Quotes of All Topics . Occasions . Authors
I view my job as being someone who is supposed to piss people off. I don't want to be just one-of-the-guys. I don't want to be just a smiling face you see on television presenting some vapid kind of easily-digestible garbage.
Anybody intelligent enough to realize what America is, is not going to sit around and do nothing about it. They're going to be the same way that I am. They're going to be the same way our fans are. They're going to be pissed.
I've heard the stories. Like, Eric Clapton said he wanted to burn his guitar when he heard Jimi Hendrix play. I never understood that because, when I went and saw a great drummer or heard one, all I wanted to do was practice.
The band is a living, breathing thing. It grows in the same way we do as human beings and if it doesn't, it dies. It's important to feed the organism, and one way of doing that is to set musical challenges that keep it alive.
When I was very young, there was a lot of music at home, mostly jazz. I was walking around singing and pretending I was in bands from a very young age. But the first song that was really personal to me was 'Blue Suede Shoes'.
A lot of talent is a gift, but a lot is also luck. I'm very aware of that. I was born in the right place at the right time. I am also blessed because I've never been a sex symbol. I'm spared the embarrassment of acting young.
The media circus got a bit twisted when I was in London. It became a bit of a joke, really. In Paris, they're so serious, I can take myself really seriously, too. I can get really morbid without people telling me to cheer up.
Not that there weren't great shows, and not that there wasn't plenty of fine music played. It's just that the consistency and the height of where we could take it, with the help of the audience, was less, I felt, in the '90s.
If you come at the record feeling really happy and optimistic, it can be incredibly beautiful and uplifting, and if you come at it in a bleak moment, it can feel like a very dark place to share. It's all down to the listener.
It's kind of dumb; everybody should be able to listen to the kind of music they want and just because you're a fan of a band for a longer period of time doesn't mean you have a greater stake of claim to the band or the music.
I never answer if someone knocks on my door and only the band and my manager have my phone number. In any case my phone doesn't ring so I never notice it. I occasionally just walk past and pick it up to see if anyone's there.
I always have felt that most people don't have the first idea about what musicians, in the traditional sense - I don't mean in the modern media fake way, but traditionally - what they went through, what their lives were like.
I remember desperately trying to convince my wife that what I was believing was real - that I was being followed, that I was involved in some type of mind-control experiment. I couldn't understand why she couldn't believe me.
People want you to produce records. They don't care what it took to make it. When a band is out doing concerts, the fans don't want to know about equipment difficulties. They want their hour-and-a-half release, and that's it.
To my mind it is wholly irresponsible to go into the world incapable of preventing violence, injury, crime, and death. How feeble is the mindset to accept defenselessness. How unnatural. How cheap. How cowardly. How pathetic.
Its hard, its almost natural, not to hate, but to think, 'I'm better than you, so I can't work with you' that's the status quo of how females act. I don't want it to be like that; that's why I like working with other females.
I was in Hiroshima with my assistant, and I said to him, 'You know, I've done close to a thousand shows with Yes. I think I'm done. I don't think I can do another one.' I went back to L.A. and left the band and got into film.
"Beach." It's a very loose term now. Pretty widely used term. And that's awesome, but I guess my California experience is different from a lot of people's interpretations, and I think maybe I just wanted to put my spin on it.
I grew up in a super suburban place where the mundane middle-class issues were similar to what Ray Davies was singing about. All the topics he was singing about were middle-class woes and humanitarian woes - human-being woes.
We've shown everyone we are musicians first and foremost: we'll produce our own albums and play The 100 Club. We earned people's respect. We're not the band on MTV, wearing a bunch of makeup. We've proved we're the real deal.
My best business decision was to be independent as a musician and artist. My worst was compromising on certain aspects of a deal for the sake of other members of my group when I shouldn't have, because I was right in the end.
My father, we bumped heads when I was younger, much younger... I had different ideas that I shared with him. He didn't like them as much. He gets upset or whatever. I guess I had a strong opinion from when I was a little boy.
Truth is, you make albums, and some of those songs are hits, and some of the greatest hits albums have songs that weren't hits. You have a career, the reason why we're still around 10 years is that we do have successful songs.
Rock and roll's relatively new, in the sense of the Fifties, Sixties, right? They invented the first sort of rock stars, and they took it to excess, and then the excess became bitter, tormented. Then it became okay to succeed.
