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These musicians, such as these Cubans in Havana, are a part of a scene that did produce great music and great musicians. They came from this tradition, so it's a good place to look. It's like prospecting: You gotta know where to look.
Santa Monica, where I have always lived, is not a town where you will find storefront Church of God in Christ churches. So, the whole idea of gospel quartet singing is something I never knew existed until I began to hear it on record.
I've changed the way I look at things. When I put out a record or single I don't allow myself to set up expectations like, "This song must be a number one hit. Its got to sell X amount of records." I have fallen into that trap before.
Someone like me shouldnt be diagnosed with breast cancer, thats what was going through my mind. I wasnt thinking about a diagnosis. I was just doing what I was supposed to do, which was staying on top of my mammograms. It was a shock.
I am married and I have two kids now, and I love them all to death. So I am trying to put all that together and maintain the same pace I've been keeping. But really, I relish what we do. A year and a half sounds like a cakewalk to me.
Well, you know, it's a younger person, and it was maybe an effort to be a little more sincere and adult about the lyrics occasionally, which is a good thing. It's nice that it's not too self-conscious like some of our lyrics could be.
Extending our lives, extending our creativity, opening up the mysteries of the brain. All those things that are really exciting - that's kind of the basis of 'Neon Future,' and that's why I interviewed Ray Kurzweil and Aubrey de Grey.
If the Police could do a reunion... One of the biggest jerks I ever met was Sting. If he can do it, then anyone can do it. It's not that big a deal. And the Eagles! They did it! They severely hated each other. It's just rock and roll.
Sometimes there's no qualitative difference between two-and-a-half and three-and-a-half hour shows. It's just a matter of how long you do it. It's not like the show must be three hours and 30 minutes to work. That's just not the case.
People who like progressive music tend to sneer at the idea of a kind of punk aesthetic, and people who like alternative indie rock or punk rock tend to sneer at what they see as the pretentiousness and pomposity of progressive music.
All I ever wanted to do was music, and all I've ever asked, as I've gotten to know and discover the world more, is that God would use me in any way to encourage and inspire love and inspire people to bring and give love to each other.
I think if you exercise, your state of mind - my state of mind - is usually more at ease, ready for more mental challenges. Once I get the physical stuff out of the way it always seems like I have more calmness and better self-esteem.
We don't have a lot of time to practice, but yeah, we need to find a keyboard over there, or else I need to bring one. We're intending to do so. I don't want to let you down and say that we 100% are, but yes, we're intending to do so.
Hunting Bears is a complex song. A bear, as you know is another term for a chubby chaser. The guitar line is actually the sound of a fat man's thighs rubbing together as he approaches another lardy male for a night of sexual deviance.
If I was completely satisfied with an album, I'd probably give it up, because that'd mean I had attained some kind of state that was greater than I'd ever hope, so I think I'd just give it up. But I don't think that's going to happen.
It became a bit of a challenge to make an album that is essentially quite alternative sounding, and has a lot of sounds that could be guitar - for instance on "Overjoyed," there's what sounds like guitar but is actually a lot of keys.
We wanted to incorporate lights and the like to really accentuate the music. We play mostly small venues, so we don't use it overboard by any means. The most important thing is the music. I think we do a good job of letting that show.
We're not the kind of people to just take a break and say everything's going good, you know, let's rest on our laurels, act like rock stars - we take it very seriously, and we certainly aren't just celebrating and doing a victory lap.
There's people who think what they need and what they deserve in their lives is a lot worse than what they actually do, so they get themselves involved in things that are needlessly painful: brutal relationships, abusive relationships.
You know, we have a long history of covering different periods of this band's development with a live record... a sort of live thing that would be done for three or four records, and that was the intention with this particular package.
You're always frustrated, you don't have the chance to do a song on the album, like the Beatles did with Ringo and George, or like Led Zeppelin, where everybody was given a chance to contribute. There never is a chance with the Stones.
About six months ago, I listened to Siamese Dream. That was the first time I'd ever really heard my own album, because I had separated from the experience of making the record. And it really moved me. It made me cry, it's so beautiful.
When you present people with things from the heart and from the soul, they make better choices: They make better choices about their bodies, they make better choices about their partners, they make better choices about the environment.
Lightnin' Hopkins taught us, "the rubber on a wheel is faster than the rubber on a heel" and Muddy Waters taught us "you don't have to be the best one; just be a good 'un" .. that just about says it all, always strive to be a good 'un.
My songs are personal music, they're not communal. I wouldn't want people singing along with me. It would sound funny. I'm not playing campfire meetings. I don't remember anyone singing along with Elvis, Carl Perkins or Little Richard.
