I refuse to step inside the ring and fight like a gladiator against my own. I'm not playing that game. Any woman who has survived a year or more of making music has my undying respect.

I use Bogner amps and custom-designed Schecter guitars with Seymour Duncan Invader pickups. I beef up my tone with a Boss CS- 3 Compression Sustainer. It's kinda like my secret weapon.

May God be with you and the Devil be crushed underfoot as you march for Peace on the skulls of our enemies, for goodwill, security, and a quality of life that comes only with Democracy

There was a clown that tried to eat me as a boy, in my nightmares. Years later I found a clown for booking online who resembled him named Patches. Needless to say, Patches is dead now.

Working solo means you don't have to account for anybody else. You do it yourself, so you're not trying to please others as well as yourself; you're just trying to do the best you can.

The labels can't do anything for a band anymore - they're stuck and they have no money and they're just holding onto contracts that have existed from a time where there were resources.

We don't really make bad records, though some people might like some more than others. And we have never really done a bad show. So I think in a way maybe we've been taken for granted.

I feel there is love and confidence in me somewhere and I want to find it. So far, music is the only medium that's allowed me to flirt with a sense of self-worth, with joy and comfort.

Most of the time I like to start an album abroad, not at home, just to avoid the pressure, to not wake up and think, 'OK, it's the first of recording this album.' I like to avoid that.

The whole concept of having something really in-your-face that you're forced to listen to is beautiful because I think music should be an event and not something that's just dismissed.

I'm not really the most confident guy in the world, but I also don't care too much about what people think about me either. I just try to be honest in what I like and see who likes it.

I'm excited to join my brother-in-law Ken Thomson every Tuesday night on SiriusXM to recap all of the awesome NFL action, and to find out what in the Wylde world of sports is going on.

I make music that I know that people will enjoy, and balance the ideas and philosophy that we put in music with music that when we play it live, people can move to it and groove to it.

They don't want to see rap music. They don't want to see the Beastie Boys. They don't care what we're doing. They want one thing and one thing only: that's to see Madonna come on stage.

Being a straight white guy in his, like, early twenties - there's some sort of thing about it. A sort of privilege, a sort of anger or something. You just say some really stupid things.

'Alternative facts' is really one of the better things that's come out in a long time. 'Alternative facts?' It's brilliant! Really? Alternative facts? There are two different realities?

I don't think rock 'n roll is necessarily a young man's game. I think Neil Young is just as rock'n'roll now as he was in his 20s. I'd like to think we can still be edgy and challenging.

Why don't they go ahead and change the name of the White House to the West House. They want to do away with the heritage of White Settlement and destroy the history of White Settlement.

I think of a band like Animal Collective where they really follow their own sound and I think that's a really important thing to do. You can find an audience if you can find your voice.

You can't understand light unless you understand darkness, because that's where life is most often lived - somewhere between the two. It's messy and it's beautiful all at the same time.

I've had the luxury of owning my own studio, 24 analogue, 48 digital, endless effects, endless hardcore gear, that I don't have to rent, I don't get stuck with the bills, it's all mine.

Having hits buries a singer in the past. A lot of singers hide in the past because it's safer back there. If you've ever heard today's country music, you'll know what I'm talking about.

I describe things in terms of body movements. I dance a bit to describe what sort of movement it ought to make, and that's a good way of talking to musicians. Particularly bass players.

The afterlife I'm not so sure about. So, I don't understand why you'd want to hurt other people in thinking that you'll go on in the afterlife to have bliss. I just don't understand it.

Just take them rascals [rapists, killers, child abusers] out in the swamp / Put 'em on their knees and tie 'em to a stump / Let the rattlers and the bugs and the alligators do the rest.

I put on music and I'm washing my car. And I put on music if you have somebody and you're trying to make love. You put that on in the background and you go, maybe this will be romantic.

Why would you want to dictate somebody else's taste or happiness? Music is supposed to be joyful and move people, and however that gets accomplished for different people, it's all good.

I don't mind, it doesn't hurt me if anyone says I'm not normal. I don't know what normal is. Sometimes I'm just really tired, or I haven't eaten, and people get the wrong idea about me.

When I recorded my solo album, 'Keep It Hid,' in 2008, I'd gotten more interested in songwriting, inspired by reading Charles Bukowski and connecting with unfancy, interesting language.

You know why Foo Fighters have been a band for 20 years? Because I've never really told anybody what I think of them. The last thing you ever want to do is go to therapy with your band.

I actually think it's easier to be positive than negative, to be honest - it takes way more energy to stay mad at someone, for instance, than it does to say "i forgive you" and move on.

However, there's no theme or concept behind Heathen, just a number of songs but somehow there is a thread that runs through it that is quite as strong as any of my thematic type albums.

I think in the '70s that there was a general feeling of chaos, a feeling that the idea of the '60s as 'ideal' was a misnomer. Nothing seemed ideal anymore. Everything seemed in-between.

Dance music is no longer a simple Donna Summer beat. It's become a whole language that I find fascinating and exciting. Eventually, it will lose the dance tag and join the fore of rock.

Rock is periodically pronounced dead by clear rock critics - killed by world music, or by hip-hop, or electronica, or the Backstreet Boys. But if you wait a year, it comes back to life.

Because I have been so pigheaded and so selfish about so many things for so many years, I've spent a lot of time being, like, 'That person needs to change. This person needs to change.'

I never really saw my dad around when the Iron Maiden and the AC/DC were playing. But he knew what I was doing. I was just absorbing music. So he just kind of left me to my own devices.

You know you can get gaudy with something, and they didn't do that. To me, I think it's very tasteful, well done, with the silver and gold and the engraving. I think it's very tasteful.

So much energy comes out of concerts sometimes, especially good ones that are really moving. And that energy, no matter how great the show is, it dissipates within two weeks or a month.

My original interests and intentions in guitar playing were primarily created on quality of tone, for instance, the way the instrument could be made to echo or simulate the human voice.

My dad grew up in a working-class Jewish neighbourhood, and I got a scholarship from my dad's union to go to college. I went there to get an education, not as an extension of privilege.

Someone asked me what legacy I wanted to leave and all my answers were so long that I even bored him. I said I don't care. Why should I? I will die someday. So if you like, remember me.

In terms of love, you're not in control and I hate that feeling. I seem to write a lot of sad songs because I'm a very tragic person. But there's always an element of humour at the end.

The spirit in motion heals, expands, circles in and out of the body, moving through the layers of consciousness from inertia to ecstasy. Open to the spirit, and you will be transformed.

We are going to put out a boxed set thing, but I don't want to do it yet. I want to wait until we're 45 and we're bitter and broke. Then, we'll put out the comprehensive Ween boxed set.

At death, you're going to be needing some spiritual guidance and some kind of inner knowledge that extends beyond the boundaries of the physical world... it's what's inside that counts.

Human nature at times is unfortunately very ugly and I learned the world can be a very ugly place. For as much beauty there is, there's just as much brutality and violence and ugliness.

It's a bit loose and the people in my group have got other groups. They don't have to have a total allegiance to me. I think that's really a bit weird and showing some weird insecurity.

In a world where globalisation wants to turn everybody into the same thing, I think that anything that allows you to go to another place or be in another world has got to be celebrated.

I just get things done instead of talking about getting them done. I don't go out and party. I don't smoke, drink or do drugs and I'm not married, that leaves a lot of time for my work.

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