Quotes of All Topics . Occasions . Authors
Well, my own men's collection always felt very free back in the days before Jil. Once you make it this kind of dialogue with other people, with a fashion show and clients and whatever, it becomes something else. Free meets not so free.
Birds in flight fascinate me. I admire eagles and falcons. I’m inspired by a feather but also its color, its graphics, its weightlessness and its engineering. It’s so elaborate. In fact I try and transpose the beauty of a bird to women.
I don't think many people would think I'm a designer. I behave in a different way. I'd get knocked down and cut to pieces if I went home and flounced about; this industry is known for the flounciness, but I've got my feet on the ground.
I've had work done on my eyes in the past. However, I think there are limits. I wouldn't ever have too much done, as it looks unnatural, and I don't think you should do anything to your lips, as it changes the entire shape of your face.
What I do Coco would have hated. The label has an image and it's up to me to update it. I do what she never did. I had to find my mark. I had to go from what Chanel was to what it should be, could be, what it had been to something else.
I’ve always wanted to tackle the casual part of dressing. Knits to me are always just easy. I’ve fantasized about packing a suitcase of only knits: You just throw them in, roll them in a ball, pull them out and they still look fabulous.
I've always wanted to tackle the casual part of dressing. Knits to me are always just easy. I've fantasized about packing a suitcase of only knits: You just throw them in, roll them in a ball, pull them out and they still look fabulous.
I always had good reactions from people with a good eye and a vision... and very terrible reactions from those who are afraid of people who are different to others - at the beginning and even now. I have never worried about it too much.
When I first got to Brooks Brothers, my mom told me she remembered how upsetting it was trying to find professional clothes in the eighties. Suits would either be over-stylized or frumpy, so she said, 'Make sure it's tailored properly.'
Fashion is always of the time in which you live. It is not something standing alone. But the grand problem, the most important problem, is to rejeuvenate women. To make women look young. Then their outlook changes. They feel more joyous.
When I first began working in Japan, I had to confront the Japanese people's excessive worship for foreign goods and the fixed idea of what clothes ought to be. I wanted to change the rigid formula of clothing that the Japanese followed.
I've lost, but I also gained a lot. I'm a creative person, and no one can take that away from me. I've been told I committed professional suicide because it was the only escape from the terrible pressures I was facing. What do you think?
We grew up with social media. There was no iPhone when we started! I love technology; I love what it does to my life. What I really love about social media and the Internet is that it has shifted the power it has democratised everything.
Sofia is so active, and she made The Virgin Suicides, which I thought was great - all these things are inspiring to me, not in terms of creating a particular dress, but just in terms of knowing that there is this type of woman out there.
In America, they never make anything without first having a market survey to ask the public what they want. People only ask for things they already know about, so you don't get anything new that way. That's why American fashion is stuck.
It's just fantastic to have someone like the Duchess of Cambridge wear the brand. I think there are often misconceptions about who the brand is for, but it's not just a 20-year-old blonde girl on the beach, and Kate is testament to that.
Maybe it's because I'm a designer, but when I am in a state of excitement, everything is so sharp and colorful and amazing, and I can look at blue and I see the yellow in it and the green in it, and the green-blues, the yellow-blues, so.
Figure skating has been a great influence for me. I took dance at the School of American Ballet, which helped my own skating. And whether you are a skater or a dancer, without sounding narcissistic, it is all about looking in the mirror.
I'm different from any other designer, businesswise, in that I've built this company up and I own it. I never had business hype behind me to promote my image... My image is real... I have never had marketing people telling me what to do.
The other day I went to a school in Harlem to talk to some 7th graders [12-year-olds] and I said, ‘If I have to give you some advice, the most important thing is: the sooner you become your own best friend, the better your life will be,’
The fashion industry tends to attract people with serious personality defects. They just want to be rich and famous. But at some point you have to decide: Are you going to mindlessly go the easy way or are you going to go the ethical way?
I'd been to Saint Petersburg before, but there's been a change in people's minds. Maybe it's a fashionable thing, but people have returned to the churches. I went to a Russian Orthodox and a Catholic church - both of the queues, enormous!
I've always been someone who's extremely relaxed in my everyday life. I'm not the girl who can wear awful seven-inch heels all night. I keep it simple - I consider myself to be a jeans and T-shirt kind of girl who just accessorizes a lot.
Film is an incredible way to express yourself and your vision, as is fashion, but you have to make sure [to] be confident and honest and true to yourself and say something that means something, because that is really the point of any art.
Fashion is here to help make people look very important. If they have good taste and choose what suits them, I give them options on how they can do that. It's always sexy, and it's always with the same result: making women look fantastic.