When we got with George, he didn't care what was happening. He liked how crazy we were looking and dressing. I kinda liked being with George more so at the time, because George let us do what we wanted to do. But I needed both lessons.
A band that makes records and tours is also a business. That's usually where a lot of disagreements come. It's four guys who are musicians and don't really know much about business, but are very passionate and have very specific ideas.
The only person stopping you from doing something is yourself, and looking for excuses all the time just gets in the way of obtaining your own goals. It's like the writer who keeps getting up and straightening the pictures in the room.
When you seek to destroy somebody, all you do is empower them, because they feel like, 'you see? They don't want us to have our rights to feel the way we want to feel.' And they get more and more emboldened and more and more empowered.
The artistic side of our family was very important because one person encourages the other. It was a vey enlightening place to be as a kid because of all the music and dancing, and my dad played banjo; my sisters played piano and sang.
If you're going to reach for it, reach all the way for it. Albums like 'Purple Rain' and 'Thriller' and those kind of records, you had to reach far above the din of cynicism and modern living to get to that place, against all the odds.
I write about what is getting to me at the time, about the things you need to talk about, but which would sound silly if you sat down and told them to your friend. I only write for myself, to get my emotions out. It's self-therapeutic.
I always loved writing, but I feel like I really started writing when I got my BlackBerry . It was the first time I could take these crazy thoughts in my head and actually get them out. This little device became my journal on the road.
I'm not a rock star. Sure I am, to a certain extent because of the situation, but when kids ask me how it feels to be a rock star, I say leave me alone, I'm not a rock star. I'm not in it for the fame, I'm in it because I like to play.
I remember hearing Sonny Terry and Brownie McGhee, Big Bill Broonzy, Chuck Berry and Bo Diddley and not really knowing anything about the geography or the culture of the music. But for some reason it did something to me - it resonated.
I think part of our faults as humans is that we are very arrogant and I think we have taken many things for granted because of the way European have taken us, which is a failure and for them to totally come out and accept is a failure.
I can’t worry too much about the everyday things. Otherwise I’d lose touch with my own world, that helps me as an artist, but it’s frustrating for the people around me. I’m vaguely functional, but there’s always something slightly off.
I love performing outside because it's as if the heavens are open and the elements become part of the stage show as well - you know, the wind and the rain and the thunder. It's almost as if there's a sense of invocation in performance.
The way my body is viewed in the world is different than a male body. People are going to write about the performance, but they're probably also going to be writing about what I was wearing or my hair, which just doesn't happen to men.
We laughed a lot. That's one thing we forgot about for a few years - laughing. When we went through all the lawsuits, it looked as if everything was bleak, but when I think back to before that, I remember we used to laugh all the time.
When I did The Umbrella Academy, I studied Gabriel Bá's art. I said, "Oh, this is what he likes to do here. Maybe I can push him to do a little more of this." You can play to those strengths. It's a different scenario with each artist.
People are still very uncomfortable with the idea that humans are not specially created species. I believe we are a fantastic species. But we are not created specially. That's very hard for people to accept in their day-to-day routine.
Certain things you learn through exposure. It's really the elements which make up any artist. You really learn by example. You learn by influence. And some people have a huge impact on you, and that's how you become the artist you are.
Sitting in a room, alone, listening to a CD is to be lonely. Sitting in a room alone with an LP crackling away, or sitting next to the turntable listening to a song at a time via 7-inch single is enjoying the sublime state of solitude.
Airports in major cities, like LAX, are trippy environments. It is at once a national and international gathering of those in transition: The euphoric, emerging from planes, their journey at an end, and the determined, about to depart.
Culture shouldn't be a pacifying thing. It shouldn't be something that you just passively accept. I think it should be something that, in some ways, is quite disruptive - makes you think and question things, and actually sparks debate.
Authority is supposedly grounded in wisdom, but I could see from a very early age that authority was only a system of control and it didn't have any inherent wisdom. I quickly realised that you either became a power or you were crushed
As much as I cherish your [McCarthy's] right to a platform as an independent candidate I am not going to sit here quietly and listen to you denigrate the two party system. It has served our country well over the last two hundred years.
I did a lot of music criticism. I don't think much of it was any good. I think I wanted to show off a lot when I was younger. Now I just want people to enjoy the story. If it were possible to publish anonymously, that would be awesome.
The best ones - Hulk Hogan believes in Hulkamania. It's not a thing he's selling here. It's real. He knows it's real because he goes to the Mall Of America and everybody goes insane, right? Wrestling is real. Those characters are real.