Quotes of All Topics . Occasions . Authors
I'm so not interested in gossip. It just gives me the creeps. I love the work; I love what I do. If somebody sends me an interview that has any connotation of something that's not interesting or genuine, I'm not interested. I really detach myself from it.
I suppose the marine biology was a post-teen thing. I was kind of on my way but I was one of those teenage boys who got to 13, 14 and had no idea what I was going to do. I liked natural history. I liked the outdoors. And I found the sea quite interesting.
I would say that my idea of style and my taste are the same as when I began: They express my deep appreciation of all that is simple and linear... I always want to keep up with the times but without altering the essential characteristics of my philosophy.
I think clothing is transformative. When you put something really beautiful on, you feel something. In so many ways, were always playing a form of dress-up - its just a grown-up, much chicer version of it. Its nice to be able to be whoever you want to be.
Those social networks, there's something sad about them. Is it because they don't have enough knowledge about friends and people? I don't understand it. It's like a talkative mirror where people talk to themselves. And what I hate most in life is selfies.
I'm totally twisted. Instead of, "Oh god, I don't have platforms - they won't like me," I was much more, "I'm doing what I'm doing, and if you don't want to buy it, then don't buy, but that's just what I'm gonna do." It gave me strength. It worked for me.
Personally, I am not so affected by my environment. What I build in the creative process is not necessarily connected to what I am physically in contact with. I am always observing everything, but it will not necessarily have a direct impact on what I do.
I'm constantly thinking about design, shapes, patterns and colors, so I just want to be more of a blank canvas. But there is a comfort in knowing what you're going to wear, and that probably comes from Catholic school, where I wore a uniform for 10 years.
I have too much product, and I'm trying to rein it in and sell more of my main collection. I wish you didn't have to design so often; it would be good if you could keep on selling the same things for a few years and not have to do new things all the time.
My mom has given me my sense of style. She has taught me how individual style is so beautiful, what you appreciate on someone else might not be good for you. For her, style is all about being comfortable, and she has an innate sense of sophisticated style.
What is style? It is an effortless confidence in being yourself, it is a way of putting yourself together according to your mood and what you want to project. Personal style appears to come naturally for some, but for others it can take a while to find it!
My daughter Gabby very kindly once said that she thinks I was a better mother because I was doing a job I loved. I now think guilt is a universal part of being a mother. I used to think it was Jewish-mother guilt but now I think it is working-mother guilt.
All the Tauruses I know have this connection to the earth and the environment. We are very curious people, very loyal, very aware of and respectful of our surroundings. Also, we're stubborn, but that's our way. We understand what we want, which is not bad.
Anyone who is passionate about what they do will have a better chance of connecting with future generations than those who simply follow transient trends. At least their work will have a distinctive character, and this is what people respond to, I believe.
I am very boring, but it has allowed me to survive better than other people. If you don't drink, you don't smoke, and you don't do drugs, and you're not missing it and never even wanted it, and you sleep for seven hours. I tell you, life is quite pleasant.
That was a time when I did love music, I couldn't get enough of what was going on. Maybe it was Nirvana that brought me back. I guess it was a comfort because something that sounded so right - and non-commercial - had become so influential, so immediately.
I've got my organic veg patch and fruit; we're very garden-obsessed, my husband and I. He designed a garden for me for Christmas, so beautiful! Alasdhair's very good at the proportion and ground work, and I come in and do the planting and the color scheme.
Just like girls need to learn to be comfortable in heels before they go out in them for the first time, a man should try wearing a suit throughout a normal day. I do most things in a suit-and sometimes even in a tuxedo-and so I'm really comfortable in one.
When I am on my deathbed, I don't think I will be thinking about a nice pair of shoes I had or my beautiful house. I am going to be thinking about an evening I spent with somebody when I was twenty where I felt that I was just absolutely connected to them.
I'm 40 now, but I want this to be a company that lives way beyond me, and I believe that customers are more important to making that happen than press. When I'm dead, hopefully this house will still be going. On a spaceship. Hopping up and down above earth.
What I hate most in life are people who are not really the peach of the day but who want to be young and sexy. You can fool nobody. There is a moment when you have to accept that somebody else is younger and fresher and hotter. Life is not a beauty contest.
I'm continually inspired by nature, and the rainbow is one of nature's greatest optical phenomenons. The sighting of a rainbow never fails to bring a smile to people's faces. They signify optimism and positivity: with them comes the sunshine after the rain.
Michael Bastian is a designer line and priced a certain way because of where it's made and the materials we use, and Gant is the more accessible version of that: more sports-inspired, more branding. It has the same DNA; it's just a different time and place.
North Americans as a whole need to embrace having clothes altered to their body. I hear it all the time: why do the Europeans always look so good? They have a relationship with their tailor and spend the time and money to make their clothes look their best.
I always try to connect with what's happening in the world-reality, modernity, the 21st century, all that - and with Jil it started to feel very disconnected from the outside and how women were looking at fashion, experiencing fashion, interpreting fashion.
