Quotes of All Topics . Occasions . Authors
Let's just say I'm like a ship passing through storms, resting in ports now and then until it's time to continue the journey. I once told a friend, `I'm just looking for an angel with a broken wing - one that couldn't fly away.'
The main thing that we're doing is thinking we can control anything, which is the biggest false assumption we can make. I think we can figure out how to tread a lot more lightly on the environment, and we'll be a lot better off.
Images of broken light which dance before me like a million eyes They call me on and on across the universe Thoughts meander like a restless wind inside a letter box They tumble blindly as they make their way across the universe
We thought being offered the M.B.E. [Member of the Order of the British Empire] was as funny as everybody else thought it was. Why? What for? We didn't believe it. It was a part we didn't want. We all met and agreed it was daft.
We need to hold onto that so that people can be told in the right way that they're going through these things [like tumors] early instead of discovering them late. Discovering important health news too late happens far too much.
Always when I write my music, I take my guitar, and I improvise always with a melody, you know, lyrics in Spanish. But sometimes I use some words in English. I don't know why. Maybe because I listen to a lot of music in English.
Any way that I can use my career or my platform to push along transgender visibility in the mainstream and society serves me on a personal level in that it will make day-to-day existence when I'm not doing this that much easier.
We've been around long enough that there have certainly been people at every stage of our career telling us about one or another record being influential to their lives in one way or another. It's always nice to hear that stuff.
My foundation is acoustic guitar, and it is finger-picking and all of that and sort of an orchestral style of playing. Lead guitar came later, more out of the necessity to do so because of expectations in a particular situation.
After the success of 'Rumours,' we were in this zone with this certain scale of success. By that point, the success detaches from the music, and the success becomes about the success. The phenomenon becomes about the phenomenon.
I wish that my life could be like the movies, like 'Bonnie and Clyde' or 'The Hunger' or 'Harold and Maude.' And... it can be! It maybe just takes somebody else who is as fearless as you. It takes a person who will not hesitate.
I had the lyric 'Chip Don't Go' and a few words, and my wife came in and said that it sounded like a good song. I thought I'd finish writing it up and posting it to YouTube. I didn't realize it was going to take off like it did.
I think, as an artist, you want to keep going - you want to keep taking challenges; you want to be pushed, in a way - and I think Sonic Evolution does that, it makes me feel a little uncomfortable and get out of my comfort zone.
If I have to travel, I'm going to travel my way and travel in the real world. And I'm going to have conversations every day with people in rest stops and people in gas stations and people in hotels and diners. That nourishes me.
With Sumthin Else Music Works, I wanted to spread the love and give newcomers a chance to make it because something that really helped me were all the people who had given me an opportunity when I was putting my career together.
I love to hear a choir. I love the humanity... to see the faces of real people devoting themselves to a piece of music. I like the teamwork. It makes me feel optimistic about the human race when I see them cooperating like that.
In my world [of fashion] there's more things that kind of affect it. There's the retailers we do business with, our own stores, my merchandising team... Everybody has opinions, and so you definitely have to filter through a lot.
I've written a lot of wordy, erudite, pretentious songs, but believe it or not, I'm usually doing my damnedest to resist the temptation to be overly "clever," and trying to keep things as accessible - and singable - as possible.
When I first started drumming, when I was 14 or 15, I started writing songs. I wrote for a couple of years, but when we started 'Radiohead' it became very apparent quite quickly that I just wanted to concentrate on the drumming.
Maybe you're a singer or not, but what taps into the soul leads to the heart, and that's really what I came away with, with the starting point for the record being that I could speak as a human being and feel things very deeply.
He thinks he is a flower to be looked at And when he pulls his frilly nylon pants right up tight He feels a dedicated follower of fashion. When a waiter at Buckingham Palace spilled soup on her dress: Never darken my Dior again!
I've always been playing with other people, and that's how I learned. I got a kit of drums I couldn't play, but I also knew a guitarist and a friend of mine played bass and could teach us bass, and we just played. And I learned.
You can't give up something you really believe in for financial reasons. If you die by the roadside - so be it. But at least you know you've tried. Ten minutes in the music scene was the equal of one hundred years outside of it.
I didn't want tunes that preach heaven: you know, life on Earth is bad and heaven is the only hope we have. I don't quite care for that. I mean, when people sing that stuff, it's good when they do it, but I didn't want to do it.
I am not a sexy woman, I'm not beautiful, I'm not a sex kitten, I don't flirt with people, yet I've been tagged more of sex symbol than women who truly are and I that's solely because I don't reveal too much: people are curious.
