Quotes of All Topics . Occasions . Authors
I think Zendaya Maree Stoermer Coleman moves product well. We love her! That pink suit she wore of mine sold very well.
God knows I wanted love... but the moment I had to choose between the man I loved and my dresses... I chose the dresses
Be thankful for all successes, lose your ego, take risks, fail fast, and if you don't absolutely love what you do, run!
I sit quietly and repeat my mantra until I'm in a meditative state, taking it all in but not focusing on any one thing.
I collect objects I fall in love with more than antiques per se. Value is not a criteria that attracts me to something.
People are often a bit more adventurous with swimming costume prints; they like the idea of something a bit more jolly.
The goal I seek is to have people refine their style through my clothing without having them become victims of fashion.
Hedi was and is still misspelled 'Heidi' and my perception of genders ended up slightly out of focus from an early age.
Even though I grew up as a Sephardic Jew in Brooklyn where we ate Syrian food and went to temple, it was still America.
I started at Moschino Oct. 31 or Nov. 1, 2013, and now I go back and forth between Milan and Los Angeles, where I live.
The problem is with men. I know I shouldn't say this, but they've shrouded and hidden women to hide their incompetence.
We have achieved tremendous success in Ireland and internationally on the strength of our creativity and design skills.
I make such big efforts to forget things and I can't tell the story of my life because, thank God, I'm still living it.
People like me were supposed to be into exclusivity, unapproachable. That's what I hate most. I think it's very demode.
Risk it, go for it. Life always gives you another chance, another go at it. It's very important to take enormous risks.
Snobbery has gone out of fashion, and in our shops you will find duchesses jostling with typists to buy the same dress.
Risk it; go for it. Life always gives you another chance, another go at it. It's very important to take enormous risks.
For me style has something to do with your inner attitude towards clothes and the awareness what sits well on yourself.
Menswear remains steady. It's a difference of a pleat versus flat-front pant or two buttons versus three in the jacket.
Ultimately, clean lines have greater longevity, which women appreciate, and to which they can add their own personality
Shirt collars are very important to me. Putting a very soft shirt collar with a formal suit doesn't work for me at all.
My parents never prevented me from doing anything, but they didn't have the knowledge of the arts that Mrs. Ranger had.
We’re in the business of luxury and there’s nothing more luxurious than being good to people, being respectful of them.
L.A. interests me, the whole band scene and relaxed carefree feel, but it does not mean you have to dress like a hippy.
My challenge is to find a beautiful balance: to make women beautiful, to make a woman dream to wear a beautiful outfit.
When you put on clothes that are fighting against something, you can feel your courage grow. Clothing can set you free.
I enjoy the speed of fashion. I love doing different things and I think I still have something valid to say in fashion.
I grew up on a farm in Pennsylvania, where my parents raised German shepherds - we had about 30 dogs at any given time.
I wish I had invented blue jeans. They have expression, modesty, sex appeal, simplicity - all I hope for in my clothes.
Everybody needs a killer LBD. If you're a woman, you should find that LBD that gives you that extra pep and confidence.
To me, the more dialogue amongst creative types, the better. It keeps people on their toes, and competition is healthy.
I believe that creativity is an important human experience and element in the same way as sleeping, eating, having sex.
I need to feel a desire, to find pleasure in moving forward, creating, inventing. The day I cease to learn, I must stop.
When I'm traveling the world, I don't ever look anymore at the geography - just enough to catch galleries and paintings.
I'm from the middle of nowhere in Somerset, and if I have too much stimulus or chaos, then I tend to not be as creative.
A cashmere knit is like a book. It is something to save and go back to time after time. It is the feeling of an embrace.
I believe in capitalism. I need to make a profit, but I would like to do it with ethics, dignity, morals. It's my dream.
I rarely go into a shop on holiday, because fashion and design are what I'm involved in every day. I need another world.
It's not the appearance, it's the essence. It's not the money, it's the education. It's not the clothes, it's the class.
Resisting a beautiful chocolate cake or a wonderful foie gras is as difficult as (the idea of) saying no to Paul Newman.
I design for the woman I wanted to be, the woman I used to be and to some degree, the woman I'm still a little piece of.
I hope the average woman feels she needs practicality but with a little bit of fantasy. Otherwise it's just not fashion.
I always have a camera now that I've got a kid, but I don't think I've got one picture of anyone other than my daughter.
I liked the fact DAKS was an unknown quantity. It's more like Gucci before Tom Ford got there. There's a lot you can do.
Hedi was and is still misspelled 'Heidi,' and my perception of genders ended up slightly out of focus from an early age.
I gravitated towards the field of clothing design, partly because it is a creative format that is modern and optimistic.
A few of the influences on my career so far have been Isamu Noguchi, Irving Penn, and seeing the riots of 1968 in Paris.
As a designer you have to just do whatever you want to do. The second I came to terms with that, it transformed my work.
I think I'm one of few American designers doing a house in Europe, and I think I've been proving myself there very well.
Even as exuberant as my style is and as over the top as I may be, I can appreciate a classic when it's really well done.