Quotes of All Topics . Occasions . Authors
Music is very inspiring to me because "true" music releases a true energy that is just inspiring. It's like when you see a beautiful painting or a wonderful film. You just receive this creative energy, and all of a sudden you want to create too.
You have to find your own style, and it's difficult to define what style is. It's not what you're wearing; it's how you wear it. It's something very personal, and it reflects the way you live and your house, the books you read, the art you have.
I don't understand how a woman can leave the house without fixing herself up a little - if only out of politeness. And then, you never know, maybe that's the day she has a date with destiny. And it's best to be as pretty as possible for destiny.
To me, you can't have style without being inspired. When I design a collection, I am inspired by so many things. The color of a flower. The shape of a butterly's wing. The juxtaposition of an old tenement building next to a shiny new skyscraper.
I'm passionate and I travel the world not just as a tourist but to understand cultures... I've lived with Masai tribe... I travel the world and bring it back in the form of a research book that would become the starting point for the collection.
Adele is another problem. I never said that she was fat. I said that she was a little roundish; a little roundish is not fat. But for such a beautiful girl... after that she lost eight kilos [17.6 pounds] so I think the message was not that bad.
I think people are sick of trends changing every six months - not because we're tired of them, but just for the sake of change. There is so much junk in the world: junk TV, junk movies, all those junk magazines with the same people on the cover.
Style. People talk about it being stylish and beautiful, that's at the service of the story. Style for me means nothing without substance and there are moments and things about the film that are stylish but hopefully at the service of the story.
We got a lot of letters of people who didn't like them, like my own family who thought they were unnecessary and unpleasant and taking advantage of women in a sad situation - I never saw that. And I think that sometimes, you have to take a risk.
My mother has always encouraged my creative side. She is a very eclectic, creative woman and looks incredibly glamorous, even when trudging about in wellies. Our family home is full of items from her travels and her amazing etchings and drawings.
These days, as I am older and wiser, I realize that there is a danger in becoming an icon, as people can see you as remote and untouchable, and they are less willing to tolerate you doing things that don't fit with their preconceived idea of you.
Of course there are many ways we can reuse something. We can dye it. We can cut it. We can change the buttons. Those are other ways to make it alive. But this is a new step to use anything - hats, socks, shirts. It's the first step in the process
My parents are very comfortable with the way that I am, and I think they've always been. Without that, I don't think that I would have ever have been able to grow into the person that I am today. I never felt like I was hiding anything from them.
I went to Paris to learn and absorb some of the amazing ambience I was enamored with growing up in Kansas City. I didn't go there to start my own collection. But I never could get an internship, so finally, I was left with just doing my own show.
One thing I learned from all my years in business is you really have to work with the experts: you can launch something yourself, but unless you have the expertise and the marketing strategies and machinery behind you, you'll never be successful.
I know that it's a big struggle with a lot of women to dress up - especially now women have been working - because it can be uncomfortable. So it was important to me with my role to make clothes that are slightly more dressed up but easy to wear.
Growing up, I was always really inspired by Disney, and I had a great love of everything they created. My mum was huge fan, and she used to collect stills, and so they were all around the house, and we very much grew up on the early Disney films.
I am really a loner after all; I am really not a social person. Because of my job, people think I am out every night, but I really hate all that. I am somebody who likes to be alone and see some close friends. I am a shy and introspective person.
Fashion is harder than the film industry. You have to constantly be able to crank out hit after hit after hit on demand and on a very tight calendar. I've come back, I've lost it, I've come back again. It's really as good as your last collection.
Well, I'm very much a literary person. And my fashion always tells a story somehow. I never look at fashion magazines. I find them incredibly boring. To me, reading a fashion magazine is the last thing I need to do. I've got books I need to read.
Fashions pass quickly, and nothing is more pathetic than those puppets of fashion outrageously made up one day, pale the next, pleated or ironed stiff, libertine or ascetic. Playing with fashion is an art. The first rule is don't burn your wings.
Even if your skin is perfect, even if it's glowing and beautiful, electric lights defeat you. They deaden the complexion, make it look drab. They rob you of color...In the evening, you just can't play the natural kid bit, that fresh-scrubbed look.
Of course there are many ways we can reuse something. We can dye it. We can cut it. We can change the buttons. Those are other ways to make it alive. But this is a new step to use anything - hats, socks, shirts. It's the first step in the process.
I think as humans we're nostalgic creatures and that's what we do. We go back to things that have a semblance of something comforting, or enough time passes that it seems cool again, or maybe it's something that some people didn't even experience.
When I was a child, my mother always told me that you could wake up in the middle of the night and be deathly sick, so you always have to be impeccable. I laugh about it now, but I think everyone should go to bed like they have a date at the door.
