Quotes of All Topics . Occasions . Authors
I've always said the bass just happens to be the crayon I picked out of the box. I'd still be drawing the same pictures... should I have picked trumpet or accordion or guitar, whatever it may be. The sounds in my head are still the same.
You just get out there and be what you want to be. That's part of evolving and part of staying true to yourself - part of remaining alive in a real authentic, long-term sense creatively: not listening to what other people tell you to be.
You know, some people got no choice, and they can never find a voice, to talk with that they can even call their own. So the first thing that they see, that allows them the right to be, why they follow it, you know, it's called bad luck.
I'm writing about real things. Real people. Real characters. You have to believe what I write about is true or you wouldn't pay any attention at all. Sometimes it's me, or a composite of me and other people. Sometimes it's not me at all.
If there's something I really like or a chord progression, I write a note in my Blackberry, and maybe a year later, I'll revisit it and ask, 'What did I like about that?' I really don't try to think too much about it. I like to be fresh.
Some bands write and it is just the singer and the guitarist that do it all and then the rest of the band follows their vision. This is cool, and as you know I have been part of a few amazing bands that did this and I am not complaining.
People drink to numb the pain and suffering. I think it's the pain and suffering that drive you to become an artist. The art itself should be the pain, sort of exorcising every demon and making you feel like you're a person that matters.
People love to judge, as long as they have somebody else to judge they don't give in and answer with hate would drag me down, it would simply put me into the same position they are, I don't believe that their position is an enviable one!
Yeah, well, I guess Andy Williams would be considered by some to be schmaltzy, but to me, he's one of the greatest singers of all time. Just absolutely amazing. And if anyone doesn't believe me, just YouTube him. He's just one of a kind.
Unless you seek out help for your symptoms, you'll never really know that that's not how everyone feels. You go through life thinking that this is how you feel in certain situations and that I can ease the tensions by doing this or that.
We need to keep government small, but we also need to keep the influence of big business small, and we need to keep the power in the hands of the people, where it belongs. Big government and big business aren't the only two alternatives.
People also like partnerships because they can identify with the drama of two people in partnership. They can feed off a partnership, and that keeps people entertained. Besides, if you have a successful partnership, it's self-sustaining.
If you've been playing for a few years, especially in a group context, you'll see if you have the ability or the passion to want to carry on. It's something that you have to be dedicated to and you've got to love, no matter what happens.
I wanted to start doing more music, doing more things than just playing guitar. I started taking singing lessons and piano lessons. I need to learn more things, to be an artist or whatever, and then transfer that back into writing songs.
Lost in Static 18 And the storm is closing in now Automatic 18 - Got to push through - Trapped in living hell You're a prisoner of the dark sky The propeller blades are still And the evil eye of the hurricane's Coming in now for the kill
I really enjoy it - it's like a videogame on wheels. The GPS touch screen is one of the most entertaining things I've ever seen in a car. I still have a Range Rover that I don't drive much anymore, because I started feeling bad about it.
I just love doing radio. I've learned to be more vulnerable through radio than even I've been through books and writing lyrics. It's a different type of experience where, if I'm writing a lyric, I can sort of hide behind it a little bit.
It's not unusual for writers to look backward. Because that's your pool of resources. If you were to write something now, I bet there's a pretty good chance you'd call on your teenage years, your experiences then, stuff you learned then.
If, as some savants of consciousness suggest, we are actually agreeing to create, from moment to moment, everything we perceive as real, then it stands to reason that we're also responsible for keeping it going in some harmonious manner.
And that format was - we'd been using that format, I guess, since the late '70s, and it was starting to get very predictable. In other words, certain songs would surface in the same points in the set every so often; it was like rotation.
Adbusters' is my favourite reading material, so as soon as you go there, the synapses start firing in a different way. You start taking on things that sometimes I feel are out of our control. That's what basically fuels my creative side.
The homosexual community wants me to be gay. The heterosexual community wants me to be straight. Every [writer] thinks, "I'm the journalist who's going to make him talk". I pray for them. I pray that they get a life and stop living mine!
In some ways, I feel like I was Nirvana's biggest fan in the Nineties. I'm sure there are a zillion people who would make that claim, but I was just so passionately in love with the music that it made me feel sick. It made my heart hurt.
Yeah, I think the point has well and truly sunk in by now, and I can just carry on. I don't even know what I'm looking for except a bit of hilarity and mild insanity musically, and I can get none of that by just delving into the history.
There have been crazy highs and lows in my life. I've duelled with drug addiction and watched people dying... like everybody. I'm not saying it's an exceptionally dramatic peaks-and-valleys kind of life but there's a lot of it, honestly.
