I'm very attached to my family and protective of them and miss them, and that situation, my connection with that can make me become very vulnerable.

Basically, I'm motivated to write about sociopolitical issues as well as relationships. I think those themes have stayed with me throughout my life.

Musical acts that feign enthusiasm for what they're doing the guitarist who jumps up and down, like it's choreographed are so transparently vacuous.

I think the work is always personal. This album differs. It seems to be a lot more positive. It seems to have a certain amount of optimism about it.

Anyone can come into your life and say how much they love you. It takes someone really special to stay in your life and show how much they love you.

There's not a platinum record hanging in my house anywhere. It doesn't exist here. I'm over it. They're all in the garage, wrapped up in bubblewrap.

It's in my stars to invent; I was born on Madame Curie's birthday. I have this need for originals, for innovation. That's why I like Charlie Parker.

I can't believe I got a major-label record deal. My music was quirky, and my voice was so odd and high and girlish, it was like a weird novelty act.

I think my biggest fear is dying. Although sometimes my biggest fear is not dying. But yeah, I think health stuff for me is more what I'm afraid of.

If people are like, 'Oh, you're an icon,' then whatever. But who thinks of themselves like that? It's not like I have posters of myself on the wall.

I tend to sort of dive into things without worrying about risk or anything. Like, when I get an idea, I tend to just go for it and see what happens.

Usually I feel kind-of normal and lame, and then I'll go to the coffee shop and someone'll say, 'You rock!' And then I'll remember how awesome I am.

I know I stand visibly onstage, but my function is still unseen, because I rarely see the immediate results of what I am saying or doing or writing.

I've always looked for the perfect life to step into. I've taken all the paths to get where I wanted.But no matter where I go, I still come home me.

With every performance I just feel more energized somehow. Like, this is how I exercise! This is how I feed my ego, by playing this loud rock music.

My favorite record, growing up, was 'Songs of the Haunted House,' a Disney record that was just wackiness. It's still one of my favorites, actually.

At the Grammys, how many performances were with women playing instruments? Is it still surprising that a female can play an instrument proficiently?

I've never shaped or crafted my music for any specific group of people. Whoever connects with it is fine with me. I don't care where they come from.

Like I'm in San Diego today and this is my hometown so I've got a lot of my friends coming and I definitely want to put on the best show that I can.

It's weird because it almost takes something like Chickenfoot to make me realize why I was playing music in the first place. And that's to have fun.

Either we stay at home and become pillars of the community or we go out and tour. We couldn't really find any communities that still needed pillars.

Everybody's crazy in some way and everybody's weird, and that kind of makes us all the same in a lot of ways. We're not alone, we just think we are.

Reason why we've lasted so long is we write music; we get very intense. We go away from each other, do our own thing, and then we get back together.

When I'm playing, I'm never through. It's unfinished. I like to find a place to leave for someone else to finish it. That's where the high comes in.

Jon Davis of Korn and Frank Mullen of Suffocation are one of my favorite bands and from that moment, we started a conversation and lead to the song.

You can surrender without a prayer, but never really pray without surrender. You can fight without ever winning, but never ever win without a fight.

People want to see the car crash instead of the race. But, when you're the one in the car that's crashing, it's not much fun. I'm enjoying the race.

It's pointless to be critical of your stuff once it's done. I don't spend a lot of time agonising over it. It's of no importance once it's finished.

I would be willing to do almost anything to make Art happy. I care about our friendship. The only thing I won't do is change the essence of my work.

We can't stop a baby in Africa from starving to death... but we can afford enough technology and weaponry to blow the world up a million times over.

No one told Miles Davis or BB King to pack it in. John Lee Hooker played literally up to the day he died. Why should pop musicians be any different?

When I said that I make out with dudes, there was a slight sense of sexual rebellion in that. And I probably even made it a bigger deal than it was.

She pulls me toward her, tells me, “You’re sweet, you know that?” I crack a smile. Life will not tear us apart this time. Our hearts will see to it.

To me, groups of musicians playing together, not fighting each other, but playing a groove together is one of the most exciting things to listen to.

Many people think of me as a perfectionist, someone who polishes and shines each song and performance. I've always been bothered by that assumption.

All of us are extremely competitive. We're kind of competitive with how we work on Radiohead stuff. Having said that, there's also a lot of support.

I think that most art is asking a question or is looking for something, looking for answers and that is what life seems to be about for most people.

I'm a visual artist myself and always have been so it's very natural for me to be very concerned with presentation, whether it's artwork or onstage.

Music has always been a big part of my life, it moves me, it educates me and it makes me grow. It is a fantastic language to help you explore ideas.

I enjoy seeing other Indian musicians - old and young - coming to Europe and America and having some success. I'm happy to have contributed to that.

Everything they do, from smiling to crying, feels like a blessing. Being a father feels amazing. This has been the most spiritual moment in my life.

At the end of the day, I can end up just totally wacky, because I've made mountains out of molehills. With meditation, I can keep them as molehills.

Cat Stevens' music, voice, and energy made me feel so secure. He sounded different from some of the paternal figures in my life, so gentle and kind.

When I was a kid, the world was such a big place, and I had no idea that I would be afforded these great moments in between doing what I love to do.

I'll never get used to living without Mo, but the painful things that surround what happened to him aren't so painful any more-not so raw or so new.

I know that drummers tend to be the butt of a thousand jokes, usually from the uninformed and untalented, but I always felt I had an important role.

I'm a Leo, with an Aquarian mid-heaven, so I can be mistaken for an Aquarius. My Sun-Uranus conjunction in Leo makes me an honorary Aquarian anyway.

Obviously, the big hits like 'Shout,' 'Everybody Wants to Rule the World,' 'Head Over Heels,' we play live, so there's nothing new about them to me.

The blues is so expressive - nostalgic but not sentimental, mournful but not pathetic, so humble and close to the earth. It's a nuance-filled thing.

People have all sorts of expectations which you can't meet. Me, I'm so reclusive I stay away from such things as much as I can. I never go anywhere.

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