I never listen to Led Zeppelin. But, I mean, I don't think Robert Plant or Jimmy Page listen to Led Zeppelin, either. We all probably obsessed over the same old blues records growing up.

I've had nightmares about having to kick people out of my band because they've said that they don't like the Beatles. I'd wake up and turn to them and say, "You like the Beatles, right?"

I think people who go out and tell you how much they're gonna change things are the people who end up being just another whatever. I'm never trying to change anything. That's not for me.

Hate cultures are not a thing of the past. They're a continuing problem and one cannot blame presidencies for this. Racism in the U.S. began way back, before the time of Abraham Lincoln.

When mankind goes back to treating people the way you want to be treated, things will settle, I don't see that happening. I treat people the way I want to be treated, which makes me odd.

From what I've heard, Paris did a little bit more prep work as far as making bike lanes and all of that stuff. They really did it properly, which New York is getting to little by little.

I cycled when I was at high school, then reconnected with bikes in New York in the late '70s. It was a good way of getting around the clubs and galleries of the Lower East Side and Soho.

I think myself that, rather like books, music is meant to enter into the brain, well via your ears rather than your eyes but, it's - I think a lot more should be left to the imagination.

If you go back to 'Pretty Fly,' it was a very popish song, but there was a satirical side to it, and I think that's cool. I like the idea that it's making people think just a little bit.

I just thank God I'm still here and the main thing is to try to get closer and closer to Him as much as I can so that I can treat my friends and my family the way they should be treated.

If we were to hit the level that Metallica or somebody like that hit, we'd have had a hard time dealing with it. I think it would have been our doom. It's hard for anybody at that level.

I'm tired of being considered vapid for liking pop music or caring about fashion as if these things inherently lack substance or as if the things I enjoy somehow make me a lesser person.

There used to be a lot of industry in Montreal, and now there's not, so it's really easy to get huge, empty spaces where you can practice and make music or make art for very, very cheap.

I think to write fiction, this is just how I see it, you have to have a powerful need/desire to connect. I can't. Wanting to and not being able to has lead to a lot of misery in my life.

Arts is like the power of now. When you're performing, when you're playing, when you're sculpting, painting, it's that moment. I'm in the moment of my life, and that's what I love to do.

You come out of a working-class environment, you know, working-class kids always put them themselves together because it's one of the only things they had. You had control of your image.

Either accept people for what they are, or don't. So, in other words, man, if people don't know me, I think they do themself an injustice. Because, as a whole, I think I'm a good person.

I was brought up with old-fashioned values. I wasn't allowed to have a boyfriend until I finished school. I wasn't allowed to wear make-up: the nuns would scrub your face if they saw it.

I'm on the road earning my money. I didn't get any million pound record deals. Not unless you're Jedward! I'm doing very well, but I still have a mortgage to pay off. So I'm on the road.

I want to come and play in cities and states where transgender citizens are not discriminated against, where there's no hateful bathroom bills at the shows where I'm going to be playing.

I've gone down to the Jersey Shore every summer since I was born. It's like a second home, and Asbury Park is like the capital - it's the center of all of it. Musically, it's incredible.

Sometimes I have a very bad point of being too obnoxious. I am not too obnoxious. I mean, I just try to make things more peaceful. Me being obnoxious makes a lot of things more peaceful.

The most important thing for me - and the thing I get frustrated about when I don't achieve it - is momentum. Sometimes you hit on it quite naturally and other times it's a mad struggle.

I'm busier than a busy person. People aren't scared to play this raucous, harsh music over radio speakers, so I think it's the perfect time to get in with some real serious, heavy bands.

With Pearl Jam, everybody is so good at what they do, it's hard to get up the courage to say, Can I sing this part, or, I want to play guitar. I feel like I have more courage to do that.

Getting my hair cut is just a very special moment for me. I don't know exactly why, but it's such an intimate, almost religious experience. I'm very careful with who gets to cut my hair.

A lot of people say, 'Wow, a movie on your life, isn't that exciting?' Absolutely, I'm blown away that God allowed me to do this but it's hard - watching the film and being a part of it.

Each instrument has something to say to you. It's got its own character. Each horn has its own character and will say to you certain things. If you violate that, it's almost a sacrilege!

The only way things work around here is if everybody wants it to work. If everybody wants it to work, then it has a prayer. Even then, there's no guarantee. But at least it has a prayer.

When you are sitting in a room and somebody does something or says something and a thought comes, an idea or a melody - you have to just grab it while it's there because it will go away.

I've been really supported by my family and my wife. She really understands what I do, but it doesn't get any easier when you get away all the time and so I'm trying to find the balance.

I'd just sit with Dee Dee on the corner off of Queens Boulevard and drink and insult people and stuff. That's when I got kicked out of my house. My mother told me it was for my own good.

No, I mean we'd all definitely involved in the music business someway or another, because we're all living with it, and in it, and also we've got all sorts of things we would like to do.

New songs are why artists go on the road. That's why I go on the road. It's a three-prong play. Writing: You're intrigued. Recording: It brings it to life. And then you want to share it.

I've seen 13, 14-year-olds opening CDs as though they're records from the 1920s, going 'Look at this - there's a little book!'... That makes me think the format has probably had its day.

I really love that I'm giving myself the opportunity finally to not have the pressure of every single song you do having to be "political" or whatever. I'm just making what I wanna make.

I don't have any desire to do something that sounds explicitly rock. Like, I don't have a burning need to be a rock musician. I feel like I've taken that as far as I can take it, for me.

We've [with Jack Black] probably never been in an interview where someone hasn't asked how we got together, so we thought if we put it in the movie, it'll answer the question altogether.

No one starts playing my kind of music to make a fortune. But I do want to keep doing what I do and I do want to continue selling records. And I would, eventually, quite like some money.

I definitely identify with female leads more; I identify with real female leads, people who are flawed and have issues and make mistakes, so that the characters represent what I'm about.

That's one strength that Stevie has. She's really not a strong instrumentalist in any way. Her instrument is her voice and her words. And it keeps her focused on the very center of that.

Well all tai chi has the martial aspect to it, a lot of people don't know, a lot of the teachers won't show it, or they do show it but you don't really learn it, what the application is.

We've turned down multi million dollar films, simply because we liked the film better. We have the luxury to do so - we have projects that make the money, and others that we do for love.

I think the people that enjoyed Freedom will love this one; and I actually think some of the unique musical twists this project is taking will open it up to a whole new audience as well.

I've said to others that there were places I had forgotten about that were just so powerful. I've read the Gospels many times, but it's been a while since I've read through a whole book.

When you write songs, you have to like them yourself first, but then you have to make everyone else like them, because you can force them to play it, but you can't force them to like it.

It's heartening to return to live music, heartening for people like me in a band. It's a very traditional thing to return to. It re-validates the original form that we fell in love with.

Country music... doesn't bend notes in the same way, so I suppose it's very English, really. Even though it's been very Americanized, it feels very close to me, to my roots, so to speak.

Waiting for the winds of change to sweep the clouds away. Waiting for the rainbow's end to cast its gold your way ... You don't get something for nothing. You can't have freedom for free

I've got so many mountains to climb and goals to conquer. I've got so many scars I want to leave on the planet. I just feel like I'm not there yet. I feel like I am just getting started.

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