Quotes of All Topics . Occasions . Authors
I'm not ready to pack my bags and leave the town and my business that I love and my kids that I love more than anything and pack them up and come to Hollywood. I love California. I love Hollywood. But I'm not ready to uproot what I believe in to come to Hollywood.
I find awards frivolous. When I began my career, I was told that I deserved an award for a certain performance, but then I couldn't turn up on the day of the show. Then I was told that the award went to someone else. That's when I realised the truth behind it all.
With my physicality and my face, I don't think I could pull off a completely righteous guy. There's something devious about my eyes. I like characters with flaws and to see how they overcome those flaws. I want to play real people, and they're flawed, not perfect.
That's the biggest shame there is, that L.A. doesn't have a team. I was a big fan of the L.A. Rams, and when they left, I lost interest. Then there was the Raiders, and they left. How they can't have a football team in the biggest market in the world is beyond me.
When I think about my great conversations with Marlon Brando on the set of 'Morituri,' I think there's a story there, just as I do with my experience working with James Cameron on 'Titanic.' And then there are all my years on 'Y&R' and all that has happened there.
When I was a little, little kid, my family got a new washing machine, and they had a big box that was left over. So I cut a big hole in the box, and I made it like a giant TV set. I brought it into the living room, and I did the news and the weather for my family.
I'm a character actor. Nobody's ever seemed to think of me as a leading man. I'm 6'6''. I've got a big nose. I'm gangly. I've got crooked teeth. That's certainly not Brad Pitt. I'm still around and alive, so if they need older guys, I guess they're thinking of me.
I think for me, wearing the helmet and being part of the Stormtroopers felt so strange. Like, so this is what it feels like to just be one of the many. And to look the same, and to have to do the same thing. To be under the same orders. This is what it feels like.
I have been blessed to have been working since I was 11. I think horror is an underrated genre. When done really well like in 'The Ruins', it pays homage to some of the stuff I really love in the '70s and incurs some of that energy the fanbase really wants to see.
But there is no withdrawal, but with tobacco there is terrible withdrawal, it is almost impossible for a lot of people. I did, I went cold turkey, they never had any patches in those days but grass was not difficult, alcohol not difficult, but tobacco - oh my god.
When I work on a movie, I never aim for records, collections or the number one position. I always concentrate on my work and look for ways to improve my acting abilities. I also advise my co-stars not to concentrate on these pretty issues and just focus on acting.
I like to be present; I like to be in the now. The way life has shaped up, it is difficult, you know, with mobile phones taking you to another time and space all the time. So it's always a battle to stay in the moment. But according to me, it's a better way to be.
I've been working with them for a couple years and a couple of projects. Essentially Robert F. Kennedy Jr., is the chief litigator for this corporation, this Alliance, and their job is to prosecute corporate polluters of the great bodies of water in North America.
Being pulled that long and that hard for a 12-hour day gave me migraines. It's what they used to do before there were facelifts for actresses – you know, Joan Crawford's whole career was this. Then the makeup is like Earl Scheib auto body paint sprayed on my face.
There are so many family dinners you can do. I eventually had to go to them and say, 'Look, I don't do spatula work. I don't do scenes with oven mitts. If you're looking for that, you've got the wrong guy. I'm not doing scenes about casseroles. It's not happening.
Before I was reading science fiction, I read Hemingway. Farewell to Arms was my first adult novel that said not everything ends well. It was one of those times where reading has meant a great deal to me, in terms of my development - an insight came from that book.
My tattoo is of a cannon in Vancouver that I got in a fleeting moment of stupidity maybe 14 years ago. A lot of people have really beautiful tattoos, and I get real tattoo envy. But then other people basically just treat them like bumper stickers for their bodies.
I met this woman who was a hundred, this housekeeper, a hundred years old. I interviewed her. She just told me about her whole life. She's like, 'I can't read, I can't write; I can tell you who I was working for, and I can tell you the year, but who was president?
I'm the kind of guy who would say, "Yeah, I'll do that!," and then, when it came down to it, I would be absolutely petrified. Those days have passed me by, but I would do it. If it meant that I was in a scene naked with a woman, or anybody romantic, I'd be into it.
I'm looking forward to locking swords with Douglas Henshall and working against the stunning backdrop of Shetland. I came to Scotland a lot in the '70s and '80s in various theatre productions and of course to film Hallam Foe but this is the furthest I've ever been.
The 'serial kisser' tag that has been thrust on to me is a lame stereotype. It irritates me. Yes, there is sexual content in my movies, and I have never been apologetic about doing bold scenes. But it's not fair to tag me this way because that can be very stifling.
In order to do 'Amores Perros,' I had to skip some time at drama school, so the director Alejandro Gonzalez Inarritu came up with a great Latin American solution, which was to say I had a tropical disease and had to stay in Mexico for a while. Everyone believed me.
Once, as an experiment, I travelled around the world with a single suit. Before I left, I went to a tailor in Savile Row and asked him to make me a suit that I could wear in any climate and which I could use as a tuxedo, a dinner jacket, a lounge suit and a blazer.
The person is a mystery. What I'm playing is the person so I really get to tell you and show you and communicate to you who I think the real person is and that real person is me. The most important thing is to play the human being you are creating, which is my job.
Each year we go to the Cannes film festival and I tend to have all my friends pile in the back of my car and we'll drive from London. The poor production company think they're only putting me up and suddenly they've got eight people sleeping on my hotel room floor.