I always find it kind of embarrassing, kind of funny, and kind of exciting. In New York I'm recognized a lot, although nobody says anything. You know, they stare at you just a second too long. But in Paris it's not as commonplace to be recognized.
I don't like to go beyond modernity because you think girls might be like that in five years, but in five years what I see now is going to be old; we are always going to go somewhere else. You have to bring a few novelties within what will remain.
We all get report cards in many different ways, but the real excitement of what you're doing is in the doing of it. It's not what you're gonna get in the end - it's not the final curtain - it's really in the doing it, and loving what you're doing.
My parents never mentioned anything about fashion in our household, instead we used to talk about literature, theatre, and arts...this is why I have kept a real relation with the Art world, by putting books from the beginning in my shops' windows.
I was so upset with what was going on in the world. I just couldn't stand the idea of being people tortured and that we even had such a thing as war. I hated the older generation, who had not done anything about it. Punk was a call-to-arms for me.
The best night of my life was watching the Japanese Noh theater. I've only seen it once, but even saying it now, I think, 'How can I ever have this experience again?' It was so mesmerizing, so complicated and so primordial; I could not believe it.
I wonder if I would have been less organic of a designer without my background. Maybe I would be more academic about designing, more methodical. I want things to be a certain way, and I'm very precise, but school itself wasn't that relevant for me.
I would love to take an old space and restore it to exactly the way I want it. Like an old factory, just something with great bones and lots of character. I'd take an old house and flip it into something very modern inside, or the other way around.
Globally, proving myself working well with Adidas, showing my work could be globally distributed and loved and appreciated and still be challenging. Maybe I'm one of the first people on a larger scale to make more challenging and more unique items.
I had nearly finished school because I was making effort not that bad on that. But there was a law in Germany after the war. You could not make your final examination before 18, so lots of people who were late because of the way had to do it first.
I love mixing and playing with different textures and the whole taking different designers and mixing them - I was one of the first, I think, to not do a full runway look, yet there's always a method to the madness, which is the harmonious discord.
I've learned a lot about doing accessories and making shoes and handbags. I don't think my perspective has really changed. The subtlety of understanding yarns, what makes a fabric what it is - I've learned technical skills and more about the craft.
I do love to shop. But I'm a social shopper. I like to do it while hanging out with my friends. Some of them hate shopping because they treat it like something you have to plan, like a grocery list. But if I'm out and I pass a store, I just pop in.
The only realities in life are that you are born, and that you die. We always think we are going to live forever. The dying aspect we will never accept. The one thing about having this kind of warning is how you appreciate every single day of life.
My parents were very well-off, but we didn't have a crazy-huge house. We didn't have thousands of workers and staff; it was just my mum doing the majority of the housework. We didn't have nannies. I wasn't brought up in any sort of extravagant way.
If you have total freedom to design, you won't get anything interesting. So I give myself restraints in order to kind of push myself through, to create something new. It's the torture that I give myself, the pain and the struggle that I go through.
I try to be nice, I try to respect other people, but over the years I've learned that all this stuff we do is a bunch of crap. That doesn't mean it doesn't have its place. We are living in a material world, so why not live with something beautiful?
One thing about skating that I don't think people focus on enough is the music factor. The music is a huge component of figure skating. It can dictate not only the choreography but the emotion. If it's not the right music it can ruin a performance.
These beautiful models were walking around in the room, and then suddenly this woman who wouldn’t be considered beautiful was revealed. It was about trying to trap something that wasn’t conventionally beautiful to show that beauty comes from within.
When I was a little girl, if I didn't eat my soup, my mother would say, 'You have to think of all the Chinese children who have nothing to eat.' But now, for my children, Chinese people make everything, and for my grandchildren, they buy everything.
I've always done the style that I loved, so I didn't mind sending an old pair of jeans down the runway. It's about that style. It's not Hedi Slimane. You know, I'm not all that familiar with his thing-I really don't look. I certainly know who he is.
The '90s were extremely diverse, almost like a laboratory of the new century. There was much experimenting around, in politics, economics, gender and family structures, and also in fashion. There was a cloud of possibilities which kept us all dizzy.
It's important to look people in the eye and have direct conversations. I actually have a rule that if an issue takes more than five sentences to explain it, don't send an email. Pick up the phone instead, because it'll take less time to resolve it.
One thing my mom didn't want any of us to do was to cry or to complain about life. Every day and night, even when we didn't have much food, we would pray together. And that for me was a beautiful moment. The fact of being poor didn't really hurt me.
If I am in fashion, it is really due to very few designers that I admire - not because I don't like the rest, or that the rest are not beautiful, but because I am very selective. I adore Versace. I adore Helmut Lang, despite the fact that it's over.