A guitar for me is pretty much strictly in the context of writing songs for my band, coming up with ideas with my band, and then being able to perform those songs as best as I can on stage - that's what the guitar for me has always been.
How you present yourself is nobody's business but your own. The stylists have an opinion. The hair people have an opinion. The fans and the management have opinions. Ultimately, you have to trust that you are the safe-keeper of yourself.
I am a reformed Taoist, part-time Buddhist, Hindu, animist, pagan, Jewish mystic, and Christian. I always got along great with priests and rabbis and mullahs and gurus, even though I spend most of my life constructively criticizing them.
I grew up with vinyl records and remember the pleasure and the kind of buzz that I got from buying a beautiful vinyl record with the sleeve and the lyrics - all that kind of tactile experience that you could get from an old vinyl record.
This is like one thing that I've tried to do, and I think successfully, that when you realize that nothing really belongs to you, you begin to appreciate having an understanding of just where your head is at, and you feel so much better.
You've got to remember that 25 is a great time because, you know, you're passed that 21 thing and it's a high point, a high peak, in life where you're old enough to say what you have discovered, but you're still open to discovering more.
My father was a studio musician, played for a lot of people like Frank Zappa and a lot of R&B bands, and was always gone doing that. Then when he was home, he was practicing. And so I always saw it, and I always wanted to do what he did.
The Alanis Morissette tour, everybody thinks that was all sitting around, lighting candles and talking intelligently about synergy and big words. That band was so gnarly. We were such scumbags. Alanis had no idea. We were like Van Halen.
There are hundreds of millions of gun owners in this country, and not one of them will have an accident today. The only misuse of guns comes in environments where there are drugs, alcohol, bad parents, and undisciplined children. Period.
Yeah, after making Pablo Honey, we started experimenting with cloning myself in order to double the band's creative energy. However, the experiment was a failure, and the defective Thom Yorke clone escaped. And formed a band called Muse.
I had a series of mini-breakdowns where the public persona - this thing, this face, this person who writes this music... I would walk past that person in the mirror or listen to that person playing guitar and I didn't know who they were.
I've never worked hands-on with a producer. I've been on my own writing, just taking beats and doing what I have to do. I've been on my own. To have Timbaland invite me in and say that 'I want to work with you' is amazing. He's a legend.
What gets people into trouble with records now is that they want to build something up without substantial musical ideas. Without that as a foundation, you can add all the layers of sound you want - it's still going to sound like a mess.
Everything is this distorted mishmash of pop culture that pulls from this era and that era and is just thrown at the wall. These people have no clue what anything really means. There are guys out there getting a million hits for a video.
When we called each other and got the call that Jimmy had died, literally, it all ended right there. Everything we've ever known as human beings, everything we've ever known as a band, changes at that moment, and you can't think clearly.
You know, we had problems like any other family, so I'm really similar to a lot of people out there. It's kind of why I feel like if a song is relatable to me, it's most likely gonna be something a lot of other people are gonna relate to.
I don't know how to explain it, but when you're working on something constantly, and you're digging in deep, things kind of fall in, and you grab them, and you're like, 'That one!' and 'That thing!' and it starts to build something right.
Cinema, which is influenced by every single part of life, is direct and reaches you immediately. And writing - the best writing is complex ideas communicated concisely. And music - if it's a good tune, make sure people can bloody hear it!
Cinema, which is influenced by every single part of life, is direct and reaches you immediately. And writing - the best writing is complex ideas communicated concisely. And music - if it's a good tune, make sure people can bloody hear it.
I really don't feel the need to be in the Rock and Roll Hall of Fame because, at the end of the day, it's just somebody's Rock and Roll Hall of Fame. They have a particular process, and they're welcome to do it however they want to do it.
I don't feel super attached to a certain time when I hear the music. Some of the songs I still play live and, through that I feel like I've been able to have it move with me through my life as opposed to being just a little piece of time.
Love hurts the most when you really love. Sometimes you think you're in love, and then you find out that you're not because you're not really hurting. But when it's real love, then it's gonna hurt. It's supposed to hurt because it's real.
Obviously everybody knows that I'm an original songwriter and I got my band. And the guys in 'Sugar Money,' no matter what, are part of my family and they always got something to do with me, and I don't care if they just hang out with me.
Once I can focus in on something, I just play it in my mind until an idea comes from out of nowhere, and it's usually the key to the whole song. It's the idea that matters. It's like electricity was around long before Edison harnessed it.
When every day became a hangover and when you look at yourself in the mirror and go 'I don't like how you're coming across to people.' and when every day just started to feel the same. After the 50th shag, it doesn't mean so much anymore.