Quotes of All Topics . Occasions . Authors
When I was in high school, my thing was to get as close as humanly possible to a girl and just make her have to kiss me! You do the hug that's too close, where your mouth is close to hers and you kinda feel it out a little bit.
I always wanted to be an artist. I think I was just waiting on somebody to approve me and be like, "Oh, okay, you should be an artist," you know 'cause it wasn't until I stopped looking for approval that I could actually do it.
I don't know if I have a problem expressing joy, but the difficulty is in making an album, a piece of music that really does reflect life rather than the one dimension. I have a problem in trying to make a complete trip record.
I'm very lucky that I can walk on the stage before anyone in the world. And that's the thing: you've got to be pretty confident to go on after me. You've got to have the artillery, as I call it. And the artillery is your songs.
I grew up not far from where Motown was founded, maybe 300 miles from Detroit and I've always liked - I used to like the way they made records. I still do, I just haven't had a chance to hear as much. They used to entertain me.
Each album comes from definitely a different period in the evolution of each of us individually as creators and the role that we take in life. The external stimuli changed... so the songs are full of lots of different meanings.
The '90s weren't my finest years artistically. I wrote some good songs in there, but in terms of my vision of getting the paint on the canvas, that was not my best time. I didn't like the fact that I had fallen into mediocrity.
Our album 'Show No Mercy' came out in late '83, and we did three or four shows in San Francisco after the release. That was our first experience with stage-divers, crowd-surfing, people walking on people across an entire crowd.
The compass represents spirituality, no end and no beginning....the ruler represents 'tangible evidence' ... a measurable event... both coming together shall represent a Human Being...the intersection of life and consciousness.
I heard Tom Waits in this kinky shop on Belmont Street in Chicago. Considering the way I was raised, they were such obscure voices, but their music saved my life - I didn't know who I was before I heard Bob Dylan and Tom Waits.
I studied classical music for a year. Then, I studied jazz for a year at the New School, and then I got kicked out. You had to go to your class, so I don't know if that counts as studying. I didn't study jazz. I was supposed to.
People don't always realize that as a performer, you've got to relive those moments. Memories crash through your brains, and you've got to think about your past and the reason why you wrote the song. All that emotion comes back.
In Paris, I was really singing for the sake of living. But eventually people said, 'Keep going; you've got a great voice,' and I started having confidence in my voice all of a sudden. That's when I started creating my own music.
There's nothing more satisfying than going to a market and meeting the person who picked the strawberries, or it's their farm that the strawberries came from, and giving them a fair value in exchange for what they're giving you.
We are the greatest computers in this world, but now we've created the smart phone which is smarter than us now, but we're still making dumb decisions. We have given our creations more power than we have, and that to me is dumb.
Don't run back inside, darlin', you know just what I'm here for. So you're scared and you're thinkin' we ain't that young any more...Show a little faith! There's magic in the night. You ain't a beauty, but hey, you're all right.
The new, though engaging at times, may often start as offensive to us. The latter is often proof of the worth of this, while in the long run it will receive more recognition, than some, of what we liked so much in the beginning.
The first time you listen to someone else's interpretation of what you've created, it's a little unnerving. They'll change lyrics or something almost every time. That's them being an artist, and you appreciate it more over time.
I don't know whether we will find ourselves in the cross hairs, pulled by the short hairs, or just trying to find the next inane hairstyle. But change is coming; it is inevitable. It is as steady and reliable as a ticking clock.
The Gorillaz cartoons seem more real to me than the actual people on TV. Because at least you know that there's some intelligence behind the cartoons, and there's a lot of work that's gone into it, so it can't all be just a lie.
Venues had segregated seating - but when Chuck Berry fused together blues, boogie-woogie and country music, it caused people not to be able to sit still. They bounced up out of their seats, knocking over ropes, dancing together.
When we came off the tour for the last album, we started on this one. We've just been chipping away at it. We're not in that much of a hurry, because when we release a Blur album, that's a three year promotion and touring cycle.
I work very closely with my publisher and just give them tons and tons of music, and then they link that with different songwriters and stuff. I'm basically a workaholic. So, I figured I might as well just start working outside.
I never really got the book together for the thing, so I had all the songs and the characters. But by the time we'd gotten it on the road and I'd been doing it for 18 months, oh God, I couldn't wait to move on to something else.
Glam really did plant seeds for a new identity. I think a lot of kids needed that - that sense of reinvention. Kids learned that however crazy you may think it is, there is a place for what you want to do and who you want to be.