It is so hard for musicians when they step into acting is they're not coming in as a blank slate, they're coming in with a real set idea of who they are, where they're coming from, what their politics are, what their tastes are.
And then there's all these other creeps that surround your band and suck off you like leeches and try to manipulate you and your business. You have to watch like a hawk. I'm always ready to fight. I see it very much as a battle.
A pretty pivotal moment for me was having a songwriting class with Paul McCartney when I was at LIPA, and then being called in a few days later by the headmaster of the school to tell me that Paul McCartney likes what I'm doing.
[As a frontman ] I'm going to wear leather pants and get blowjobs in the studio. That would be nice. They are definitely not cool, but I like them. I don't listen to them, but I like them when I hear them on the radio, normally.
You gotta pick yourself up. Sometimes you just gotta do it over and over, but you gotta do it. You can't give up. I wouldn't give up. I didn't give up - or doubt myself - in becoming a successful musician with a successful band.
C-17s should be ready to go at various military bases around the world packed with water, food, medical supplies, sleeping bags and tents, all prepared to be air dropped in alongside soldiers and doctors to begin relief efforts.
I think I have my own sort of distinctive swing, for sure. I think that's something that comes really natural to me, to push against the beat and kind of explore a triplet feel behind everything just to see what that feels like.
The problem is, I cannot meditate. That's the one thing I can't do. That's the thing that's driving me nuts. I have a house by the sea, and I can sit and listen to the sound of the sea and eventually... but I can't really do it.
I grew up learning Russian and translating English songs when I became a teenager, we got to listen to West Germany radio stations, and learning lyrics with picture book. These are my first experiences with the English language.
My favorite record shop was called Recommended Records, in South London near where I lived - they did all the original Faust reissues that came out in 1979, and they also did a lot of Sun Ra stuff. They were a great record shop.
TV does not care about you or what happens to you. It's downright bad for your health now, and that's not a far-out concept. I think watching the TV news is bad for you. It is bad for your physical health and your mental health.
When I was 20, I thought anyone in the music business over 25 is past it. Then at 30, you think anyone still doing it at 35 is ridiculous. Suddenly, you find yourself at 48 and still doing it, so I dont know what to say, really.
Originally, we had a band known as Steely Dan. As we moved away from the band, we got whoever was appropriate for specific tunes. In a lot of cases, we gravitated toward jazz players who had more sophisticated harmonic concepts.
Hard times don't necessarily mean being poor all the time. I've known people that was a part of a family and always feel that the family likes everybody else but them. That hurts and that's as deep a hurt as you can possibly get.
There was a lot of other young players around at that time when I was coming, but there was older people like Blind Lemon, which was one of my favorites. I don't know, just seemed like everybody I heard could play better than me.
I'm more careful about my hands than about what I eat and most anything else, because my hands have been my living. My hands have been able to help me learn. My hands have taken me around the world. So I'm very proud of my hands.
If I'm going to make music and put my heart and soul into this and dedicate my whole life to it, I want to be making something that 15, 20, 30 years from now, somebody is listening to and that is a staple of the time it came out.
Praise be to Nero's Neptune The Titanic sails at dawn And everybody's shouting "Which Side Are You On?" And Ezra Pound and T.S. Eliot Fighting in the captain's tower While calypso singers laugh at them And fishermen hold flowers.
What's interesting is a lot of the older music when we start performing it, it acts a lot like muscle memory. It's kind of like riding a bike. For me as a singer, I just had to remember like what part of my face I sang that into.
One night, I pissed into an empty wine bottle so I could continue watching Monty Python, and suddenly thought 'I've never tasted my own piss,' so I drank a little. It looked just like Orvieto Classico and tasted of nearly nothing
I don't like to write rhetorically or get on a soapbox. I try to make the stuff multi-layered, so that it always has a life outside its social context. I don't believe that you can tell people anything; you can only draw them in.
Atom bombs, something's wrong. D.E.A sent to Guam. Acid Trips, big fat chics. Purple Finstone Vitamins.All the needy rich are greedy. I find out you don't need me. Berlin wall starts to fall. I trip out to the wall. Hooray Horrah
When I was eight, my piano teacher played seven or eight notes, and I sang them. She stopped and looked at me in shock! That was the first time I'd gotten that reaction. I'd had looks of horror, but never shock in a positive way.
Those Laurel Canyon days were great. I have a real fondness for that era, 'til about '68. Musically, it was wonderful, and there was this great innocence, an idyllic view of the world. After that, everything got a little... edgy.
I throw a Christmas party at my house. It's not really a Christmas party, because I don't want to call it a Christmas party. But let's just say I put a lot I wanted an electric train for Christmas but I got the saxophone instead.