Quotes of All Topics . Occasions . Authors
All my heroes, I guess, like John Wayne and all those guys, they drank and they smoked and did all the manly things. It was expected of you. And now abstinence in all kinds of forms is a part of living. It's a pretty - I don't smoke anymore, I quit that 42 years ago
Rowan Joffe was on top of everything. He knew exactly how he wanted everything to be, right down to the fact when I made those telephone calls, I didn't do it afterwards in a studio. I think that's how he operates. He likes it to be as real and as clear as possible.
When somebody meets me in the street, they say, 'Hello, how you doing?' And I say the same back. It's just two minutes of your time and it's alright. I don't like people taking liberties when I'm with my family, but mostly people are really polite and that's lovely.
I think meeting someone like, meeting Sam Shepard, that was someone who was kind of important for me, because I'd read so much of his work and watched him as an actor since I was a kid, then being on set doing a scene with him and thinking, 'This is really surreal.'
I never try and play a bad guy to be bad and to be brutal and to be nasty and vicious, because I think you're going to be very cliche there. You know, you've got to find the truth in that character and what he believes in. It just happens that, you know, he's wrong.
When I look back at my journey, it gives me a sense of confidence. I have been through an odd journey from Delhi to Mumbai, struggling, not having a job, shifting houses... Today, I am giving interviews. So it does give me gratitude and confidence. The fear is gone.
I was lucky I always got along with girls. It was never like a big deal. I had a lot of girls that I was friends with that I wasn't sexual with. I think having two older sisters made me comfortable like that. I just like people, so I can just go up and say whatever.
I loved Old School. I thought Old School was very different than a lot of the comedies that had come out. And that character I liked. I tried to ground him very much in reality and play him very much [as] finding things important to him that are somewhat ridiculous.
Doing Shakespeare once is not fair to the play. I have been in Shakespeare plays when it's not until the last two or three performances when I even understand certain things. In the old days star actors would travel the world doing the same parts over and over again.
I had a list of about 35 restaurants, 25 of which were fast-food joints all around Los Angeles and I didn't get a quarter through the list. It just became me thinking about going to these places and wanting to enjoy the food and food just not being enjoyable anymore.
Nowadays we are forced with so many things in life in society that all of the sudden we are no longer in tune with our soul, and if you can find a channel to that soul, its dark, and you've got to be able to look at it, with joy, because you're willing to look at it.
That period, doing 'Angels in America' in '94 and then filming with 'Basquiat' in '95, those were gateway years for me as an artist. Two gateways, one into the film industry and one into the world of theater, each formative to me in different, equally essential ways.
I think worldwide, the movement has been towards accepting and respecting the individuality and the rights of gay people, lesbians and transgender people. Here, however, age-old cultural mindsets - which also comes from Victorian times, affect the thinking of people.
I think it's pretty dynamic. There's a lot of energy there and life, and you'll have women dressed in their traditional African dress when they come, and you have people from all over the place, and some people have headphones on because they're listening in Spanish.
I'm very proud to be part of a cast that's gonna put Hot Shots on screen for the first time, Hot Shots are the first line of defense against wildland fire and these guys are so selfless, they are guys that do what they do without wanting any kind of attention for it.
'The Librarians' is a show that really needs to have ten days, but we shoot it in seven, so the workload is really tremendous, and we don't really quite have the budget to really give it the production value that it deserves, so we try to be as resourceful as we can.
Every job I take, within minutes I'm thinking, 'I can't do this.' I think it's what makes me work. People think I just swagger in and do it. But I doubt myself all the time. It's what pushes me, what makes me work harder. The older I get, the less I take for granted.
There are a lot of little kids, amazingly enough, that see me. Their parents go, 'That's Mace Windu.' They go, 'Oh, right. Well, you know, Jedi can fall from really high places. So you're probably not dead, but you only have one hand now.' That's good. There's hope.'
Any statements from the parents may seem like criticism or judgment by the child or adolescent. It's very important that the child or adolescent does most of the talking and the parent asks questions curiously to understand the perspective of the child or adolescent.
You know what? I’m sure drug dealers on the street, in some way, they are making money. That’s what I equate it to. Here is the thing: you have to understand, with psychiatry, there is no science behind it. And to pretend that there is a science behind it is criminal
People would say, 'Boy, I really loved you in Ferris Bueller," and it would really aggravate me. I thought I was a one-trick pony, and people had seen the trick. Now that things have worked out and I've gone on to other things, I'm really pleased that people enjoy it.
Every age has its storytelling form, and video gaming is a huge part of our culture. You can ignore or embrace video games and imbue them with the best artistic quality. People are enthralled with video games in the same way as other people love the cinema or theatre.
I was never a villain on the stage. I always played strong, sympathetic types. My first stage role with a speaking part, believe it or not, was as a priest. It wasn't until I began acting in films that the producers and directors saw me primarily as a bizarre villain.
At one point, I was greenlighting films and scripts that shouldn't have been made based on the fact that they had that stamp of approval of an Academy Award winner. And the good news is I got to learn the real process of filmmaking - directing, storyboarding, writing.
I wanted to make money very fast, and I was completely confused after college. I didn't know what career options I had. And then I had this entry point in the film industry, and I thought, 'If this is where the fast money is going to come from, let's see how it goes.'
