The Tibetan Book of Living and Dying says that death is the graduation ceremony, while living is just a long course in learning and preparing for the next journey. If we acknowledge death as the beginning, then how can we fear it?

Even in the nineties, when it was mad and there were photographers all around the house, it never occurred to me to send someone else out to get cigarettes. It took me five minutes - went for a walk, gave a wave, went back inside.

Pete Ham in the group was a very good writer. He wrote the Nilsson song "Without You", which is a seriously good song. But the poor fellow topped himself. He was a lovely bloke, I can still see him now. It was a terrible loss.

The first thing I bought that was really stylish was in 1969 when I was eleven. I saved up for a black, grey and white tie-dye grandad vest. It was too big - they weren't catering for kids my age - and hung off me, but I loved it.

I didn't even know the industry of songwriting existed. I thought everybody sang songs and they were only singing the songs that they wrote. So after I found out about songwriting in college, I was like, "Okay, I want to do that."

I saw Ronnie Hawkins play near my hometown, Port Dover, Ontario, and I saw him play there on New Year's Eve and the following spring I booked myself to be his opening act on maybe five shows, and he hired me after the first night.

Rock guitar has been around for decades now, and there are so many strong traditions, and so much of it is just burned into my fingers. So, nine times out of 10, when I pick up the guitar to jam something, it sounds pretty cliche.

And there are certain songs that are really timepieces and shouldn't be touched. But some of them are a celebration of good humour and sensibility and I think that's okay. I don't care about the past, I'm a musician with ambition.

I understand people who say, 'There is no Queen without Freddie. Just leave it be.' Because that's what we felt, following his death. All three of us said, 'Right, that's the end of the band.' But the band just didn't seem to die.

The bigtime for you is just around the corner. They told me that first in 1952 - boy, its been a long corner. If I dont hit the bigtime in the next 25 or 30 years, Im gonna pack in the music business and become a full-time gigolo.

The only time I think I've ever gotten sick of playing Guns and Roses songs really was during - after having played them in Guns and Roses, and then in Snakepit, and then playing 'It's So Easy' and 'Brownstone' in Velvet Revolver.

For now ACID Kreationz has only one body and that's me. I have intentions of hiring persons when I am through with university. For now it is only me but off and on I contract sound producers and other persons when the need arises.

Parenthood and having kids puts you in touch with a whole other sort of sensitivity which is nothing but good. You feel more than you ever felt. You feel that vulnerability, but at the same time you wouldn't trade it for anything.

In other words, I'd say the whole story of Bob Dylan is one man's search for God. The turns and the steps he takes to find God are his business. I think he went to a study group at the Vineyard, and it created a lot of excitement.

It was psychobabbler Abraham Maslow who wrote of the phenomena of self-actualization. What Maslow failed to grasp is that reaching true self-actualization can only be ultimately achieved when you have your own brand of ammunition.

The band name came about when the original vocalist died when a huge radio fell on his head. He trotted about for a while dancing with the radio on his head, before he died of asphyxiation and blood loss. *Laughs* it was hilarious

It took me a while to get an electric guitar and a bass and amps and stuff. Playing the acoustic guitar was much easier and more affordable. But I was always listening to the radio and was interested in all the rock and pop music.

Yeah, about sixteen to twenty weeks a year. For example, we can do America in six or seven weeks. You can do Europe in three weeks; England in two weeks. South America you could do in three weeks; Asia you could do in three weeks.

You got this new breed of hipster chicks and hipster men that don't understand anything about sacrifice. They didn't lay it on the line. People like Cat Power, Tom Waits, they are the last of the beats, the real true philosophers.

One day my wife went and saw the accountant and said she's pulling the plug. She said you guys are done. I said, how bad can it be? 10 grand? She said you're not even close. It came out to almost $50,000 in alcohol for two months.

Food is one of life's really great pleasures. My 20th birthday party was all about booze, my 30th birthday was about drugs, and now I realise that my 40s are about food. It's something you appreciate more and more as you get older.

I have some irrepressible pop impulses to write an appealing, concise song. And I also have some irrepressible kind of restlessness as well, and I need to keep myself interested. When I'm left to my own devices, there's a struggle.

I was always falling in love at a very young age - kindergarten is when I can remember. There was always a crush. And when I was in sixth grade, I started picking up guitar, so I started wanting to write about it and sing about it.

Sometimes things in life take a few years to digest, and they find their way into the work later on. Sometimes I'm writing about things from eight years ago-they just took a long time to distill and come out in the appropriate way.

I was very rebellious, but my family was strict Christians - they would ask us, "What's the shortest verse in the Bible?" and I was the one who always said "John 11:35" straightaway. It stayed with me, the Bible has stayed with me.

