My mother was a housewife. My father worked in the agriculture business, but they were very encouraging about everything. When I said I wanted to do art, they were very supportive.

Our goals must be to find new, environmentally-friendly ways by which to continue the art of creation, to utilize our valuable human skills, and to make things that will bring joy.

You never know what people are going to respond to or want in your work, and you just hope for the best when you design a collection, and try to make it as well-rounded as you can.

When people talk about the good old days, I say to people, 'It's not the days that are old, it's you that's old.' I hate the good old days. What is important is that today is good.

Buy what you don’t have yet, or what you really want, which can be mixed with what you already own. Buy only because something excites you, not just for the simple act of shopping.

Forget about your folklore. I can take a few inspirations, but I can certainly not do an homage. That's not my trip. I'm a fashion vampire. I take what I need and I leave the rest.

I don't have prejudices. I'm against taboos. But of course there are some things I'll never touch - because as a mom, there are things one doesn't want their children to be around.

The aim of being a good designer is to have an influence. If you design furniture or lifestyle, you should influence the way people evolve globally. It's good to have an influence.

A black dress is beautiful! It's a good choice. It could be the wrong choice at certain events or situations, but it's very rare that you see a girl who looks bad in a black dress.

I was growing up in the New Wave period, but that wasn't allowed in school. I remember moments when they wouldn't let four people dressed in black stand together on the playground.

I am not looking like Armani today and somebody else tomorrow. I look like Ralph Lauren. And my goal is to constantly move in fashion and move in style without giving up what I am.

I had a lot of classical influences. I had classical music and opera and literature, but I also liked sleaze. And putting it together, sleaze and glamour, it just made sense to me.

My devotion to my job started from a personal defeat: my first girlfriend's parents rejected me because i wasn't rich. I decided i would show them what a big mistake they had made.

It doesn't matter one damn bit whether fashion is art or not. You don't question whether an incredible chef is an artist or not-his cakes are delicious and that's all that matters.

First I made a dress because I was pregnant and I wanted to be the most beautiful pregnant woman. Then I made a sweater because I wanted to have one that wasn't like anyone else's.

Time flies so quick. I remember my second year in business when Bullocks Wilshire did a whole window of my white dresses. I was so excited, I went there at night and took pictures.

The Gucci woman - you know what she’s after. The Saint Laurent woman - she’s going to torture you a little bit. You might have sex, but she will drip a little hot wax on you first.

I think that feminists have definitely underestimated the role that women have had historically. I think I would be insecure if I were to be a man; there's so much pressure on you.

Since the beginning of my career, I have publicly dressed and represented women of all sizes, of all colors. And that's a big part of who I am and what I want to give to the world.

I've always said I'm not the kind of designer who likes to lock himself away in a studio and let the rest of the company deal with it. I work very closely with everyone on the team.

My mom would put me in these preppy little suits and slick my hair to the side. I have these baby pictures of me where I'm this little preppy kid with a sweater tied around my neck.

In my office, I have a very beautiful marble bust of Seneca. I always have my eye on him when I'm taking phone calls. He's one of the many philosophers I've always read and admired.

If you ask me to sew a button, I don't know how to do it! The idea of the whole collection and how you want to build your brand is all about working with the right people. And luck!

We were emerging from the period of war, of uniforms, of women-soldiers built like boxers. I drew women-flowers, soft shoulders, fine waists like liana and wide skirts like corolla.

People want to be in their own fashion tribes, so they want to wear the same clothes to be connected to everyone else in that tribe. But they want to be different from other tribes.

I go from a full working day to making sure I am home for dinner with my kids. I couldn't do that in a 10cm mini skirt but I am not going to resort to sweatpants and an old t-shirt.

Showing your femininity should help your career and not go against your career. Dressing like a man, using the suit to look powerful - that was the '80s, and that didn't help women.

I believe in the power of women. As nurturers, we have a unique ability to care and share and make the world a better place. Women Who Inspire are women who are making a difference.

Remember that, in the end, the customer doesn't know, or care, if you are small or large as an organization - she or he only focuses on the garment hanging on the rail in the store.

Mostly the subject of the photograph, which can be anyone really, coming down the street - someone that has no idea. "Heroism" in photography, just like in a novel, is for everyone.

Fashion is like a four-legged table: you need a good designer, a very good business manager, a good manufacturer, and a very good distributor. Without all the legs, table collapses.

To reinvent a newly impeccable you in the most modern of outfits, don't skip on makeup and be sure to have flawless skin and hair. That will have more impact than expensive clothes.

I think it's very important what young people see in pictures or on TV or in magazines. Drugs, violence, anorexia. All of the things that I absolutely do not reference in my photos.

I was so tall and so skinny - I was that kid who couldn't find anything to wear. All the cool kids would have jeans the right length and I would just think, 'What am I going to do?'

I'm a great fan of Bloomingdale's, and I'm a very loyal alumni of Parsons. I think what they do, what they've done, is amazing. They've educated some of the best American designers.

The tailoring may be a softer, more draped, but I don't believe it's any less smart. For sure it feels more relaxed, it's a different kind of elegance, but I'd never call it casual.

Not everyone has to be a model and a designer, there are so many other options that are great and long-lasting. It's just finding what you're good at and being honest with yourself.

When I was 12, I used to dress as a woman in the house. At the time, cross-dressing was a big taboo in Italy. It was better to have a son who was a drug addict than a cross-dresser.

I think that the older you get, the more you become your true, essential self. You find the things that make you happy. You whittle away the parts of yourself that mean less to you.

I suppose, yes, I've been guilty of provocation but it's also just common sense marketing - put a bottle of scent in a woman's cleavage, or between her thighs - and men will notice.

I am especially grateful that I have been able to keep my own style over the decades, in spite of the many changes that have taken place in the world of fashion and in its business.

I have a problem to do a collection that is a secondary line. I mean, you don’t want to be the stepsister. You want to be Cinderella. Show me one girl who wants to be the stepsister.

It's a new era in fashion - there are no rules. It's all about the individual and personal style, wearing high-end, low-end, classic labels, and up-and-coming designers all together.

Shoes are a big part of your look. I think that if your outfit isn't really something special, then fun footwear is a great way to jazz it up and make your ensemble more interesting.

If I could dress anyone, I'd like to dress the Queen - she can handle anything. I'd put her in black - she never wears black - and add a little leather, maybe. A little rock n' roll.

I spent two weeks at the Sadhguru's [Jaggi Vasudev]. It was a wonderful experience. It was very different from what I normally do - earlier I used to do Ashtanga [yoga] all the time.

The bottom line is that red carpet helps us broaden the appeal of the brand. Calvin Klein used to be about a very specific woman, but we've dressed so many different women at awards.

The origins of clothing are not practical. They are mystical and erotic. The primitive man in the wolf-pelt was not keeping dry; he was saying: Look what I killed. Aren't I the best?

If everything is a little baggy, then everything will look sloppy when you layer one piece on top of another. Your sport coat should easily fit over a shirt and a fine-gauge sweater.

You know I started an orphanage so totally by accident. A lady came to me and asked me if I would, I will help her and we start it with little school and then I fell in love with it.

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