The more people that are afraid when they see new creation, the happier I am. I think the media has some responsibility to bear for people becoming more conservative. Many parts of the media have created the situation where uninteresting fashion can thrive.
Sex is something I live very well, but it is something I revealed very slowly in my fashion. What I do is emotional. For me, there is a base, which is my Italian roots. It's a strong passion for fashion, a passion for sensuality and dressing for one's self.
I remember that my sisters gave me this beautiful, like, empty book for Christmas. And I would draw all these beautiful women. Most of the time it was mermaids and a Minotaur: half human, half animal. I used to be obsessed with Minotaurs when I was a child.
Almost every collection I do has 200 different references. I don't have two of the same coat, two of the same dress. I have it in one color, in one fabric. I've tried to adapt the culture of couture, and the know-how and the heritage, but I try to update it.
I suppose there are many, but I cannot imagine ever having a more perfect collaboration than that which Penn-san and I shared. It was based upon mutual trust, respect, and a desire to have our own work pushed to new places. And it always resulted in delight.
I think clothing is transformative. When you put something really beautiful on, you feel something. In so many ways, we're always playing a form of dress-up - it's just a grown-up, much chicer version of it. It's nice to be able to be whoever you want to be.
You cannot fight against it. There's a price you have to pay for fame, and people who don't want to pay that price can get in trouble. I accepted the idea of celebrity because of a French expression: 'You cannot have the butter and the money for the butter.'
I'm loyal to my friends, but I have so few now.I force myself to see people when they're here. Or when I'm here. I don't live in England that much now in the sense that I spend time in factories. I'm such a factory man now. This is really what I enjoy doing.
I don't want to sound too silly or pretentious about this, but, you know, I love being in Paris. I love working at Louis Vuitton. I love fashion. That's why I do it. No one's forcing me to do this. And nobody forces anyone to buy it. It's a real love affair.
I'm a big believer in small, dark, cozy bedrooms. I would describe myself as introspective - I feel things first, and then I think them through - and I need the enveloping comfort of a little squirrel's nest when I have to retreat from the world to recharge.
I think it was interesting that when you're in those formative years you respond to things that interest you and don't always know where they lead. But they accumulate and add up to something that enriches your later life or leads you to some new experience.
Success isn't based on 'look what I can do!' but more on an inner sense of self and believing you have something to say in your own consistent way. And I think we all have to fight to maintain our unique style and taste in a world that would have us conform.
I think we're very uptight in America. You have to remember that we're descended from Puritans. Whether or not the country is now composed of immigrants, our culture as American really begins with the landing of the Pilgrims and a puritanical view of things.
I never thought I'd be successful. It seems in my own mind that in everything I've undertaken I've never quite made the mark. But I've always been able to put disappointments aside. Success isn't about the end result; it's about what you learn along the way.
I very rarely wear suits, and only make one or two per season, so it's about wanting exceptional clothes that don't feel stiff. Fabric and garment washing are a big part of my design process for that reason. Everything needs to feel lived-in and comfortable.
The relationship that counts most in my life is the one I have with myself. I have a great, great, great relationship with myself, and it gets better and better as I get older. The other day, I was talking to Barry in the car and I said, 'I'm so glad I'm me!'
What an amazing opportunity to do something like direct a movie and step out of your creative comfort zone and yet do something that is also so familiar at the same time. I was also just excited to have the chance to direct, which I may never get to do again.
I started as a black-and-white teenage photographer, and I'm still there decades after. In some ways, the genre is almost gone. I am thinking of true, stubborn, lifetime black-and-white photographers, as opposed to black-and-white as a photographic commodity.
A lot happened in Vancouver. It was my first Western experience. I learned English, which is my second language. I became very acquainted with Western culture. I had my first sewing machine when I was 9. I trained in fashion illustration when I was in school.
I dress some of the most successful women in the world, and meeting these women rubs off on you. A few years ago, the woman was someone I imagined in my head. Now they're real. It's important my work evolve along with me and that I show more facets of myself.
I'm very happy that I have an Italian version, a French version, and then I have my own company, but I'm not obsessed by my name. Some people are, "Oh, my name," but I couldn't care less about my name. What I like is the job. The ego trip of that comes later.
I think the challenge is, in fashion everybody wants to get rich and famous and it's easy to get rich and famous by being a bad person. But the challenge is to achieve your goals-whatever they are-while staying a decent human being. That's where it came from.
Design is a series of creative choices - it's a collaborative effort, an evolutionary process. You choose your fabrics depending upon what you want to say, then you work with mills to get those fabrics. Through the process, you realize what you want it to be.
It's funny because every time I go to a shoot, and I have clothes on, they inevitably come off. I just did one recently and the stylist was like, "So..." and you just know that they are going to get to the point where they say "Can you take your clothes off?"
Matchy-matchy is not for me. I don't want things to be too perfect. It's like pairing a matte top with a shiny skirt, so they play off each other. I want there to be relationships with texture and color, and sometimes it's more about the contrast that chimes.