My career has been different from most people, but I knew what I was not going to do. I knew I was not going to be controlled. I knew there was a price for this, but I did not know there was as large a price as it turned out to be.

Now the wintertime is coming The windows are filled with frost I went to tell everybody But I could not get across Well, I wanna be your lover, baby I don't wanna be your boss Don't say I never warned you When your train gets lost.

The confessional singer-songwriter movement of the 1970s was in full swing, and Bob Dylan's emotional album [ Blood on the Tracks] resonated with the times. There would be other hits, but never the same alchemy of emotion and time.

I know that if I had a television in my flat I would convince myself that everything on it was really interesting. I would say, 'I'm a Celebrity - Get Me Out of Here!' is so sociologically fascinating that I think I'd better watch.

Keyboardists whose chief asset is mere technique . . . more often than not astound us with their prowess without ever touching our sensibilities. They overwhelm our hearing without satisfying it and stun the mind without moving it.

I don't like streaming. I hate all that crap. I'd rather be a fan and have the piece in front of you where you could read the liner notes and everything about it instead of just consume. Enjoy it that way. It's just a digital file.

Whether you like modern incarnations of what country radio hits are, or you like what I'm doing, or you like something really off in folk, poetry Americana land, it's all just music, man. If you like one of them, great - go buy it.

If there's one kind of music that makes somebody happy, how is that a bad thing? And if there's another kind that makes somebody else happy, how is that a bad thing? I don't get why anybody cares about what they don't like so much.

Brother will kill brother, spill blood across the land. Killing for religion, something I don't understand. Fools like me who cross the sea and come to foreign lands, ask the sheep for their beliefs; 'Do you kill on God's command?'

You know, we were worried that in the UK, there's no anarchy on kids TV. When we grew up kids TV was very anarchic and it was about stuff that your parents would probably object to, if they got to object. And it's gotten very safe.

I want to make hand-held music, undiminished by the need to make everybody in the world listen at once. The goal is to ride into the sunset, stereo blasting, and all of what's got you worried will disappear in the rear view mirror!

I remember talking with Arcade Fire after their first record, when they were getting all kinds of offers from major labels, and I don't think I gave them any advice. They survived that whole onslaught pretty well anyway without me.

I've noticed that, while I can't help but respect and sort of envy the moral nerve of people who truly do not care what others think of them, people like this also make me nervous, and I tend to do my admiring from a safe distance.

I have a certain temperament, a disposition that I think lends itself to not playing outside the lines that much. But I do test the boundaries, certainly, and break one or two of my own. Some people are mystified by it, but not me.

If you run out of new ideas when you are very young, then it's a problem of talent; If you run out of new ideas when you get older, it may be that there's nothing left to say, or it may be that core ideas demand repeated attention.

You don't even have to leave your house: you do your work from your house; you can order anything you want from your house; you don't have to leave your chair. Everything's been designed so that you never leave your computer chair.

'Epicloud' is the first record that I felt confident enough to include all those things on one record, so it goes between melodic hard rock to schizophrenic heavy metal to country to really ambient stuff, and it's all in one place.

When my grandfather died, I was on tour, and I didn't go to the funeral. I never got to say goodbye, and this is one of the problems of being in a rock band is that you're away, and your loved ones die, and you can't even see them.

When I first left the Eagles, I said, 'That's it. I'm going to play golf.' After 10 days, it was like... there has to be more to life! I can still swing a golf club, and don't forget, Les Paul played until he literally passed away.

I do love the term 'rocker.' The word itself imbues a ton of imagery and romance. But I don't think a rocker needs to have AC/DC and Metallica and the Black Keys rumbling through their car speakers speeding headlong into the night.

When I was first starting out, you'd have to bang an old upright piano and stick a mike in it and it would always feed back and you could never turn it up loud enough to be heard and I would beat my hands black and blue and bloody.

Decades of indoctrination, manipulation, censorship and KGB excursions haven't altered this fact: People want a piece of their own little Something-or-Other, and, if they don't get it, have a tendency to initiate counterrevolution.

The first song I wrote, in fifth grade, was totally ripped from Jeffrey Lewis. My aunt's boyfriend gave me bass lessons, and I played drums for a year in sixth grade. Around seventh grade, I got a guitar and forgot everything else.

I did play with Dr. Strangely Strange a couple of years ago - that difficult third album, 'Alternative Medicine,' 1997. It was great to see them all. They're very special people and they were very good to me in Dublin in the 1960s.

Then, once I have lyrics, being able to shape them around a song is nothing new for me, I've been doing that for 25 years. The soul searching part of it, the spontaneous part of it, that was, and remains, a really terrific process.

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