One knew in advance that life in New York would not be easy‚ but there were cheap rents in cold-water lofts without heat‚ and the excitement of being here made up for those hardships. I didn't move to New York to make a fortune.
One knew in advance that life in New York would not be easy, but there were cheap rents in cold-water lofts without heat, and the excitement of being here made up for those hardships. I didn't move to New York to make a fortune.
We're not going to just duplicate 'Heavy Rain,' because we are passionate about innovation and discovery, so we're trying to discover new ground and see how we can move from 'Heavy Rain' and create something even more immersive.
I enjoyed living in Canada, where my husband comes from, because I was treated like any ordinary person. I became a volunteer at my children's school; I went into the classroom. It was very grounding. I got sick of being famous.
I'm probably never happier than when I'm by myself in the water. What I've worked and sacrificed for is not to be on stage playing music but to surf in some secluded place. It's a grounding element. Waves don't care who you are.
I can't wait to get out. It's been much too long, I don't like being home. I'd rather play. This tour is going to be really big. We're gonna have the biggest show we can have. It's gonna be different not like the old KISS shows.
From the beginning, I knew intuitively that if nothing else, music was safe, and that nobody could tell me anything about it. Music didn't need a middleman, whereas all the other things in school needed some kind of explanation.
In every language, the first word after "Mama!" that every kid learns to say is "Mine!" A system that doesn't allow ownership, that doesn't allow you to say "Mine!" when you grow up, has - to put in mildly - a fatal design flaw.
I would say that today, dishonesty is the rule, and honesty the exception. It could be, statistically, that more people are honest than dishonest, but the few that really control things are not honest, and that tips the balance.
The "intellectuals" will always have problems, because they always need to "know." They're often the most spiritually bankrupt people, because they never let go; they don't understand the meaning of "to transcend" the intellect.
Throughout much of our lives, our association with the temporary has risen. This transitory body, a sack of bones and flesh, is considered erroneously as our true body and we have accepted this temporary condition as conclusive.
Food is less important to me because I've learned to control my appetite to a great extent, simply by having my mind elsewhere. I find when I'm busy meditating on other aspects of my life I go without eating and I don't miss it.
Make your life your art. It doesn't have to be that you're an artist. I know I talk about art a lot, but I mean a very broad thing with that. You could be a veterinarian, that's your art. Find your art; find your thing you love.
Ray Toro is a very eccentric, crazy genius type guy. I think he's a genius. He just got this thing at the VMA. The way he played, it makes you go 'Jesus!' He's really sweet, really kind of lovable. He's like a cartoon character.
Almost everyone shuts down when science becomes too technical; you've got to infuse it with entertainment and storytelling to make it effective. From high school on, science is taught in a very dry manner, which isn't as potent.
The vocal arrangements are a big part of the formula for a Bad Religion song - layered harmonies and background vocals. So when I start to describe the elements of Bad Religion's sound, it starts to sound like a Christmas choir.
Humans are pretty amazing at living pretty much anywhere and so that makes me optimistic that perhaps humanity will be able to survive itself, because the reality is that we are going to have problems with water in this century.
I could fall in love with a cruel desert that kills without passion, a canyon full of scorpions, one thousand blinding arctic storms, a century sealed in a cave, a river of molten salt flowing down my throat. But never with you.
I have to keep moving I don't want to think I'm going to work all day today I don't want to stop Don't want to let my brain catch up my thoughts How will I be able to tell them that I'm a shadow A grey patch of cold rotting life
So many Americans, for one reason or another, they watch the news and it doesn't really give them the idea of the world. Or they don't read or travel. They have no idea that America is part of the world and not the world itself.
I once asked Ozzy Osbourne, truly one of my favorite people in the world, if he was cool with singing Black Sabbath songs year after year, whether he was performing with Black Sabbath or out on a solo tour. He said it was great.
What I consider to be the barometer for what is a rock artist and what is not, is somebody who has a certain element of blues, even a hint of soul or blues music, derivative of African-American blues, folk, spiritual, or gospel.
It's a really natural thing: The people closest in your life are the people you want the first opinions from. At the end of the day, if you're not trying to impress those people first, then I think there's something wrong there.
I pretty much started the lyrics and I hit a roadblock and I think Kerry finished them up. Then I came back and did the ending part. The whole 'Raining Blood.' That part. But it pretty much came together easy. It's a short song.
I read a bunch of books about Mengele because he was pretty sick. That was how 'Angel Of Death' came about. I know why people misinterpret it, just because we don't say Nazism is very bad. They get this knee-jerk reaction to it.