I think sometimes I might scare the editors, because they might feel they're getting old and they're not understanding it. The problem lies on their side of the fence, not mine. I come from a different era and I design clothes for our era.
I have a firm belief in such things as, you know, the water, the Earth, the trees and sky. And I'm wondering, it is increasingly difficult to find those elements in nature, because it's nature I believe in rather than some spiritual thing.
I love white shirts because they feel like a security blanket. You can wear them with anything. It's the person and the way that they wear it that makes it different. I have been designing white shirts forever, but I don't get tired of it.
I love old architecture. I love collecting furniture, mixing really earthy things with the very polished. I don't come from an interiors background, so I'm not an expert. I just enjoy going to antiques shows and finding interesting things.
You don't have to be born wealthy and have an aristocratic last name or have connections or all these things. If you have a dream, you can believe in something and work hard and struggle and fight for it and still have a chance to succeed.
I'm not a social person. Not that I'm not at ease. I'm pretty good, but it bores me. Not the people, but the whole thing. What for? It's not very productive. I only want to do what I have to do: fashion, photography, books. And that's all.
I love to design for women, it's really open and very free. I always think of my friends. I think of both fictitious characters, real people from the past and the present. I am not a woman, but I find women so beautiful and so fascinating.
We didn't have a television, so we sat around the table, and me and my sisters and my mom would do these jobs, like, a penny for a piece, you know, these paper jobs. You know, what really saved me as a human today is my sisters and my mom.
I find I can get so much done between midnight and 4 a.m. Everything is quiet, no one is disturbing me, and if I go to bed then, I just lie awake thinking of ideas. They are very creative hours for me. One night a week I crash out, though.
The most important thing is to cleanse and moisturise your face twice a day. Use eye drops. If your eyes are white, you look healthy; you look fresh. Every man should have a magnifying mirror. If you look good magnified, you are set to go.
My own skin-care ritual is quite simple and straightforward; I don't like a lot of fuss, surprisingly. My products are designed to make you look and feel better. I think there are a lot of men out there who want and need the same products.
Being an entrepreneur isn’t just a job title, and it isn’t just about starting a company. It’s a state of mind. It’s about seeing connections others can’t, seizing opportunities others won’t, and forging new directions that others haven’t.
Economists treat economics as if it is a pure science divorced from the facts of life. The result of this false accountancy is a willful confusion under cover of which industry wreaks its havoc scot-free and ignores the environmental cost.
When you come into a house like Saint Laurent, or Chanel, or Lanvin, and you go into a place that existed before you were born and will exist after you die, it takes some time to get in, to get to people, and to get the energy of the place.
There is nothing more comfortable than a caterpillar and nothing more made for love than a butterfly. We need dresses that crawl and dresses that fly. Fashion is at once a caterpillar and a butterfly, caterpillar by day, butterfly by night.
The only way for a relationship to survive, I think, is to have no sex at all. After all, you marry for friendship, for companionship - and passion after a while ... pfffft. I mean, does it excite you when your left hand touches your right?
These designers have no reserve. They've chosen a path and thrown themselves onto it head first, regardless of everything. Whether or not their designs are sellable or vulgar. As long as it's new and people talk about it. That is the truth.
I'm a populist. I'm the people's designer... It's important that there are price points that allow people in who maybe don't have the ability to have higher-ticket items - but they can still have something very emblematic of the collection.
Never use the word “cheap”. Today everybody can look chic in inexpensive clothes (the rich buy them too). There is good clothing design on every level today. You can be the chicest thing in the world in a T-shirt and jeans — it’s up to you.
Contemporary art for me is a real driver; it propels us into the future. And at the same time, it's what connects us to the past, from a perspective of artistic evolution in which the succession of eras and styles gives meaning to creation.
I did have quite a different upbringing to a lot of my peers. We all have a sort of code that we get, especially as Beatles kids. It's an unspoken sort of word of understanding. But I'm comfortable around a lot of different types of people.
I am actually extremely casual in certain environments. But one of the reasons I like living in London, I like the formality of it, as compared to the formality of America - or informality. I like putting on a suit. I like putting on a tie.
I suppose everything I do has sexual undertones, but I don't set out to make everything about sex. My clothes are more about sensuality. What I do is dress and beautify the body. My feeling is, if you have something beautiful, then show it.
In the 18th century, if women wanted to travel and they dressed as a man, people would not look twice. Your clothes said everything. Also there were masters and servants swapping clothes. You could be anything, your clothes told everything!
It is important to look at death because it is a part of life. It is a sad thing, melancholy but romantic at the same time. It is the end of a cycle - everything has to end. The cycle of life is positive because it gives room for new things.