It's a very unnatural environment to be in, up on a stage. So you put up defenses to hide. Like looking at the ground with your hair in your eyes, or being tightly wound and quite aggressive and uncooperative, as I used to do.
Everybody gets too drunk sometimes; and even if everybody didn't, I have gotten too drunk sometimes. I haven't hurt anybody. In Ireland we drink a lot. It's part of our culture. I like drinking. I don't think it's a bad thing.
The real self is who you are when you're at home, when you're comfortable, and the false self is what you're pretending - and the reason you pretend is because you want to create a character for the surroundings you're within.
I believe when the music is being sung or being played, at the end of it, there's some sort of grace and understanding. And that's all I want for humanity. I just want us to understand each other. That's the point of my music.
Rock musicians, and a vast array of popular-music musicians, due to their wealth, acquired through the mass of their notoriety, are able to be listened to and heard and thus are able to effect change on an international level.
Just because you sing songs about a certain feeling doesn't mean you have to go feeling that way forever. You can sing about that for the rest of your life, but that doesn't mean things aren't going to change in your own life.
All humans are part male and part female. The other side must be explored to gain complete understanding ofourselves and the world we live in. Forme, the idea of having a feminine perspective is a willingness to be vulnerable.
I wanted to get my recording and become a musician again, work; with other people, do that kind of thing because I kind of got away from that for a while once we started happening, you know, selling records, sold out concerts.
My brother was very important to me. And he played guitar. So that's what I wanted to be. I wanted to be a guitar player. So he was the first one to inspire me to do something with my life. And I was so glad that he was there.
I was always drawn to performing. I took improv and acting classes during the summers and was involved in middle and high school plays. But when I discovered indie and punk music in high school, those things sort of took over.
Meals and eating and that sort of ritual of gathering at a table is such a part of childhood, and that was such a strange moment. It made me nervous to watch my mom cook for us and then not engage in the act of eating with us.
The writing of the record didn't take long, because I just have a huge stack of papers and I just pluck from the stack. It took a long time because it's very expensive to make records; in fact, I think it's a complete rip-off.
To me, it makes more sense to write different songs and to play different kinds of music and to find your own voice. But no matter what, get out and play for people. Get out and learn, and do everything that you can, you know?
Just the other day someone threw a bra duct-taped to a tennis ball. I just stood there, playing guitar, thinking how this was totally premeditated. Some girl sat around inventing a way to get her bra onstage from 40 rows back.
One really important thing is to have good friends and family that will be there to help you when the hard times come. Because bad times do come, for everyone, at some point. The good part is, the bad times don't last forever.
The old ways still apply. You can still send tapes to record companies, and there are record companies, you know, there are one or two of the record companies do declare proudly that they listen to every single one that comes.
Usually, in the studio, on this sort of thing... you just go out and have a play over it, and see what comes, and it's usually - mostly - the first take that's the best one, and you find yourself repeating yourself thereafter.
Writing songs does not get any easier, and that might be because I am harder on myself than I was twenty years ago. Hopefully, as we grow older and change, there are fresh topics, new perspectives, or at least there should be.
I was born into a very religious family with no TVs and a very strict Episcopal Christian religion. Music was my outlet and more of my therapy than anything, but yeah, it was the one thing in life that I've had, art and music.
Growing up, there was a lot of pressure for women to be good-looking, but my mum was very strict, and she didn't allow me to wear make-up. Looking back, it was good for me. It slowed me down from becoming an adult too quickly.
Before I actually got a hard surfboard at the age of 10, like a real board, I was always just trying to stand up on boogie boards or rafts or whatever I had, trying to emulate the people that I saw surfing the waves out there.
I would thank God, but I don't believe in it... It's like a movie that was way too popular. It's a story that's been told too many times and just doesn't mean anything... All I really believe in is this moment, like right now.
I wished that I could have been down there because Paul actually wanted me to do the tour with him, but then he realized that it just wouldn't be right. It wouldn't be a solo tour anymore. It would look like just half of KISS.
My father had inklings of my cultural aspirations. He would take me to the library, things like that. But he wasn't one of those dads who had read George Orwell and was a member of the Communist party. We had no books at home.
I wouldn't like to say that I'm absolutely God conscious. It's like everybody else. We're battling with the forces that are pulling us upwards and downwards at the same time. But basically we all want love, that's what I feel.
A new artist today has to get their teeth fixed, has to tighten their jeans up, and they have to get 'em the right kind of hat, and if anything's wrong with their nose, if it's a little crooked, it's got to be straightened up.