I was thrust, excitingly, via 'Elizabeth' and 'Shakespeare in Love,' into a position one can only dream of, but it was startling, too. I was offered a multitude of roles riding horses in flouncy shirts, and I just thought, 'Hang on, I've just done that. What next?'
The funny thing is that making a pilot is sort of an audition, at least for me. There's something psychological there, where you're sort of asking for the job while you're acting. And then when it's been picked up, it's a completely different psychological dynamic.
But there is no withdrawal, but with tobacco there is terrible withdrawal, it is almost impossible for a lot of people. I did , I went cold turkey, they never had any patches in those days but grass was not difficult, alcohol not difficult, but tobacco - oh my god.
There have been things over the years that didn't work. 'Body Of Lies,' directed by Ridley Scott, which I did with Russell Crowe and Leonardo DiCaprio, is a really tight action thriller, but when it opened in the U.S. it was number two to 'Beverly Hills Chihuahua.'
There's a lot of life there, but it's a different sort, because there's a lot less immigrants and a lot more racial, the mix of black and white in particular. I've actually never been to their worship for an extended period of time, so I can't comment wisely on it.
I make appearance at local park and recreation agencies when the program starts, when they have the qualifying meets at the local levels. Then I try to go to the regional competitions, and of course I'm there in Hershey, Pa., in August for the North American final.
I find theatre easier than films, because it gives you an environment of a dark hall, the audience concentrating with you... whereas, film sets are not conducive to long rehearsals, and it is difficult to pick up the emotions amidst all that is going on around you.
I think I'm the only professional horse rider from the movie industry. Strangely, I've seen no men from the industry at equestrian events. Though I've seen some ladies like Diya Mirza and Lara Dutta at the race course. Women, by the way, make superior horse riders.
I went from doing something that was very original, sort of subversive, and specific in its voice - The Grinder - and loved every minute of it, but having done that, I was anxious to do something that had more broad appeal and to embrace the good things about that.
The script was given to me by one of my agents and they didn't tell me anything about it. My first reaction was, "The West Wing? Is it about a squadron of fighter jets?" Then I turned the page and saw, 'by Aaron Sorkin' and I knew it was going to be something good.
Being in a successful marriage is no different than being cast in a successful movie. It's all about who you pick; in that first moment, did you pick the right person? I think you need to pick somebody who's more interested in being married than in getting married.
I met this woman who was a hundred, this housekeeper, a hundred years old. I interviewed her. She just told me about her whole life. She's like, 'I can't read, I can't write; I can tell you who I was working for, and I can tell you the year, but who was president?'
I saw a '60 Minutes' piece on Google as a place to work. It was such a foreign concept from what I understood as a regular job. There's free food, sleeping pods, Ping-Pong. I'm the kind of guy who likes to get involved in everything - I'd be all over the Ping-Pong.
In reality, I've always been an actor - since I was a kid. I did theater growing up in New York. I was always in the plays in school. I was either going to be an actor or an athlete or a soldier. Those were kind of the three paths that I always kind of embarked on.
And 'Sex & Drugs & Rock & Roll' was a very transitional film for me in that I was one of the producers and you know, came up with the idea with the writer and the producer, as well. But, it was a very collaborative event. You know, I really love working in that way.
I never did like the idea of sitting on newspapers. I did it once, and all the headlines came off on my white pants. On the level! It actually happened. Nobody bought a paper that day. They just followed me around over town and read the news on the seat of my pants.
But this is where you get all the market research and things get in danger of becoming formulaic, and where you depend on brands and getting recognised actors. It's the thing that precludes risk very often, otherwise everyone would be avant-garde all over the place.
I really do believe that was what I was put on this planet to do: to give to people and, through my performances, show them another world - in the case of '24,' to show them what a politician, black or white, should be. Basically, I wanted to be a service to others.
I have kissed in almost all the films except in 'Once Upon A Time In Mumbaai.' I'm not sure if my kissing on screen has anything to do with the success of a film, but producers make sure to put a kissing scene or two. They feel my kissing scenes are my lucky streak.
It's so funny because, when the other world was being hatched and conceived, I just kept hearing, "Don't do that! That's a huge mistake! People love your characters. Why go to these new ones?" And I was like, "No, we can do this! I'm invested. Why wouldn't they be?"
I love working on films and I'd love to do some interesting work, but if somebody asked me, 'Would you like 'Human Target' to continue to be picked up?' The answer is 'Absolutely!' I love working on this show. I love playing Guerrero. I love seeing where it's going.
Achieving success as an actor has not been easy for me. My biggest, probably most irrational complaint has been that I've had to work harder for what I've gotten. I've seen other people with nepotism or wealth or cheesy good looks on their side who've had it easy...
I started surfing when I was working on 'The Hunger Games,' out on the north shore of Oahu, so about four years ago. I used to skateboard as a kid, kind of religiously, until I broke my leg riding in a pool when I was about 14 and I couldn't play football that fall.
They're still working on the script - they've got to get that nailed down and they want the first movie to come out obviously, not get too ahead of themselves. But yeah, it's looking good. I love the second book a lot as well, so kind of diving into that is awesome.
Once you have love as a motivator in a story, your character is free to do anything. Once you say the character is in love, he can do the craziest thing that nobody would do who's not in love. Once you're in love, you have that excuse to go and do whatever you want.