There's nothing funny or interesting about perfection.
Usually, at the end of a film it's like I've finally gotten to know this person completely, and then we're done. That actually happened on the set of Twilight, and then it happened again on New Moon. Each time my character Bella became a different person, and I got to know that person and take her to the next level.
I have had a very charmed life. I look at what's happened in my life, and I feel so lucky. I don't know how it occurred. I didn't plan it, but I got to be with my family when I needed to be with my family. I got to go and travel the world, doing these amazing projects, and I feel like I'm so privileged and grateful.
'Bonfire' was kicking around for a very long time. It was an idea I wanted to explore for a television show. Then I was given this weird gift of time when 'Jessica Jones' finished season one. I got really organized and just kind of banged it out, but it took a long time. It took two years to even have a first draft.
'Black Swan' was absolutely unbelievable. I had always dreamed of working with Darren Aronofsky, and Natalie Portman, Winona Ryder, Barbara Hershey, Mila Kunis and Vincent Cassel. The entire cast was really a dream cast, and it was amazing to work with these powerhouse women that I've just admired for so many years.
The (Sir Arthur Conan Doyle) stories were great, for one. The thing that makes him a remarkable character is how he can withstand all of these different interpretations and different styles and, that's what makes a classic character a classic character; they keep coming back and you see them in a new way every time.
I was horribly shy all through grade school and high school. But somehow I got up the nerve to audition for one play in high school - 'Auntie Mame.' I got a small part as the fiancee who comes on in the end. I got laughs. I wasn't shy at all doing the part. I can do anything on stage and write it off as a character.
I always loved music and would listen to the radio and watch out for new stuff. When I was about nine or ten, I would go around to me friend's house on a Sunday when the top twenty was broadcast on the radio at 6 P.M., and we would tape it on a cassette, and then we would take turns in sharing it over the next week.
I like to play around with people who don't know me. Often I'm talking to people through my speaker phone, and after 10 minutes or so they say, 'Wait a minute, Marlee, how can you hear me?' They forget I have an interpreter there who is signing to me as they talk. So I say, 'You know what? I can hear on Wednesdays.'
Going forward, I would love to work with directors like Rian Johnson and Joss Whedon; people like that who are doing big films but do have really independent voices. That's kind of what I want to focus on, is always working with people with at least an independent point of view, even if it's not an independent film.
There is something about humanity just being drained in many different ways, I think. There are so many things that drain us nowadays, where literally you're just bombarded as a human being. It may be that, or it may be this romantic idea of being forever immortal, of witnessing humanity generation after generation.
Hiding my migraines on the set may have been my toughest challenge as an actor. There were times when the pain from migraine headaches was so severe that I literally had to crawl across my dressing room floor. But I couldnt let anyone know. If they thought I might slow production, I figured that would end my career.
Deep down am I superstitious? No. Do I believe in trying to be as kind as possible and as compassionate as possible because ultimately you're alone with yourself and your own conscience, and you want that to be as clear as possible? That's not superstition. You have to just try and stay pure and know what you value.
I actually happened to be in Haiti right before the earthquake in 2010. I was there already with the organization I work with now, Artists for Peace and Justice, visiting the primary school that I had adopted, the Academy for Peace and Justice in Port-au-Prince. I came back, and within days, the earthquake happened.
I would close down all those teenage magazines that encourage young girls to diet. Who says that to be pretty you have to be thin? Some people look better thin and some don't. There is almost a standard being created where only thin is acceptable. The influence of those magazines on girls as young as 13 is horrific.
Falling in love, romance, matters of the heart - when you fall in love, on some biochemical level you know there is a chance it won't work out. It's ingrained in us that if you take such an enormous risk on someone with your heart that it might not pay off. I gamble all my chips and I might actually lose everything.
So far, Vancouver is my favorite relocation city. It feels like home. Parts of it remind me of the east coast. It's very clean. The food is great. And the people are lovely. Not that I didn't love working in other glamorous locations like Downey, Detroit, Cleveland or Bulgaria... but, damn, it is fun to be Canadian.
When you get to the point where you're established enough that people link you with something, especially being an action hero babe, it's awesome. Because then you can fight the battles and have the crossbows and wrestle with swords and ride the horses because you're already believable; people see you in that genre.
Lots of kids, including my son, have trouble making the leap from reading words or a few sentences in picture books to chapter books. Chapters are often long... 10 pages can seem like a lifetime to a young reader. Then reading becomes laborious and serious. That's why some of the chapters in my books are very short.
I was obsessed with Lil' Bow Wow growing up, and you couldn't see the white of my walls because they were plastered with his photos. This is even more embarrassing: I had a notebook full of facts about Bow Wow and different pictures. I basically made a biography notebook about him and his life when he was, like, 13.
I don't put pictures of my children on, rarely, I think I've done it twice? I'm thoughtful about that, because I don't think you can get it back, and I don't think it's fair to people to try to convey a desire to maintain some privacy and then share pictures and expect that somebody else won't want the same ability.
I'm drawn to stories about ordinary people who get tangled up in an extraordinary event or idea or emotion. I'm not saying I don't love films about super-people or super-doctors, but my preference is for stories about how we get through this life, what it is to be human, because I'm always struggling with it myself.
Retirees who are on Medicare will suffer the consequences of 700 billions of Medicare dollars instead being used to cover the skyrocketing cost of Obamacare. In essence, less dollars for seniors means less service. Not fair. The Boomers are going to take the 'hit.' In Obamacare, 'too old' has limitations of service.
If you don't have a Facebook, like, you're nobody. There's all of these sort of requirements now, and if you don't have all of these things - Facebook, Twitter, etc. - you're made fun of. And Twitter for celebrities... everything is just getting so personal. Pictures of yourself, of what you're eating for breakfast.
If I was president, I would definitely stop war, put more money toward health insurance and my community. Especially, last but not least, the most important one -education. I just think education comes before anything because in order for you to know about everything, you have to go to school, and you have to learn.