I used to do films for money earlier. I never knew what perception meant. I didn't give too much attention to scripts. It was either to buy a house or to buy a car. There was a certain frivolity to the way I used to pick up things. I wasn't taking my career seriously.
Just personally, I've been attached to 'On the Road' since 2007 and it was the greatest thing in my life when I got cast in it. I couldn't believe it. When I was 17 and read the book, I looked it up on IMDb and it said that Francis Ford Coppola was going to direct it.
My ultimate is Peter Sellers - his ability to go broad and somehow humanize that and be hilarious at the same time. He was just relatable, real at the same time as insane. I find Ricky Gervais absolutely hilarious. Steve Martin is another hero of mine - he's a genius.
Unless I'm a little bit scared about something, I'm genuinely not actually entirely happy. I feel I need to be just that little bit outside my comfort zone, and then I can really surprise myself and stretch myself, and I think that's a really good thing for any actor.
I went up for the first time when I was 18. It's a great place - I love L.A.; I mean, in Ireland it just rains all the time, it's crap weather, so it's nice to go to L.A. where it's just sunshine every day, and then it's kinda easier to live a kinda healthy lifestyle.
Here's what I believe a soul is - at least this, I believe it's at least this. I believe that every kindness that we create in our lives, if it came because we were affected by a person we loved and lost, that person lives through that kindness. That's what a soul is.
You sign for a sequel for everything these days, just in case, options. In the past, you avoided them like the plague because it meant somewhere down the road you couldn't take a job because you had to do a sequel. Now it's a feature of pretty much any feature you do.
There is nothing like watching the woman you are in love with make a baby, make a miracle! It is one hell of a ride, and I am only seven months in. Time is flying by, but I am taking it all in. It is the most important thing that I have ever been a part of in my life.
I was in good shape from Divergent. Damien Chazelle, the director of Whiplash told me, 'Stop Working Out! Don't go outside!' He wanted me pale and doughy. This is the first movie where I shut myself off from the world. It was, by far, the hardest thing I've ever done.
And then, all of a sudden, you're like, all that's great and fun, but Arthur Miller's in my dressing room. This is the third night he's been here and he sits in my dressing room for an hour after each show, and talks to me for an hour. So I'm pretty spoiled right now.
I also meet with city officials, representatives from governors' offices, really anyone in that sort of position who has shown an interest in youth fitness, to let them know why this sort of program is so important. I give the same message when I speak at conferences.
I remember years ago I was an extra, just an extra, and instead of asking me to move - he was a big fella - the director just picked me up and moved me. And I headbutted him. You know, he shouldn't have done that, but I shouldn't have done that either. I just done it.
It's funny, because there are so many stereotypes out there about actors and movie stars in general, but I've had a great opportunity to meet a lot of them, and maybe it's just because they don't behave that way around me, but I rarely see that kind of abuse of power.
Lord of the Rings was something I always wanted to do. I read the book when I was about 25, and I was always hoping if it was ever made into a feature film that I would be involved in some way. And then I finally got it, and I was over the moon. It was fantastic news.
I want to show my range before I fall into any typecasting. I've turned down a lot of things trying to wait. But at the end of my career, whether that be tomorrow or 40 years from now, I would like to look back and be able to say, 'Ah, I never fell into any gimmicks.'
I watched pretty much every coming out video on YouTube that has ever been posted; I watched it in between 14 and a half and 15. Those coming out videos, and those people on YouTube, those brave, brave, brave people on YouTube, without them, I don't know where I'd be.
The incentive for digging up gossip has become so great that people will break the law for the opportunity to take that picture. Then it crosses the line into invasion of privacy. The thing that's really bad about it, though, is that the tabloids don't tell the truth.
The interesting thing about this is I don't know what my vision [ in Salome the play and Salomaybe] is yet about. I'm sensing something and I'm going along with it. It reminds me of a painting, the way Jackson Pollack painted - Jackson Pollack, the great, great artist.
The network wants you to make a thing that's just a stand-alone episode, so you never get any character or continuity. This is one of the ways in which television can actually be good, and even better than the movies, because it gives you a chance to tell a long story.
I think one of the most difficult challenges in show business is the challenge of longevity and to constantly realize and reveal what's already been there - like doing stage and singing and dancing in New York. I haven't been that far out of my comfort zone in a while.
'Evening Shade' was such an eye-opening experience. I was 19 when I went on that show. I had barely had an acting class. So as Burt Reynolds continued to bring me back for the next three years, I learned so much from him and all the other legends that were on the show.
Fathers and mothers are just people, which means they make mistakes. Don't hold that against them. Whatever flaws they may have, they created you in a moment of love, and are among the few who knew you when. When they're gone, there won't be anyone to take their place.
Weirdly, when I was in drama school my accent probably got stronger because of that sense of identity when you leave home and go to somewhere where there are loads of people from different places. Holding on to being Welsh and where I was from was a real crutch for me.
For the last 20 years of my life, I've had the mantra to do amazing parts with amazing people in amazing projects, so I'm attracted to good story, writing and character and good people. That's what I'm always searching for and I don't think that's ever going to change.
At the end of the day, regardless of whether you're doing a huge budget film or a small budget film, you still want the film to do well, and have people see it. That's the whole point. You want to put some kind of message into your films, and you want people to see it.